POETRY AND NARRATIVE

• The Wedding Celebration of Gunter and Gwen - (2006-2007)
  featured in Visionary Landscapes,
  the 2008 Electronic Literature Organization
  International Conference Exhibition
• Concerto for Narrative Data
  published in The Iowa Review Web, 2008;
  also featured in the Centenary of Carmen Conde,
  Spain 2007; and the 2006 FLEFF Film Festival
  Ithaca, NY
• Revelations of Secret Surveillance - (2004-2007)
  Revelations of Secret Sureveillance was performed at
  Hypertext 2004, University of California at
  Santa Cruz and featured in the Net Art Open - on the
  Internet from Ireland in January 2005; the 2005 Web Biennial
  at the Istanbul Contemporary Art Museum and the Hellenic American
  Union in Athens; selected for inclusion in the Rhizome
  ArtBase, NY, 2007.
• Afterwards - published in the December 2003 issue of
  the Iowa Review Web, the web publication of the
  Iowa Review
• A Party at Silver Beach - (2003)
• Dorothy Abrona McCrae (2000)
• Interlude - Dorothy and Sid (2001) - published in
  The Blue Moon Review.
• The Roar of Destiny Emanated From the Refrigerator (1995-1999)
  The Roar of Destiny is included in the Boston CyberArts
  HyperGallery and profiled in my chapter in Interactive Dramaturgies
  Heide Hagebolling, ed, Berlin, Heidelberg, Springer, 2004)
  "...a perfect example of thought and physical interaction
  working together... " - interactivecinema.org
• L0ve0ne - published in Eastgate's Web Workshop
  A polish translation of L0ve0ne
  -- k0cHack0g0s -- by Mariusz Pisarski and Zuzanna Grochulska,
  is available at http://www.techsty.art.pl/magazyn/malloy.htm
• Forward Anywhere,
  a collaborative hyperfiction by Judy Malloy and Cathy Marshall (1996)
  - published by Eastgate, Cambridge, MA. (Reviewed in the
  London Independent,CNN's FutureWorks;
  Convergence; and Especulo)
• its name was Penelope. for both Macintosh and MS-DOS computers - published by Eastgate, Cambridge, MA., 1993. (Reviewed in Washington Post Book World, New York Times, American Book Review, Modern Fiction Studies, Postmodern Culture, and others)
• "Wasting Time", A Narrative Data Structure" - Published in: After the Book (Perforations 3) Summer, 1992.
• "No Potato Chips". Heresies 25: The Art of Education 7(1): 11, 1990
• YOU! A collaboratively created data structure - Exhibited at INTERNET, A's, NYC, NY; Included in The New Media Reader CD -- The New Media Reader edited by Noah Wardrip-Fruin and Nick Montfort. Cambridge, MA: MIT Press, 2003
• Molasses, Berkeley, CA, Bad Information, 1988. (for MacIntosh Computers HyperCard - produced at the Whole Earth Review under sponsorship of Apple Computers) - Exhibited at Tisch School of the Arts, New York University, NYC, NY
• Uncle Roger the first electronic hyperfiction (1986, adapted for the web in 1995)
• Uncle Roger, A Database Novel for Apple II and IBM computers, Berkeley, CA, Bad Information, 1986-1988 (also available as online on Art Com Electronic Network) - partially funded by the California Arts Council and Art Matters
• Lucy Comes Back. Pathological Press, Berkeley, Ca,1986. 10 p. (self published for the mail art network)
• 500 3X5 Cards and Other Stories. Pathological Press, Berkeley, CA, 1984. (self published for the mail art network)
• Super Lucy, Pathological Press, Berkeley, Ca, 1983. (self published for the mail art network)
• Bad Thad. NY, E.P. Dutton, 1980 (illustrated by Martha Alexander)

Poetry and narrative, 2/12/2008, http://www.well.com/user/jmalloy/res.html#web