SARAH
KANE Blasted
A play first
performed at the Royal Court Theatre Upstairs, London, on 12 January 1995. It
is a contemporary play written in prose and constituted by five scenes.
IAN: A young Welshman who has always lived in Leeds. He is a
killer even though his legal job is as a journalist. He is quite sharp and
unsensitive in his saying and has some racist and fascist ideas. He used to
have an affair with Cate which ended time ago. Now he feels he loves her and it
seems he wants to resume their relationship.
CATE: A young woman from the South. She is, maybe because of
her age, somewhat ingenuous and weak when she is with Ian. He insults her and
makes her angry quite often. She also has some psychological problems which
carry her to reasonless hysterical laughing, repentine faints and some other
weird behaviour.
SOLDIER: A uncompassionate soldier who boasts about the terrible
crimes he has commited. He is cruel and senseless. He has become and animal,
reckonless, and instinctive because of his experience as a soldier.
Next morning they wake up and she finally
accepts to have sex with him. Then he confesses he is a killer and she hurts
him. After having breakfast, she goes to have a bath and somebody knocks on the
door. Ian goes to open and a soldier comes in. He looks for the girl but she
has already escaped.
The hotel room has been blown up by a mortar
bomb. The soldier starts to brag about all kinds of atrocities he has
committed. Afterwards, the soldier rapes Ian. After this, he just sucks Ian’s
eyes and eats them.
The soldier commits suicide with his own gun.
Cate enters the room and sees Ian. She is carrying a baby. Ian asks her to stay
with him as he feels helpless and really bad. He wants to commit suicide
himself but Cate removes all the bullets off before giving him the gun.
The baby has died on Cate’s arms and she
buries it. She leaves for something to eat. Meanwhile, Ian starts to behave
senseless and hysterical. He ends up eating the baby’s corpse. Cate comes back
seeming to have been raped. She carries some food which she shares with Ian.
SPACE: The play is developed just in one space. This
makes the play not being so attractive as other plays are.
TIME: This play is really up-to-date. Other plays or
books are also about the same topic, but this play differences the others.
LITERARY RESOURCES: There are not concrete features of stylistic
resources, but we can notice a really big amount of violence and energy on the
writing. A resource may be the way Cate speaks when she is nervous and she
starts to stammer.
Academic year 2005/2006
© a.r.e.a./Dr.Vicente Forés López
© Aina García Coll
Universitat de València Press
aigari@alumni.uv.es