- Contracts and Projects

-Poetry and Narrative

-Non-Fiction

- Selected Group Exhibitions, Readings and Panels 

- Installations

- Selected Performances

- About Judy Malloy

CONTRACTS AND PROJECTS

• Authoring Software Blog
  Begun in conjuntion with the 2008 Electronic Literature Conference

• Art California Web
  In partnership with the California Studies Association.
  Access to Internet content created by over 6,000 California artists,
  innovators, and arts organizations.

• Editor, NYFA Current, (formerly Arts Wire Current)
  New York Foundation for the Arts, 1996-March, 2004
  Wrote and edited NYFA Current, a weekly electronic publication featuring
  in depth news on social, economic, philosophical, and political issues affecting the arts
  and culture. (1996-2004) From 1993 - 1995, I was Arts Wire Front Desk Coordinator.
  In 1996, I was Arts Wire Content Coordinator. From 1997-2000, I was Arts Wire Network
  Coordinator. Responsibilities included working with the coordination and design of the
  Arts Wire web site, hosting and coordinating the Arts Wire conferencing system and
  helping artists and arts organizations use the Internet and create web content.
  Additionally, through Arts Wire, I was one of the initial consultants for the Benton
  Foundation/NEA Open Studio project.

• The Arts on the Internet: Art, Advocacy, News, Information
  Center for Digital Democracy, Washington, DC, 2004
  Prepared a consultant's report on how art information is represented on the
  Internet

• Consultant/Artist in Residence, Electronic Communities
  and the Document of the Future
  Xerox PARC, Palo Alto, CA, 1993 - 1997
  Wrote and programmed an interactive narrative in LambdaMoo (with Pavel Curtis);
  Created Forward Anywhere, a collaborative hyperfiction (with Cathy Marshall)

• Visiting Faculty, San Francisco Arts Institute, 1997
  Co-taught a course on World Wide Web Theory and Design. Students acquired
  an overview of the Internet, learned how to do basic HTML, how to explore
  the Web and how to use available software tools. They studied contemporary
  Web-based art and acquired an understanding of the variety of art possible
  in this medium. Each student produced a Web based work of art.

• Consultant, Internet Yellow Pages, 1993-1994
  Worked on the initial ideas and content for the Internet Yellow
  Pages. Compiled Art Content for the Internet Yellow Pages. Was on the
  initial Review Board for The McKinley.

• Associate Editor, Leonardo, 1991- 1994
  The International Society For the Arts, Sciences and Technology, San Francisco, CA
  

• Associate Editor, Leonardo Electronic News, 1991 - Aug., 1993
  Asst. Editor, F.A.S.T., FineArt Forum, 1988-1989;
  Coordinating Editor, F.A.S.T., FineArt Forum, 1988-1990
  International Society for Art, Science and Technology, San Francisco
  Coordinated the electronic newsletters FineArt Forum and
  Leonardo Electronic News (which later became Leonardo
  Electronic Almanac. Helped design and debug the menus, designed and
  set up the Internet mailer programs. Coordinated efforts of other
  personnel. Solicited and edited material from writers and artists. Wrote
  filler material. Edited sections and issues. Consulted on computer
  systems.

• Contributing Writer, MicroTimes, 1992 - 1995
  BAM Publications, San Francisco, CA
  Wrote articles on inteactive art and literature for the Multimedia section
  of MicroTimes.

• Producer, Making Art Online, 1993 - 1994
  Center for Image and Sound Research, (CSIR) Vancouver, B.C., Canada
  Updated and organized my collection of artists statements about
  making art in telecommunications systems for a Multimedia, Art and
  Telecommunications Project that was hosted on one of the first artists websites,
  CSIR's ANIMA. Making Art Online is currently hosted on the Walker
  Art Center's Web Site.

• Computer Conferencing Consultant, Telluride Institute,
  Telluride, CO, Summer 1993
  Consulted on computer conferencing systems, Set up preliminary BBS
  system for the InfoZone, a community based network including gathering
  and organizing information that would be made available through the
  Internet on sustainable agriculture, health care, environmental
  protection, and arts resources; hosted an electronic publication workshop.

• Visiting Artist, Deep Creek School Telluride, CO, Summer 1993, 1994
  Worked with graduate art students in art and telecommunication and art
  writing for a summer school affiliated with the Arizona State University.

