Part 1 Summary:
The narrator introduces himself as Robinson Crusoe.
He was born in 1632 in the city of York to a good family. His father is
a foreigner who made money in merchandise before settling to down and marrying
his mother, whose surname is Robinson. His true last name is Kreutznaer,
but has been corrupted into Crusoe by the English. There are two older
brothers in the family; one died in the English regiment, and Robinson
does not know what became of the other.
Crusoe's father has designed him for the law,
but early on his head is filled with "rambling thoughts" of going to sea.
No advice or entreaties can diminish his desire. His father gives him "excellent
advice and counsel," telling him that only men of desperate and superior
fortunes go abroad in search of adventures, and that he is too high or
too low for such activities. His station is the middle station, a state
which all figures, great and small, will envy eventually, and his happiness
would be assured if he would stay at home. Nature has provided this life,
and Robinson should not go against this. After all, look what happened
to his brother who went into the army. The narrator is truly affected by
his father's discourse, but after a few weeks he decides to run away. He
prevails upon his mother to speak to his father and persuade him to allow
one voyage. If Robinson does not like it, he resolves to go home and think
of the sea no more. She reluctantly reports their conversation, but no
headway is made, no consent given. About a year later, he is able to procure
free passage on a friend's boat heading to London. Asking for no blessing
or money, he boards the ship and leaves.
Misfortune begins immediately. The sea is rough,
and Robinson regrets his decision to leave home. He sees now how comfortably
his father lives. The sea calms, and after a few days, the thoughts are
dismissed. The narrator speaks with his companion, marveling at the "storm."
His companion laughs and says it was nothing at all. There is drinking
that night, and Robinson forgets his fear of drowning. Within a few more
days, the wind is behaving terribly, and then a true and terrible storm
begins. Robinson spends much time in his cabin, laying down in fright.
He sees nothing but distress, and is convinced he is at death's door. The
ship is being flooded, and he is commissioned to help bail water. At one
point Robinson faints, but is roused quickly. The water is coming too fast,
so they board life boats. People on shore are ready to assist them, if
they can reach land. The boats arrive at Yarmouth, and the magistrate gives
the men rooms. They must decide whether or not to continue to London or
return to Hull. His comrade notes that Robinson should take this as a sign
that he is not meant to go to sea. They part in an angry state. Robinson
travels to London via land. He is ashamed to go home and be laughed at
by neighbors. Finally he decides to look for a voyage. He is deaf to all
good advice, and boards a vessel bound for Guiana because he befriends
the its captain. This voyage, save seasickness, goes well, but upon arrival
the captain dies. Robinson resolves to take his ship and be a Guiana trader.
On a course towards the Canary Islands, they are
attacked by Turkish pirates, who capture them and take them into Sallee,
a Moorish port. Robinson is now a slave. His new master takes him home
for drudgery work. The narrator meditates escape for the next two years.
An opportunity presents itself when his master sends Robinson, along with
some Moorish youths, to catch some fish. Robinson secretly stores provisions
and guns on the ship. They set out to fish. Robinson convinces the helmsman
that they will find fish further out. He goes behind one of the Moors and
tosses him overboard, saying that he should swim for shore because he the
narrator is determined to have liberty. Robinson turns to the other boy,
called Xury, and says he must be faithful or be tossed as well. Xury resolves
fidelity and says he will see the world with Robinson. They sail for five
days, as the narrator is anxious to get far away. They land in a creek
and resolve to swim ashore and see what country this is. For two days they
are anchored there. They observe "mighty creatures" yelling on shore and
swimming towards the ship. Robinson fires a gun to discourage them from
swimming further. They are not sure what animal this is. Although the two
are scared, they need water. Together they will go ashore, and either they
will both live or both die. The land appears uninhabited. They are able
to kill a hare-like animal for dinner and obtain fresh water. Robinson
is sure they are on the Canary or the Cape Verde Islands. He hopes to come
upon English trading vessels that will allow them to board. The two men
remain in the creek. Together they kill a lion for sport as they pass the
time. Xury cuts off a foot for them to eat. They begin to sail along the
land in search of a river. Eventually they see the land is inhabited by
naked black people. Robinson and Xury go closer to shore. The people leave
food at the water's edge. They keep great distance from the two men. Another
creature swims toward the boat. Robinson kills it, and sees that it is
a leopard of some sort. The black people accept the killing happily, so
Xury goes ashore for water and food. In the distance Robinson spies a Portuguese
ship, but it is too far to make contact. They leave immediately, trying
to follow the ship. Robinson fires a gun to get their attention. Joyfully,
Robinson finds they will let Xury and himself board, and the captain does
not demand any money from them. The ship is headed for Brazil.
