Pirates, Pieces of Eight, and
Pacific Nights
by
Anthony F. Franco
I have seen wicked men and fools, a great many of
both; and I believe they both get paid in the end; but the fools first.
—Kidnapped
The above statement
closes David Balfour’s ordeal on the islet of Earraid
and offers the reader a choice dose of the wisdom and philosophy of Kidnapped’s author, Robert Louis Stevenson. The
statement also conveys the underlying theme of a unit that attempts to examine
the work of master storyteller Stevenson. Central to this survey is the concept
of that rogue bandit, the pirate, who Stevenson immortalized through his
characterization of Long John Silver. Equally important is the notion of
treasure, both material and philosophical.
The
impetus for this effort is derived from an increasingly narrowed middle school
English curriculum which advocates the reading of literature, and novels in
particular, as a secondary line of study. This back seat relegation serves two
major purposes in the English classroom: the compilation of cumulative book
report records and a source for multicolored
checklists that are hung in just about every middle school English classroom
except my own. Clearly, the appreciation of novels and the exploration of
critical themes inherent within such works by students prior to entering high
school can only serve to enhance the impact of curricular reading at the more
advanced levels of education.
The choice
of an author and a sampling of his work over several authors and their work was
not a particularly difficult decision to make. First, there would necessarily
be more continuity for a class of young readers, thereby providing more fuel
for classroom discussions with less chance of confusion. A strategy
incorporating a variety of authors might have more comparative value and would
expose students to several different approaches in the treatment of a theme.
Such strategies do not provide for a very close look at one author, and that
clearly should be a goal for the novice reader of literature.
It has
become increasingly difficult to motivate students to read literature at all levels
in education. The most structured strategies employed by English teachers can
never provide total assurance that every student will read every book assigned.
A strategy that incorporates the works of several authors may serve to program
that student for failure should one or two authors be ignored. When the work of
one author is the focus of a teaching unit, the neglectful student remains
capable of contributing to class discussions even though only a segment of the
work assigned is read. All of the Stevenson works intended for use in this unit
are essential to the development of the various themes
therein; they are not indispensable to the extent of excluding a student who
has not read them.
Secondly,
when we speak of Stevenson, we refer to him as a master storyteller. We know he
is writing adventure stories. Stevenson’s work is of the highest interest level
that authors down through the years have struggled to attain. He remains
descriptive, suspenseful, and readable. His gift for characterization is an
ideal starting point for the inexperienced reader of literature.
Lastly,
several of Stevenson’s works are on recommended reading lists for seventh and
eighth graders. As classics of literature these time-honored
works have appealed to millions of readers over the years and millions yet to
come. It would be an injustice to give my students anything less than
The first
key theme to explore with students after they have read
First, a
distinction must be made between pirates and privateers. The world feared the
former and lauded the latter. Pirates pillaged the flags of all nations. They
performed brutal rituals at sea, drank a lot, ravished women both at sea and
ashore, impressed seamen of all tongues, disrupted shipping routes and trade
between nations, and generally had very short-lived careers halted either by
death at an early age or retirement to the green pastures of the Western world.
Though privateers conducted themselves in a like manner they had the official
sanction of a king or territorial governor who gave them both the authority and
license to behave in such a way.
A
circumstance which makes the thin line between piracy and privateering
even thinner and which clearly befuddles the situation is that the same band of
pirates was able to change its status almost at will several times during its
career. Thus, it was quite often the case that captured pirates would be spared
the gallows by pleading that they were impressed seamen or by loading the
pockets of a government official with some of the spoils of a recent rampage,
thereby proving to all concerned that they were privateers in service to a
flag.
This
latter practice of buying life and retirement brings us to a second facet of
pirating that needs examination. Pirates were businessmen and greedy ones at that.
Territorial leaders, especially in the
Many ports
generally welcomed a rowdy bunch of pirates in much the same way that host
cities welcome conventioneers and even college students on spring vacation. The
economy of the area received an immediate jolt and upgrading from these thirsty
individuals intent upon satisfying all their needs and wants after a long
journey. Each of these wayward souls had at least a pocketful of doubloons to
insure they received their satisfaction.
A third
trait of pirate life not to be overlooked was their position as vanguards of
democracy while at sea. Most pirates voted on everything. Whenever a decision
had to be made, pirates called for a vote, and the majority ruled. Pirates
decided the course they would sail, the measures of discipline to be inflicted
upon their own, and even who was to be captain. Oftentimes a decision made one
day might be overturned the next if a vote so directed.