• Online Conference Host:
  Co-host, The ARTISTS Conference on Arts Wire, 1997-2001
  Co-Host (with Anna Couey), Interactive Art Conference on Arts Wire, 1994-2001
  Conference Host and Founder, ARTS Conference, on the WELL, 1993 -1994
  Conference Co-Host (with Howard Rheingold and Matisse Enzer),
  Telluride Community Conference, on the WELL, July 1993 - 1994

POETRY AND NARRATIVE

• The Wedding Celebration of Gunter and Gwen - (2006-2007)
  featured in Visionary Landscapes,
  the 2008 Electronic Literature Organization
  International Conference Exhibition

• Concerto for Narrative Data
  published in The Iowa Review Web, 2008;
  also featured in the Centenary of Carmen Conde,
  Spain 2007; and the 2006 FLEFF Film Festival
  Ithaca, NY

• Revelations of Secret Surveillance - (2004-2007)
  Revelations of Secret Sureveillance was performed at
  Hypertext 2004, University of California at
  Santa Cruz and featured in the Net Art Open - on the
  Internet from Ireland in January 2005; the 2005 Web Biennial
  at the Istanbul Contemporary Art Museum and the Hellenic American
  Union in Athens; selected for inclusion in the Rhizome
  ArtBase, NY, 2007.

• Afterwards - published in the December 2003 issue of
  the Iowa Review Web, the web publication of the
  Iowa Review

• A Party at Silver Beach - (2003)

• Dorothy Abrona McCrae (2000)

• Interlude - Dorothy and Sid (2001) - published in
  The Blue Moon Review.

• The Roar of Destiny Emanated From the Refrigerator (1995-1999)
  The Roar of Destiny is included in the Boston CyberArts
  HyperGallery and profiled in my chapter in Interactive Dramaturgies
  Heide Hagebolling, ed, Berlin, Heidelberg, Springer, 2004)
  "...a perfect example of thought and physical interaction
  working together... " - interactivecinema.org

• L0ve0ne - published in Eastgate's Web Workshop
  A polish translation of L0ve0ne
  -- k0cHack0g0s -- by Mariusz Pisarski and Zuzanna Grochulska,
  is available at http://www.techsty.art.pl/magazyn/malloy.htm

• Forward Anywhere,
  a collaborative hyperfiction by Judy Malloy and Cathy Marshall (1996)
  - published by Eastgate, Cambridge, MA. (Reviewed in the
  London Independent,CNN's FutureWorks;
  Convergence; and Especulo)

• its name was Penelope. for both Macintosh and MS-DOS computers - published by Eastgate, Cambridge, MA., 1993. (Reviewed in Washington Post Book World, New York Times, American Book Review, Modern Fiction Studies, Postmodern Culture, and others)

• "Wasting Time", A Narrative Data Structure" - Published in: After the Book (Perforations 3) Summer, 1992.

• "No Potato Chips". Heresies 25: The Art of Education 7(1): 11, 1990

• YOU! A collaboratively created data structure - Exhibited at INTERNET, A's, NYC, NY; Included in The New Media Reader CD -- The New Media Reader edited by Noah Wardrip-Fruin and Nick Montfort. Cambridge, MA: MIT Press, 2003

• Molasses, Berkeley, CA, Bad Information, 1988. (for MacIntosh Computers HyperCard - produced at the Whole Earth Review under sponsorship of Apple Computers) - Exhibited at Tisch School of the Arts, New York University, NYC, NY

• Uncle Roger the first electronic hyperfiction (1986, adapted for the web in 1995)

• Uncle Roger, A Database Novel for Apple II and IBM computers, Berkeley, CA, Bad Information, 1986-1988 (also available as online on Art Com Electronic Network) - partially funded by the California Arts Council and Art Matters

• Lucy Comes Back. Pathological Press, Berkeley, Ca,1986. 10 p. (self published for the mail art network)

• 500 3X5 Cards and Other Stories. Pathological Press, Berkeley, CA, 1984. (self published for the mail art network)

• Super Lucy, Pathological Press, Berkeley, Ca, 1983. (self published for the mail art network)

• Bad Thad. NY, E.P. Dutton, 1980 (illustrated by Martha Alexander)

NON-FICTION

• Judy Malloy, "Creative Approaches to New Media". in D. Kritt and L. Winegar, eds, Education and Technology: Critical Perspectives and Possible Futures, Lanham MD, Rowman and Littlefield, 2007.