Part 1 Analysis:
Defoe immediately introduces the major tension
in his novel between adventure and security. Clearly in the view of the
author it is not possible to achieve both of these things; you must choose.
Defoe makes no secret of his opinion on the subject: security is indeed
the correct choice. He demonstrates this painting a negative view of adventure:
it causes both of Robinson's brothers to disappear, and it brings misfortune
upon the narrator as soon as he leaves home. What is most crucial to note,
however, is that adventure exists as something inferior only in relation
to the lifestyle of the middle class. This will be the standard by which
all other lifestyles are judged. It is a smart innovation on Defoe's part;
books focused on the middle class very rarely. This definitely would have
extended readership. We might see Robinson's father as the voice of the
author, urging his "irreligious" son to be content with a contented life.
He is also the voice of a larger society that believes in a type of predestination
in lifestyles: by "Nature's decree," Robinson should not go on any voyages
because he is neither rich nor poor. Robinson's initial comrade voices
a similar argument when he wonders violently how such an "unhappy wretch"
wound up on his ship. He appears to be superstitious of Robinson's presence
because his sadness is not an acceptable reason for him to be making this
voyage. That certain activities are restricted to certain classes of people
in certain states of mind indicates how regimented the society is. A modern
day reader can admire the narrator in the very least for attempting to
break out of these expectations. His voice is factual and tuned to details.
Most importantly, it is an individual voice. Robinson speaks for himself
and himself alone.
How successful Crusoe is, however, is a matter
of dispute. Primarily, the tone of the narration is flatly morose and fatalistic.
The narrator is always prefacing his descriptions with comments about what
is eventually going to happen: "Had I had sense I would have gone home,"
"It was my great misfortune that I did not ship myself as a sailor," etc.
The reader understands from the start that the story will not work out
as Robinson had initially hoped. Alongside any good things that happen
in the moment, we are waiting for the impending doom to strike. It is difficult
for us to have any hope when Robinson himself has none. Throughout this
first part he constantly wavers as to whether or not he made the right
decision in running away from home, which is due to the fact that his personality
is simply wavering and uncertain. The image of the bobbing sea, constant
only in its changes, correlates well to Robinson's persona. His sense of
agency comes in spurts of movement. At first he decides to run away, but
confesses the plan to his mother. Having seen that he will not be able
to get his father's consent, he steals away secretly on the voyage to London.
The reader wonders why he bothered to try convincing his parents in the
first place. His decisive actions are brief at best. As soon as he is on
the ship, he becomes ill, fearful, and regrets leaving. As soon as the
weather lightens up, he is happy. Robinson's impressionable youth is apparent
in this inability to stay rooted to one emotion or decision. His refusal
to go home because he does not want to suffer embarrassment and laughter
from the neighbors gives new meaning to the cliched cutting off the nose
to spite the face. Robinson is all too willing to take on roles such as
sailor and trader with which he has no experience. Clearly he does not
know who he is, or who he is supposed to be. We cannot ever be sure that
he has faith in himself. This lack of confidence paints a very timid picture
of the narrator. It is a picture, though, of who Robinson used to be. The
disparity between the narrator and the character he describes is crucial
to note. At many moments we cannot help thinking that Robinson has truly
made a mistake in leaving; but it appears that the narrator agrees with
us sometimes.
