THE
EVOLUTION OF THE RELATIONSHIP BETWEEN THE CHARACTERS AND SPACE IN “THE DUMB
WAITER”, “PARTY TIME” AND “ASHES TO ASHES” WRITTEN BY HAROLD PINTER
In this paper I am going
to compare three plays written by Harold Pinter. These plays are “The Dumb
Waiter”, “Party Time” and “Ashes to Ashes”.
The topic we are going
to talk about is the relationship between the space of the play and the
characters. Firstly we are should make a note that these three plays have one
thing in common: in them, the spaces are closed and during the play they are
the same, i.e. the spaces do not change during the whole play. One reason for
it could be that there are few characters or for conditions of them. We have to
add, secondly, that between the characters some relations are germane with the
spaces too.
I am going to analyse
each play according to the date they were written to see the evolution.
According to the reading of “The Dumb Waiter”, the
characters, Ben and Gus are in a kind of basement. We know this because the
author tells us in the stage directions at the beginning of the play: “Scene: A basement room. Two beds, flat
against the back wall. A serving hatch, closed, between the beds. A door to the
kitchen and lavatory, left. A door to a passage, right.” The characters
have some conversations about things like football, but it is one conversation
which makes us realise that Ben and Gus are waiting for a call. Ben: “Then when a call comes, I’m ready”. A
basement, the waiting for the call. Here
is a relationship that causes some confusion. For me, it seems that the
characters are hiding from someone or
everyone. For this reason we can say that the characters in this play have a
relationship with the space, because they are hiding, they are in this space to
hide from something. This space is like a refuge to hide from the external
world.
In the second play we have read appear nine
characters: Terry, Gavin, Dusty, Melissa, Liz, Charlotte, Fred, Douglas and
Jimmy. The action takes place in the same room, but in different parts of it,
such as one corner, etc. The characters are separated in
groups in which they talk about a club, boating,
lovers, etc. They are people of a high social class. The relationship that the
characters have with the space is that they meet in a typical environment, a
party and in someone’s house, we think. The space in which they meet tells us
some information about their lifestyle. The high social class often meet at
parties and they talk of things that happened to them. If the characters have
met in another space we can also interpret that they are a different kind of
people. This is a characteristic of the twenty century in which people tend to
be separated in social classes.
I notice that firstly the characters hide in a kind of
refuge and secondly they were separated in social classes. This is an
exemplification of the society in the moment that the plays were written.
The third play we have read is “Ashes to Ashes” that
is performed in a single room as are the other plays we have studied before.
There are two characters: Devlin and Rebecca. At the beginning they are talking
about someone, Rebecca is speaking to Devlin and he asks more things, but at
the end of the play they are talking about many things. It is difficult to
understand the relationship through the things that they say. In my opinion
this is an example of people that are very confused about life, that is to say,
we believe that the characters maintain
a patient-psychologist relationship and they talk about Rebecca’s problem, and
also problems with the world. In relation to the space, is that people remain
closed about the world, about problems with the world, staying in a room apart
from the world, running away from problems.
In conclusion, we can say that the evolution between
space and the character’s relationship is parallel to reality, showing the
different things that society give us, as we hide ourselves in closed rooms,
but inside these rooms these things take part, such as the social classes and
the problems that a person can have. It is very difficult to understand the
correct meaning of the plays, so we have explained the things that we have
understood. The space does not change a lot, because in all the plays we have
studied the room is the only space. The evolution of this relationship
(space-characters) comes marked with the reality.