• Judy Malloy, "Streaming Media Trail," Leonardo, 38:3, 2005.

• Judy Malloy, "Reading From the Screen, Four Writers at Hypertext '04," Tekka, 2:4, 2005. http://www.tekka.net/

• Judy Malloy, "Writing Public Literature in an Evolving Internet Environment" in Heide Hagebolling, ed, Interactive Dramaturgies: New Approaches in Multimedia Content and Design, Springer, 2004

• Judy Malloy, Editor, Women, Art and Technology,Cambridge, MA: MIT Press, 2003
  with writing by Margaret Morse, Lynn Hershman, Sonya Rapoport, Pauline Oliveros, Agnes Hegedus, Helen and Newton Harrison, Jo Hanson, Char Davis, Brenda Laurel, Jaishree K. Odin, Eva Wohlgemuth and Kathy Rae Huffman, Sandy Stone, Donna Cox, Nell Tenhaaf, Troika Ranch, Anna Couey, Kathy Brew, Steina Vasulka, Joan Jonas, Judith Barry, Dara Birnbaum, Pamela Z, Zoe Sofia, and many others

• Judy Malloy, "Narrative Structures in LambdaMOO" in: In Search of Innovation - the Xerox PARC PAIR Experiment< A>. Craig Harris, ed. MIT PRESS, 2000.

• Judy Malloy and Cathy Marshall, "Notes on an Exchange Between Intersecting Lives", in: In Search of Innovation - the Xerox PARC PAIR Experiment, Craig Harris, ed., MIT PRESS, 2000

• Judy Malloy, "Hypernarrative in the Age of the Web", art.community, National Endowment for the Arts (NEA) website, 1998

• Judy Malloy, "A Common Language: Art and Technology in the Age of the Internet", AlphaWorks, December 1997

• Judy Malloy, "On the (Art) Net",Razon Y Palabra, 1997

• Judy Malloy, "Forward Anywhere", (with Cathy Marshall) in: Wired Women. Seal, 1996 ed. Cherny and Weise. pp. 56-70

• Judy Malloy, "Interactive Installation Art", MicroTimes, April 5, 1994: 306-314.

• Judy Malloy, "Manipulating Words with Computers", MicroTimes, November 23, 1993

• Judy Malloy, "Computers in Painting and Sculpture", MicroTimes, Sept. 20, 1993.

• Judy Malloy, "Some Artware for Macintosh Computers" MicroTimes, May 31: 298-303, 1993 (produced with an equipment loan from Apple Computers)

• Judy Malloy, "Uncle Roger, an online narrabase", Leonardo 24(2):195-202, 1991.

• Judy Malloy, "Electronic Fiction in the 21st Century" IN: Visions of the Future. Cliff Pickover, ed. Northwood, Middlesex, England, Science Reviews, 1992. pp. 137-144.

• Judy Malloy, "Art Online: A Look at Artists...." MicroTimes, March 93:296-305

• Judy Malloy, "Artware: Intelligent Responsive Works of Art..." MicroTimes, February 8, 1993:293-296

• Judy Malloy, YOU!, Art Com Magazine 11(6) July 1991. (entire issue)

• Judy Malloy, "YOU!, A Collaborative Narrative Data Structure" In: Taproots (special issue on Art and Technology. Robert Drake, ed.) Cleveland, OH, 1992.

• Judy Malloy, Thirty Minutes in the Late Afternoon, Art Com Magazine 42(10), Oct.1990 (entire issue)

• Judy Malloy, "OK Research/OK Genetic Engineering/Bad Information, Information Art Defines Technology", Leonardo 21(4): 371 - 375, 1988

• Judy Malloy, "Bad Information in - Bad Information Out, Art Com Magazine 8(2),1988 (entire issue)

• Judy Malloy, "The Art of Information is OK: Judy Malloy in conversation with Carl Loeffler", Art Com Magazine 8(1) no.29, 1987

• Judy Malloy, "Information as an Artists Material", Whole Earth Review no. 57:48-49, Winter, 1987