Yet as the first part continues, Robinson begins
to adjust somewhat. Instead of relying completely on the intelligence and
strength of others, he begins to think for himself and show more decisive
agency, hatching the scheme to escape from slavery and throwing the Moorish
youth overboard. This is his turning point. He is not as wimpy and delicate
as he first appears. The killing of the lion for pure enjoyment betrays
violent tendencies that would not have been expressed in a middle class
life. At the sight of unfamiliar "monsters" in the water, Robinson does
not faint as he did at the prospect of bailing water on his first voyage;
rather, he picks up his gun and takes decisive actions. The narrator demonstrates
intelligence in keeping Xury as a companion. He can admit to himself that
he will need help in his search for a European ship. The manner in which
these two work side by side is touching and unprecedented: racial bias
does not seem to affect their relationship thus far. Xury automatically
seems to call Robinson "Master," and he willingly runs errands for the
narrator, but for the most part they are equals. Upon exploring the new
land, Robinson himself says that they will both go and die together if
one must die at all. Out on the sea is the semblance of proprieties, but
these two follow their own laws.
Part 2 Summary:
The sea captain is extremely kind to Crusoe. He
buys Robinson's boat, all of his worldly goods, and Xury. At first the
narrator is reluctant to part with his servant, but the captain promises
to free him in ten years if he has turned Christian. As Xury finds this
agreeable, Robinson allows the exchange. The voyage to Brazil goes well.
The narrator is recommended by the captain to the house of an "honest man."
This man lives on a plantation, and Robinson lives with him for a while.
Seeing how rich the plantation owners are, he resolves to become a planter,
and begins purchasing much land. Once Robinson is planting, he becomes
friendly with Wells, his Portuguese neighbor. They slowly increase the
diversity of their stock. At this juncture Robinson regrets having sold
Xury. He is in a trade that he knows nothing about, and he has no one to
talk to but the neighbor. If he had listened to his father, he would have
been comfortable at home. Still, he is sustained by his augmenting wealth.
The captain returns and tells Robinson to give
him a letter of procuration so that he can bring the narrator half of the
fortune he has left with the English captain's widow. He returns not only
with money, but with a servant. Robinson is now infinitely richer than
his neighbor, and purchases a "Negro slave" and a "European servant." Each
year he grows more tobacco and thrives. But he is not completely happy
with this life: "Nature" and "Providence" stir him so that he is not content,
and winds up throwing himself into the pit of human misery once more. Having
made friends during his four year residence in Brazil, he has spoken much
of voyages to Guinea, where one can buy desirable items, but especially
Negro servants for plantation work. It is a highly restricted trade, though.
Three merchants come to him and say they want to buy the Negroes privately
for their own plantations. They ask if he will join and manage the trading
on Guinea. Ignoring the inner voice of his father, Robinson wholeheartedly
agrees to go. He makes the investing merchants promise they will look after
his plantation if he "miscarries." He boards the ship on the first of September,
eight years after he ran away from home.
Good weather lasts for a while, but then it turns
stormy. One man dies of sickness; a little boy is washed overboard. After
12 days it is clear that the ship will not make it due to leakiness. They
decide to try and make it to Africa, where they can get assistance. For
15 days they sail, and another storm hits. There is land in the distance,
but they are afraid it might be inhabited by savages who will eat them.
The ship crashes into sand, and the sea powerfully washes over it. They
use their oars to edge closer to shore, but their hearts are heavy because
they know as soon as they get there, the ship will be dashed to pieces
and they will be overtaken by the undercurrent and drowned. They have to
at least try and swim. Once they jump into the sea, Robinson has some good
luck and is helped to shore by a wave. He runs as the sea continues to
chase him. The water fights him, but he manages to land safely on shore.
Robinson thanks God for his deliverance. He looks around, sees nothing
to help him, and runs about like a madman until he falls asleep in a tree.
The next day is calm and sunny. The narrator now sees that if they had
stayed on board, the ship would have made it to land without being dashed.