Democracy
on board was carried even further by the pirates when it came time to split the
booty. The entire crew, with the exception of the captain and the
quarter-master, received equal shares of any riches to be divided. Pirates also
advocated their own forms of social security and vocational training.
Handicapped sailors could sign on to be cooks or galley mates, or an injured
pirate early into the cruise could be placed in the galley at jobs paying a
half share. Any youngster who had run off to sea for the first time would have
a task and would be compensated for it. Of course, the “sponsor” would receive
a healthy endowment if the occasion arose.
Pirates
were indeed a wicked lot and some were fools. Many of the wicked pirates were
able to ease into a retirement to the good life without any financial worries.
The fools never quite made it that far. The fools through
their greediness or temperament perished by the hands of their own crewmates or
by the whim of their captains. Even the captains were not impervious to foolhardiness, and their greed or stubbornness generally
made them legends before their time was due.
The chief
motivational force that drove pirates to the sea was, of course, the same
motivational force that still causes most of mankind to get up in the morning:
gold, spoils, riches, booty, treasure—in short—money. As suggested, pirates
with their purchasing power could become highly respected gentry when they
finally laid to rest their pistol and cutlass. Many a
haggard seaman or destitute land-lubber simply could not resist the lure of
fortune and decided to forego the obvious risks involved by casting their lots
with the pirates. A fortune could be made and with that fortune an exceptional
standard of living could be attained.
The
pirates of the Golden Age brandished their pistols and cutlasses and pillaged
their way toward the promise of financial success using their speedy ships with
great skill to surprise unsuspecting victims and escape from vaunted royal
navies. Their sails are still now and their pistols and cutlasses are rusted
relics of a bygone era. Still, their spirit remains in this age of modern
technology and forms of piracy abound. The pirates of today employ an arsenal
which includes automatic weapons, explosives and incendiary devices, #2
pencils, and computer technology. The pirates of today utilize fast cars and
jet aircraft to similarly surprise modern man and escape from crime task
forces. Just as their predecessors, the pirates of today hope to accumulate
instant wealth through antisocietal means.
The
technological advances of modern society have produced a new breed of pirate
that kidnaps, robs, bribes, and swindles with no less fervor
than Blackbeard or Bartholomew Roberts. At times the
exploits of these modern-day pirates dominate our communications network and
media to such a great extent that mankind is forced to wonder about the
consequences and often becomes dismayed. Unfortunately, increased technology
has the effect of providing us with instantaneous words and pictures which
magnify the enormity of the problem. Had these communication advances been
present when Blackbeard sailed in his viciousness, I
doubt whether our ancestors would have cared to live out the eighteenth
century.
Just who
are the modern pirates? Suffice it to say they are any radical or white collar
individual or group that uses means contrary to society in order to gain
riches. Kidnappers are by far the leaders of this lot as their assault on their
fellow man is very much akin to the atrocities committed by their forebearers.
Kidnappers
seek treasure troves of anywhere from thousands to millions of dollars
depending upon the stature of the person abducted, much the same as a pirate of
yesteryear knew the difference between the spoils of a merchant ship and the
cargo of one owned by the king.
In
addition to the kidnapper, who is probably the most savage of the modern
pirates, there is an impressive group of other pirates who merely rob, bribe,
swindle, and embezzle with the promise of financial success. Their weaponry and
modus operandi may vary; their intent remains the same. This unit does
not plan to pass judgment upon nor admonish these pirates. No attempt will be
made to identify them by name nor chronicle their
exploits. Their names and deeds are in our minds all too often. Let any teacher
using this unit use the media of that day to show students how the sails are
still billowing in the wind, that the pistol and cutlasses have not, in fact,
been laid to rest.
There are
countless tales surrounding treasures left behind by the pirates of the Golden
Age. Blackbeard and Captain Kidd, two of the most
renowned pirates of this era, reputedly left caches of treasure in hundreds of
places, including many on our own continent. To this day oral and written
histories emphasize the riches that have lain untouched for nearly three
hundred years. Expeditions endlessly search for the fame and fortune awaiting
them which may never be uncovered.
Modern day
students will easily get immersed in treasure hunting—it is natural for the
race to be curious. The treasures of our society are not where Blackbeard and Kidd deposited them. These treasures are the
ones that our grandfathers and great-grandfathers passed on to us. These are
the treasures of heritage, and they exist in two distinct forms: artifacts and values. Searching for these riches can be as
rewarding as digging for and finding Blackbeard’s
doubloons on
Artifacts
are all around us. They serve as a clear reminder of our past—the era before
the Age of Plastic. They are in attics and dresser drawers, on fireplace
mantles, and in cellars. They are also our most overlooked treasures because
they are so constant; they virtually go unnoticed. In an earlier unit of this
type (VIEW: Visual Inquiry/Experience in Writing, 1980, Vol. II) this
author and a colleague delved into the world of artifacts.