• Judy Malloy, "Anyway you look at it, ADM has your antenna...." In: The Un/Necessary Image, ed.by P. D'Agostino and A. Muntadas for the MIT Committee On The Visual Arts. NY, Tanam Press, 1982. pp. 76-79

SELECTED GROUP EXHIBITIONS, READINGS AND PANELS

• Visionary Landscapes, Exhibition, North Bank Artists Gallery,
  2008 Electronic Literature Organization Conference, Vancouver, WA,
  May 29- June 1, 2008

• Early Authors of Electronic Literature, Exhibition,
  Washington State University Vancouver, May 29-June 1, 2008

• Centenary of Carmen Conde, Exhibition, Cartagena, Spain 2007

• EcoPoetics, Exhibition, FLEFF Film Festival, Ithaca College,
  Ithaca, NY, Rose Goldsen Archive of New Media Art, Cornell University
  Library, March 30-April 6, 2006

• 2005 Web Bienniel,, Exhibition, Istanbul Contemporary Art Museum
  and the Hellenic American Union in Athens, 2005

• New Art Open, Online Exhibition, Dublin, Ireland, January 2005

• Reading, Hyperpoetry, Hypertext04, University of Santa Cruz,
  Santa Cruz, CA, August 2004.

• Guest Writer, Empyre, December, 2003 - January 2004.

• Lecture, "Women in New Media", San Jose State, February, 2003.

• Reading, Electronic Readings, Hammer Museum, Los Angeles, CA,
  April 5, 2002

• Panelist, "Writers Looking Ahead", State of the Arts, A Symposium
  on Electronic Literature, UCLA, Los Angeles, CA, April, 2002
  Moderator: Marjorie Luesebrink; Panelists: Stuart Moulthrop, Caitlin
  Fisher, John Cayley, Talan Memmott, Rob Wittig, Judy Malloy

• Telematic Connections: The Virtual Embrace, Exhibition,
  Walter & McBean Galleries, San Francisco Art Institute, February 2001

• "Archiving as Art", Exhibition, International Symposium on Electronic Art,
  (ISEA 2000) Paris, France, December 2000.

• LINES, Exhibition, Sao Paulo, Brazil, August, 2000
  

• Women at the Millenium, Dwinelle Hall, University of California,
  Berkeley, CA, March 2000

• Panelist, "A Round Table Discussion with Loss Pequeno Glazier; Judy Malloy,
  Johanna Drucker; and Mark Amerika" -- hosted by Jennifer Ley,
  in Lit [art] ure -- Something Old, Something New, Riding the Meridian, v. 2, 2000.

• Boston Cyberarts Festival, Boston, CA, May 1999

• Boundless, West Coast Book Artists of the Seventies, Exhibition,
  San Francisco Center for the Book, June 8 - August 28, 1998

• Panelist, Beyond Computers - program on Electronic Literature,
  National Public Radio (NPR), April 1998

• Eighth International Symposium of Electronic Arts (ISEA97),
  Exhibition, School of the Art Institute of Chicago, September 22 -27, 1997

• (Virtual) Visiting Artist, Hypertext Poetry, The New School, NYC,
  Oct. 14-19, 1997.

• Panelist, Web Wide Web Freedom, San Francisco Art Institute, Nov. 2, 1996

• Panelist, the PAIR Program, San Jose Museum of Art, Oct. 1996

• Artists Books, Berkeley Art Center, October 3 - Dec. 31, 1996

• (ART) WORD (ART) Trojanowska Gallery, S.F. October 28 -Nov. 17, 1995

• INTERNET, A's, NYC, NY March, 1995

• Panelist, The Effect of Technology on Art, UC DAVIS, April 24, 1995

• Panelist, Muiltimedia, The Author's Guild Conference, Palo Alto, CA,
  March 24, 1995

• Lecture, "Computers and Text", Interactive art class, Stanford University,
  February 1, 1995

• The Printed Word: From Gutenberg to the Information Superhighway,
  Exhibition, University of Nevada, Reno, April, 1994

• Reading, Judy Malloy, Christine Tamblyn, and Maria Hernandez, "Hypertext",
  S.F. Public Library, Park Branch, (The American Poetry Archives) May 12, 1994

• Photographic Book Art in the United States, Exhibition, Institute for
  Contemporary Art, New Orleans, LA, January, 1994 (show also traveled to The
  Washington Center for Photography, The Houston Center for Photography,
  CameraWork (San Francisco), and others)