But the rest of the company is dead, and Robinson grieves. He swims out
to the ship and takes a few pieces to build a raft. On this he loads the
provisions, everything from food to weaponry. Robinson looks about the
island for a good place to live and store his supplies. There are no people,
only beasts. A tent serves as his lodging. He makes a number of voyages
to the ship in the next few weeks and brings back everything salvageable.
In order to guard against possible savages, the narrator moves his tent
near a cave with steep sides. He sets up a home with cables and rigging.
A hammock is his bed. He makes a cave behind the tent to serve as a cellar.
Discovering goats on the island, Robinson goes out daily to kill his food.
This leads to his making a cooking area. When desolation threatens to overwhelm
him, he forces himself to remember the dead company, and how much better
off he is. At the very least he has housing and guns to kill food.
Part 2 Analysis:
Generally, we see that there is a major sense
of class superiority. Robinson has a "European servant" and a "Negro slave"
on his plantation. We are supposed to assume that one is better than the
other. The basis of such distinctions is rooted in religion. Defoe introduces
what is perhaps the most important background component to the story--the
role of Christianity, particularly as it connects to relationships with
other people. What appears to be a friendship between Robinson and Xury
is turned into a common master-slave relationship when Crusoe decides to
part with him so that Xury will be Christian in ten years' time. The fact
that he is willing to forsake his companion in this manner indicates how
strongly the Christian faith is entrenched within him. Essentially it is
the driving force behind this decision. The business-like friendship is
further emphasized when the narrator procures a plantation in Brazil. Astounded
by the hard work, he wishes dearly for "his boy Xury." The diction of this
line demonstrates a possessiveness toward Robinson's companion. Ironically,
he only longs for his company when there is back-breaking labor to be done.
It appears that Xury's un-Christian status degrades him in the eyes of
the narrator and the author. Lack of Christian doctrine and teachings becomes
a symbol of ignorance and inferiority. When the captain offers to purchase
Xury, he is truly playing the part of a savior, at least in Defoe's mind.
Modern day readers cannot help but see this as slightly sarcastic: slavery
is not often a device of deliverance. However, the author probably did
not intend this reading. Xury is happy, even grateful to forsake his freedom;
we must believe for the purposes of this novel that Christianity is the
proper walk of life.
"Deliverance" is a word that appears throughout
the book. It is introduced to us in this part as the action of Providence.
The author seems to define Providence as an ephemeral being, a personification
of Christianity's ideals that has the power to decide the fate of its followers.
Crusoe uses this concept to justify the course of events that befall him.
It is responsible for the kind sea captain who takes Robinson abroad and
delivers him to South America, for Robinson's extremely good fortune in
purchasing a plantation and amassing wealth. In many respects, he is still
a child, depending on the kindness of strangers. Providence, together with
Nature, is the temptation that leads him out of his safe, rich haven and
onto another sea voyage. Once again, the sea becomes a symbol of trouble
and turmoil. Each time Robinson ventures into the ocean, he is punished;
first slavery, now a shipwreck. This sentiment is heightened by the fact
that the rest of the crew perishes when they might have survived. It is
as if the narrator is singled out to suffer. Once more, he laments that
he did not heed his father's advice. Yet he is not yet willing to take
entire responsibility for his decisions. The will of Providence becomes
a convenient escape from the simple fact that Crusoe chooses to be on this
island through his own mistaken reasoning and greediness. Plantation money
was not enough for him; he needed to try and engage in the risky enterprise
of slave-trading. It is ironic that the Christian religion condones such
human oppression. The book winds up commenting on religion without intending
to do so. Again, this is the interpretation of a modern reading. Still,
the narrator's decisive actions in the face of hardship are admirable and
surprising. We wait to see whether he will prove to be dexterous enough
to manage his fate.
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Academic
Year 00-01
07/02/2001
©a.r.e.a.
Dr. Vicente Forés López
©Ana
Aroa Alba Cuesta
Universitat
de València Press