We exposed our students to the world of the past, and, with much success, endeavored to have them read objects and come to know them.
I refer both myself and others attempting to incorporate this present effort
into their lessons to that unit as a resource.
Values are
the unseen artifacts of life. They also are treasures
which can be lost or momentarily misplaced as a result of group pressures. No
one time in a student’s career needs more reinforcement of values than at the
middle school level. The constant pressures that arise daily from the peer
group at this level continually tend to bury these treasures. It is our duty to
strengthen students against this barrage in as many ways as possible lest they
remain fruitless treasure hunters in the years to come.
Much of
Stevenson’s work is value-oriented. His two teenage protagonists in
A treasure
hunt of sorts for family and personal treasures and a study of
values-clarification need not be the central core of this unit. They are
included here as viable examples of what can be done in our classrooms and as
points of embarkation for other travel routes such as map reading, descriptive
and expository writing, and goals setting. We, as teachers, may be wicked if we
mention these treasures to our students and do not develop them;, surely we are fools if we choose to completely disregard
them.
Robert
Louis Stevenson has long been revered as a master storyteller of adventure. In
order to write good adventure stories, there must be conflict. R.L.S.
incorporates all major types of conflict in his novel. Man vs. man is, on the
surface, his chief conflict. Stevenson pits a young, innocent, orphaned, and
often socially pure protagonist (Jim Hawkins, David Baflour)
against an old, salty, and deformed antagonist (Silver, Uncle Ebenezer). Into
this stew of contrast, R.L.S. sprinkles a liberal dose of supporting characters
who remain noble companions to the unfortunate youngster (the rather complacent
Dr. Livesey, the brash Alan Breck
Stewart). Indeed, Silver remains noble and a man of dreams; Uncle Ebenezer
suffers no physical repentance while receiving a major jolt of indignity.
The
conflict between Stevenson’s young heroes and their environments is apparent:
young Mr. Hawkins battles the sea and David Balfour combats the harsh heath of
Stevenson’s native
It is
fitting that Stevenson or “Tusitala”, as the native
Samoans referred to him, be a master of relating man,s
inner conflicts since his life was one very long conflict plagued by ill health
and terminated only by death at a very early age of forty-four. The story of
Robert Louis Stevenson’s life is not a very pleasant tale, and the grief does
not subside until his last years on his mountainside estate, Vailima, in
Robert
Louis Stevenson belongs in
Sequence of Lessons
A primary
consideration in the implementation of any unit that deals with literature is
the availability of texts. There is much of Stevenson in local and school
libraries; there may not be the required amount of copies necessary to satisfy
an entire class that reads each selection together. A remedy to this situation
does exist, and I have used this technique with much success in the past. I
draw the names of my students by chance until I have four study groups. Each
group is then assigned one of the selections and is given a certain amount of
time in which to complete each reading. At the end of this reading period the
groups will switch selections. This procedure continues until all groups have
read all selections.
Two
advantages are inherent in the strategy mentioned above. First, a teacher need
not be overly concerned with the availability of books for students since most
classes will only require five to seven copies of each selection. Different editions of a selection offers no great problem
since Stevenson generally wrote short chapters for periodical serialization.
Secondly, a study group of five to seven students creates an ideal setting for
discussion. This small group will less inhibit a timid student from
participating in a discussion, and the delinquent reader feels obligated to
make some contribution to the group. As a byproduct
of this process, segmented discussion groups tend to turn each other on to
future readings. There is usually much cross group discussion even before all
groups have read all selections.
The
selections of Stevenson intended for this unit include
The four
titles above are literary classics. Their inclusion in this unit is my personal
preference. Some of my students may have already read one or two of them. What
is remarkable about Stevenson is that he can be reread at ease. My main
objective is to make sure my middle school students do not miss Stevenson at
this stage in their lives. I would suggest that this same unit could be used at
the freshman level of high school. Modifications of the reading list could
possibly make the unit pertinent for sophomores, juniors, and even some senior
classes. It remains that it is essential for Stevenson to be read in one’s
youth for when he is reread in adulthood he is that much more enjoyable.
This article has
appeared in Yale-New Haven Teachers
Institute
©Anthony F. Franco
http://www.yale.edu/ynhti/curriculum/units/1981/2/81.02.02.x.html