• Shaped Structures, Exhibition, Palos Verdes Art Center, Aug. 6- Oct. 9, 1993

• "MATRIX: Women Networking", Exhibition, SIGGRAPH '93, Anaheim, CA, Aug., 1993
  (catalog)

• Panelist, TELE-COMMUNITY, IDEAS Festival, Telluride, CO, July, 1993

• Women and Technology, Exhibition, The Beverly Hilton, Beverly Hills, CA, Dec. 5, 1992

• Wit & Wisdom, Exhibition, The Forum Gallery, Jamestown, NY, May 20-June 17, 1992. (catalog)

• Cross-Currents, Exhibition, Selby Gallery, Ringling School of Art and Design,
  February 23 - March 28, 1992. (show was also at U. C. Santa Barbara, CA; Hayward State
  University, CA among others; catalog)

• International Artists Books Exhibition, Exhibition, The National Library of
  Lisbon, Portugal, 1992

• Reflux, The Sao Paulo Biennial, Brazil, November 1991.

• Boundless Vision, Exhibition, Contemporary Bookworks, San Antonio Art Institute,
  Sept. 12 - Oct. 27, 1991

• Scarlet Letters, Exhibition, Women's Studio Workshop, Roslindale, NY, Feb., 1991

• Impulse 1991, Exhibition, Astrae Gallery, Washington, DC, Feb. 18 - March 3 1991

• Die Mauer, Exhibition, SOCA Gallery, Napa, CA, November, 1990.

• Lines of Force, Exhibition, Bayfront Gallery, San Francisco, CA, Oct.5 -Dec. 21, 1990

• Multiples, Exhibition, Nexus Gallery/Chastain Gallery, Atlanta, GA,
  Sept.9 - Oct.12, 1990 (catalog)

• A Book in Hand, Exhibition, Arvada Center for the Arts and Humanities, Colorado,
  Sept.14 - Nov. 19, 1989

• ARTWARE, Exhibition, A Space, Toronto, Canada, April 6 - May 6, 1989

• Panelist, "Art and Telecommunications," National Computer Graphics Association
  Conference, San Jose State University, San Jose, CA, June 10, 1989

• Art Com Software: Digital Concepts and Expressions, Exhibition, Tisch
  School of the Arts, New York University, NYC, NY, Nov. 4 - 22, 1988.(Show also
  travelled to San Jose State University, University of Colorado, Ars Electronica,
  Linz, Austria; Carnegie Melon Univ.)

• Visual Poetry, Exhibition, Sao Paulo Municipal Gallery, Sao Paulo,
  Brazil, summer 1988. (catalog)

• Satire, Exhibition, Florida State University at Tallahassee, January, 1988

• Festival of Plagiarism, Exhibition, ATA, San Francisco, CA, Feb. 1988

• 100+ Women, Exhibition, P.P.O.W. Gallery, NY, NY, Dec. 1987

• Books Without Bounds, Exhibition, Irvine Fine Arts Center, CA,
  Dec.4, 1987 - Jan. 14, 1988

• In Relation to Marcel Duchamp, Exhibition, Nexus, Foundation for
  Today's Art, Philadelphia, PA, Oct 2 - 30, 1987

• Ultimatum II, Exhibition, Images du Futur '87, Montreal, Canada, Sept. 1987

• Artists Books, Exhibition, Texas Women's University, September - October, 1987.

• Bookworks, Exhibition, A.N. Bush Gallery, Salem, OR, May 28 - June 28, 1987

• ARTBUS, Documenta 8, Kassel, Germany, July 1987

• Planetary Network - Roy Ascott, Online Event, Biennale of Venice, Summer 1986

• Experimental Books, Exhibition, Works, San Jose, Oct. 1986

• International Copier Art Bookworks, Exhibition, Technical University of Nova,
  Scotia, Oct, 1986 (catalog)

• Handmade Photographic Books, Exhibition, Texas Women's University, Denton, TX,
  Jan., 1986

• The Book in Time, Exhibition, SUNY Purchase, Purchase, NY, Oct., 1985

• Photographic Books, Exhibition, Allen Street Gallery, Center for Visual
  Communication, Dallas, TX, May 13-26, 1985

• Boxes, Exhibition, Southeastern Center for Contemporary Art, Winston-Salem,
  NC, June 21- Aug. 11, 1985 (catalog)

