Collective Paper; Women in Shakespearean plays:

 

Decorum: Defined as the dignified propriety of conduct, manners, or appearance, decorum is by extension a social practice, part of the customs and observations of a polite society.

                                              (http://www.umich.edu/~ece/student_projects/female_tatler/decorum.html)

Bianca, in “The Taming of the Shrew” represents the decorum, the virtue, innocence and mildness a woman should show at the time. She learns latin and music, she obeys her father, she is waiting to get married and she behaves in the way she was expected to. In Shakespeare plays characters speak and behave according to who they are and she is the sister of the “Shrew”, her function is to emphasize her sister bad behaviour by acting just in the opposite way. Although at the end of the play Bianca suffers an important change in her attitude, she is no more docile nor obedient, her sweet and soft manners were just the image she wanted to show in order to achieve a husband because she knew that was what she was expected to be. Her beauty and her submissive attitude are the main features which makes her attractive for men and also her decorum and good manners.

 

Rosalind ( woman in disguise)

“Rosalind, the heroine of As You Like It, has more lines than any of Shakespeare's female characters. Cleopatra comes in second with 670 lines and third place belongs to Imogen (Cymbeline), with 591 lines.”

 

(“Which female Shakespearean character has the most lines?” From Amanda Mabillard,

http://shakespeare.about.com/od/studentresources/f/femalelines.htm)

 

Regarding the importance of identity confusion and costumes in Shakespeare’s plays we can speak about Rosalind, in “As You Like It”.

Rosalind is the daughter of the exiled Duke Senior who has been banished and has gone to the Forest of Arden. She and her cousin Celia escape from the Court  to the forest and Rosalind adopts a male disguise as a measure of security for her journey. She adopts the name ''Ganymede," this name in Greek mythology, belongs to an androgynous youth raped by Zeus.( The name carries strong homosexual connotations).

When she arrives in Arden, Rosalind keeps her male disguise even though she is now safe and has no reason to do so. So Rosalind is a woman who pretends to be a boy.

                          

                           (As You Like It | Rosalind ,Character Analysis,http://www.enotes.com/ayli/36272)

 

If we imagine the performance at the time this character was double disguised, the actor was a young boy who had to interpret a female character, but at the same time this female character is disguised as a man in the plot of the play.

Rosalind enters the Forest of Arden in search of freedom but the costume also gives her another kind of freedom because at the time it was a patriarchal society in which women were under male control so becoming a boy gives her a kind of freedom she had never felt before. In her boy's disguise, she escapes (for a time) the limitations of being a woman.

 

Her duplicity produces confusion in the play, for instance Orlando, who loves Rosalind,  doesn’t recognize her and treats Ganymedes as a male confidant and talks to him about his love for Rosalind. She teaches him how to woo Rosalind so it’s a funny situation. The disguise is very obvious to the audience but is unnoticed by the characters in the play, and at the same time, seeing a woman dressed as a man would be extremely comic at the time.

Rosalind’s male disguise also produces another confusion , Phoebe, a female character, falls in love with Ganymedes thinking “he” is a boy.

 

                               (http://absoluteshakespeare.com/plays/as_you_like_it/as_you_like_it.htm)

Homoeroticism

“Homoheroticism ocurrs in some Shakespearian plays in a rather subversive way, masked with enough ambiguity to escape censure, like the relationship between Antonio and Bassanio in The Merchant of Venice.”

(Bruce R. Smith,Pride, Politics and Prejudice,                                                                                                             http://www.shakespearetheatre.org/plays/articles.aspx?&id=163

 

Even though Orlando is supposed to be in love with Rosalind, he seems to enjoy the idea of acting out his romance with the beautiful, young boy Ganymede, almost as if a boy who looks like the woman he loves is even more appealing than the woman herself. Phoebe, too, is more attracted to the feminine Ganymede than to the real male, Silvius (the real boy who is in love with her).

As You Like It is influenced by the pastoral tradition, which typically contains elements of same-sex love. In the Forest of Ardenne,  homoerotic relationships are possible.

 As You Like It explores different kinds of love between members of the same sex. Celia and Rosalind, for instance, are extremely close friends, they are cousins, and the profound intimacy of their relationship seems at times more intense than that of ordinary friends. Indeed, Celia’s words in Act I, scenes ii and iii echo the protestations of lovers. But we can’t assume that Celia or Rosalind possesses a sexual identity as clearly defined as our modern understandings of heterosexual or homosexual.

 

                                                 (http://www.sparknotes.com/shakespeare/asyoulikeit/terms/theme_5.html )

 

As You Like It, contains comic situations in which a woman poses as a man, a device that exploits the fact that in Shakespeare's day women's roles were played by boys. While the situations thus presented are heterosexual in terms of the story, the stage image of same-sex wooing and kissing may well have been titillating to those of a homosexual orientation, and while other dramatists occasionally used the same device, Shakespeare seems to have had an exceptional preference for it, using it in five of his plays.

                                                                    (http://www.shaksper.net/archives/1995/0038.html)

 

 

 

Women Rivalry

Bianca Vs Catherine; They are sisters and their relationship couldn’t be worst. Since the beginning Bianca is seen like the favourite daughter, and her sister is placed second in her father’s affection and despised  by all others .But Bianca, apparently gentle in her behaviour, is an unkind sister. She fosters her father’s attitude of favouritism for herself and dislike for Catherine by playing the part of a noble victim. Their attitudes are totally opposed, while Catherine is the “shrew” Bianca is the “angel” and at the end, when Catherine has been tamed, Bianca shows her real bad manners.

 

            (http://www.william-shakespeare.info/shakespeare-play-the-taming-of-the-shrew.htm)

 

Rosalind Vs. Celia; They are cousins and they get on really well but as wit and philosopher Rosalind plays a dominant role while Celia  is a flat character in comparison. Celia and Rosalind both show indomitable tongues when mocking Le Beau and confusing him when asking him the colour of his sport, and though Rosalind takes over the action when they reach Arden, Celia shares the stage at Court with her in equal degree, acting as a sister. Even in Arden Celia has quite strong parts Celia ends up as being less vibrant than Rosalind.

(As You Like It - Rosalind & Stock Dramatic Types Written by Kenneth Wee, 1A01B, September 1995.              http://web.singnet.com/~yisheng/notes/ayli/flatchar.htm)
 
 

 

Academic year 2006/2007
© a.r.e.a./Dr.Vicente Forés López
© Latorre Arnedo, Isabel
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Universitat de Valčncia Press