Aina García Coll
aigari@alumni.uv.es
CARYL CHURCHILL Far Away
A play first performed at the Royal
Court Jerwood Theatre Upstairs,
DRAMATIS
PERSONAE:
JOAN: She is presented as a young innocent girl
in the first act. She is still a child but is smart and awake and not easy to
lie to. Therefore, she asks uneasy questions to her aunt and tries to discover
what happens around pretending to believe the lies she tells her to come
afterwards with facts which bring to the light their falsedom.
Later, she will appear as a young woman who works as a hat-maker. She is not
very combative and accepts her bad situation. However, she will resign if his
more combative partner Todd is fired.
HARPER: She is Joan’s aunt. She is immersed in a kind of organisation or something which is in war nowadays. Then she is really aware about who could or could not be her friend. Moreover, she will strongly consider herself on the “good”’s side and therefore considers she has the right to give support to the commitment of murders and crimes on the “bad”’s side.
TODD: He is Joan’s work companion in
hat-making. He is quite concerned about his working situation and does not want
to accept it as he has been working as a hat-maker for many years. He has a
combative mind and will try to better his situation. In the third act, though,
he talks with Harper about that nonsensical war they are immersed in. He seems
to be quite aware and concerned about the ones on his and Harper’s side.
PLOT: Joan is with her aunt Harper about going
to bed. She then starts asking her aunt about some strange things she has seen
happening in the house that night. She has seen her uncle pushing and hitting
some people from a lorry into the shed. Her aunt answers that she has found a
secret and that her uncle is helping those people escape. However, the girl
keeps asking questions about what she has seen even though her aunt will just
answer they are on the side of the people who are putting things right.
Time has
passed. Joan has grown up and is now a hat-maker with her friend Todd. They are
making hats for a parade. They discuss the way they are treated and payed for them. They continue decorating the hats and are
playing a kind of game about talking about themselves. They are finishing the
hats which have become big and extravagant. They recall that about the way they
are paid and the corruptness of their management. The hats have got really big.
Todd is going to talk to the manager about their wages. The hats are for a
procession of chained prisoners who are shown on their way to execution. They
continue with new hats. It seems they have won a prize for the beauty of their
hats. Todd tells Joan about his conversation with the boss. He said that those
things should be “thought about”. Joan tells him that if he looses his job she
will resign.
Some years later. Harper and Todd are in Harper house. They make a review around who is
in “their side”. They talk about animals, jobs, etc…in a kind of everything’s
war where even the physical and meteorological phenomena are on one of the
sides.
SPACE: The play is developed in two
different spaces. First, characters are in Harper’s house. After that they go
to a hat factory to come back to the end of the play to Harper’s house.
TIME:
The play is not
continuous. Each act talks about a period. Between them there are differences
of months or even years as we can see when the author says “several years
later” to introduce and locate us in a new act.
LITERARY
RESOURCES: Language is simple but it has some
metaphors that could be difficult to understand.
It is also interesting to see the way in which Caryl Churchill, considered as a socialist player, introduces fairly something about the explotation of workers and corruptness of the managers. And also their inability to fight against those behaviours towards them without risking too much.
Finally, it is a great ending the one in the third act. Recalling something simmilar to the first act, the two characters discuss who knows best the side on which they are, and make a funny great review of a world in which everyone belongs to one side which is compulsorily set at odds with another side. The funny thing is that it sounds absurd. The tragic thing is that it is more realistic than it seems. They try to re-affirm themselves on the good side, “You don’t know which side I’m on?”, to justify the massacres they commit. As I said I consider this very realistic and a great metaphoric way to see our current world situation.