• Handmade Photographic Books, Exhibition, National Society for Photographic
  Education Conference, Minneapolis, MN, March 14-17, 1985

• Books Artists Have Made, Exhibition, Cleveland Institute of Art, Cleveland, OH,
  Feb. 17-Mar. 2, 1984 (curated by Franklin Furnace)

• New Art 84, Exhibition, Intersection Gallery, SF, CA, Dec. 23 -Feb. 5, 1984

• Experimental Books, Exhibition, Texas Women's University, Denton, Tx, Nov. 8-Dec. 5, 1983

• Color Xerox Annual, Exhibition, Intersection Gallery, SF, CA, Dec., 1983

• Artists Books, Exhibition, Berkeley Art Center, Berkeley, CA, Dec., 1983

• Bookworks, Exhibition, National Library of Madrid, Madrid, Spain,
  Sept. 15-Oct. 15, 1982 (curated by Franklin Furnace)

• Black and White, Exhibition, Public Image, NY, NY, June 9-July 3, 1983

• Bookworks: 1982, Exhibition, Moore College of Art, Philadelphia, Pa, Oct., 1982

• Radical Humor, Loeb Student Center, New York University, NY, NY April,1982

• Book as Art, Exhibition, Eaton/Shoen Gallery, SF, CA, June 14-July 25, 1981
  (curated by Franklin Furnace; show travelled to Univ. of Arizona
  Museum of Art, Univ. of New Mexico Museum of Art, the Walker Museum,
  and others)

• Book Show, Zone, Exhibition, Springfield, MA, Sept., 1981

• Bound to Be, Exhibition, Catskill Gallery, Catskill, NY, April 17-May 12, 1981

• "Nucleus I", XVI Biennial de Sao Paulo, Sao Paulo, Brazil, Oct. 16-Dec.20, 1981 (catalog)

• Artists Publications 1980, Exhibition, Tweed Museum of Art,
  University of Minnesota, Duluth, MN, Nov. 7-29, 1980

• Generative Systems, Exhibition, Heller Gallery, University of California at
  Berkeley, Nov. 18-Dec. 16, 1979

• Options in Independent Art Publishing, Visual Studies Workshop,
  Rochester, NY, Nov. 6-9, 1979

• Artwords and Bookworks, Los Angeles Institute of Contemporary Art,
  LA, CA, Feb. 28-Mar. 30, 1979

INSTALLATIONS

• "Objective Connections" with Sonya Rapoport), Generations, Richmond Art Center, Richmond, CA, "Sept. 21 - Nov. 16, 1996

• Forward Anywhere(with Cathy Marshall) , The ADA Show, Artemesia Gallery, Chicago, March 1996

• Forward Anywhere,(with Cathy Marshall) Xerox PARC 25th Anniversary, Xerox PARC Corporate Lobby, Palo Alto, CA, September 1995

• The Yellow Bowl, Digital Identities, Sheppard Gallery, University of Nevada, Reno, February 3-March 3, 1995

• The Yellow Bowl, Interactive Art, FISEA, Minneapolis, MN, November, 1993

• Its Name was Penelope, The Computer is not Sorry, The Space, Boston, MA. January 1993 (catalog)

• Its Name was Penelope, Revealing Conversations, Richmond Art Center, CA, Oct. 3 - Nov. 19, 1989

• Bad Information, Monumental Women, SOMAR Gallery Space, San Francisco, Sept. 18 - Oct 31, 1987

• I Never get Jealous, Pauley Ballroom, University of California, Berkeley, Ca, Oct. 30, 1984

• Recollection, Heller Gallery, University of California at Berkeley, March 1-27, 1982

• Technical Information, SITE, San Francisco, CA, March 3-28, 1981 (partially funded by the NEA)

• Hearst Strip, Location/Dislocation, Berkeley Art Center, Berkeley, CA, April 25- May 23, 1980

• 3X5, Visual Card Catalogs, Artworks, Venice, CA, Sept. 18 - Oct. 18, 1979

• Wiggly Bush Meadow, San Francisco Public Library, April 18-May 27, 1978 (with Doyle Saylor; sponsored by La Mamelle, inc. as part of the LOCATION project; partially funded by the NEA)

