“WAITING FOR GODOT”

 

Samuel Beckett, “Waiting for Godot”, Compañia Torat, directed by Antonio Valls

 

Cast:

 

-Muchacho: Alba Herrada
-Estragon: Carmen J. Tomas
-Vladimir: Jean-Marc Lostetter
-Pozzo: Miguel Angel Imedio
-Lucky: Estrada r.

-Música: Gabriel Benavides

-Dirección: Antonio Valls

         October in 2005, Asociació Valenciana de circ, Compañía Torat (C/ Juan de Mena, 20)

         The performance of the play “Waiting for Godoy” by the Company of Torat, named TA3, is an experimental and original performance which starts with Estragon sitting on the ground trying to take off his boot. After it, the entrance of Vladimir (one of the two main characters, next to Estragon) is by bike. He leaves the bike next to the tree, which in a imaginary way, is in the stage. The tree is the only object of reference into an empty place, which in my opinion is the solitude of the characters.

         This space is going to be extended when the characters interact in some moments of the play with the audience. They sit on some people while they continue talking.

         The characters, in an excellent interpretation, Vladimir and Estragon are alone waiting for Godot, and Lucky and Pozzo travel alone. The boy also appears into scene always alone.

         Estragon is a bum and sleeps in a imaginary ditch where he is beaten each night. He has no memory beyond what is immediately said to him, and relies on Vladimir to remember for him.

         Vladimir makes Estragon wait with him for Mr. Godot's imminent arrival throughout the play.

         Lucky is the slave of Pozzo. He is tied to Pozzo via a rope around his neck and he carries Pozzo's bags.

         In a determined moment in the stage, when Lucky is being pulled with the rope by Pozzo, the shorts with which Lucky is dressed are fallen. It caused, together the absurd and funny scene, the laughs in the audience. Laughs that didn’t stop during all of the play.

         Pozzo is the master who rules over Lucky. He stops and talks to the two bums in order to have some company. In the second act Pozzo is blind and requires their help. He, like Estragon, cannot remember people he has met.

         The boy is a servant of Godot. He plays an identical role in both acts. He gives information to Vladimir and Estragon about that Mr. Godot will not be able to come that night, but will surely come the next day. The boy never remembers having met Vladimir and Estragon before. He has a brother who is mentioned but who never appears.

         At the end of the play, the boy appears with a bottle of wine offering it to the audience but not free. He asks  to the audience for money, with what I was badly surprised  and I didn’t understand

         Godot is understood as one of the many things in life that people wait for.

The theme of the play is set by the beginning:

Estragon: Nothing to be done.

Vladimir: I'm beginning to come round to that opinion.

Essentially it describes the hopelessness of their lives.

 

         The entrance of Vladimir by bike into scene is a tribute that the Company of Torat does to Samuel Beckett because every money that he earned  was left for the poorer people and he stayed only with a bike.

 

 

 

 

Consuelo Hernández Rubio: Group B