• Judy Malloy, Mixed Media, Upstairs Gallery, Sunnyvale, CA, March, 1976

SELECTED PERFORMANCES

• You!, CyberEncounters (an online event), Tisch School of the Arts, NY University, NY, June 1991

• Earthquake Survival Kit, South of Market, San Francisco, CA, Oct.17, 1990

• Free Values, 9TH and Folsom St, San Francisco, CA, Nov. 8 (election eve), 1988

• Lucy Comes Back, Pike's Building, Berkeley, CA, June 23, 1986

• Booze, People's Park Annex, Berkeley, Ca, June 23, 1985

• Human Lust Inducing Virus, S.F. Art Commission Gallery, S.F., CA, June 5, 1984

• OK Genetic Engineering, J.P. Malloy, President, Tech Expo, Holiday Inn, Emeryville, CA, Oct. 26, 1983

• Super Lucy, Chapter 15: I Really Like Niagara Falls, S.F. Art Institute, S.F., CA, April 8, 1983; Ollies, Oakland, CA, May 13, 1983

• Super Lucy, Chapter 11: Who's Up Next?, Lobby, SF Museum Of Modern Art, Nov. 6, 1982

• Super Lucy, Chapter 6: Take it All Off, University Art Museum, Berkeley, CA, June 27, 1982

• Super Lucy, Chapter 3: Oh Fuck not Again, Target Video, San Francisco, CA, April 10, 1982

• The Big Zucchini, Chapter 12: What's That Noise?, La Mamelle, inc., Dec. 4,5, 1981

About Judy Malloy

Judy Malloy is a poet who works at the conjunction of
hypernarrative, magic realism, and information art. Her work
has been exhibited and published internationally including
the 2008 Electronic Literature Conference, San Francisco Art
Institute, Tisch School of the Arts, NYU, Sao Paulo Biennial,
the Los Angeles Institute for Contemporary Art, Boston
Cyberarts Festival, The Walker Art Center, Visual Studies Workshop,
Environmental Film Festival Ithaca, NY, Eastgate Systems,
E.P. Dutton, Tanam Press, Seal Press, MIT Press,
The Iowa Review Web, and Blue Moon Review.

A pioneer on the Internet and in electronic literature,
in 1986 she wrote and programmed the seminal hyperfiction
Uncle Roger, and in the ensuing years she created a
series of innovative hypernarratives works published
by Eastgate and on the Internet, including its name
was Penelope (Eastgate Systems) and l0ve0ne, the
first selection in the Eastgate Web Workshop.
In 1993, she was invited to Xerox PARC where she worked
in Computer Science Laboratory as the first artist
in their artist-in-residence program. In 1994,
she created one of the first arts websites,
Making Art Online. (currently hosted on the
website of the Walker Art Center)

As an arts journalist and Internet information developer, she has
worked most notably as Editor of The New York Foundation for the
Arts sponsored NYFA Current, (formerly Arts Wire
Current) an Internet-based National journal on social, economic,
philosophical, and political issues in the arts and culture.

She is the editor of Women, Art & Technology, (MIT Press. 2003)
and she recently produced an Authoring Software Blog, in
conjunction with the Electronic Literature Conference.

Malloy's early work included information art installations,
such as Technical Information, Site, 1981; audio-visual
performances, such as Super Lucy, Target Video, 1982;
and a series of card catalogs, 1976-1981 and electromechanical
books. (begun in 1982) Although they can be read sequentially,
these were meant to be non-sequential works that combine words
and pictures so that neither are the words descriptions of the
pictures nor are the pictures illustrations of the words.

Her recent work includes Concerto for Narrative Data,
(in press Iowa Review Web) The Wedding
Celebration of Gunter and Gwen, (exhibited in Visionary
Landscapes, North Bank Artists Gallery, as part of the 2008
Electronic Literature Conference) and Revelations of Secret
Surveillance, a complex work of hypernarrative, magic realism,
and information art that employs metaphor, history, narrative,
and annotated references to disclose the potential for harassment,
control, and covert censorship inherent in covert surveillance
and contemporary techno-surveillance.

Information extracted from: http://www.well.com/user/jmalloy/res.html

Academic year 2008/2009
© a.r.e.a./Dr.Vicente Forés López
© Pablo Ivars Mari
imapa@alumni.uv.es
Universitat de València Press

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