LOVE AND WORSHIP OF NATURE IN THE POETRY FROM 1830 TO 1950
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THE VICTORIAN POETRY
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HIGH VICTORIAN POETRY |
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ALFRED, LORD TENNYSON (1809-1892) |
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“Alfred, first Baron Tennyson of Abworth and Freshwater (1809-92), was an English poet, Poet laureate from 1850.” (cf. Rosenthal, Tennyson ) |
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He was born in Somersby in Linconshire, 1809, where his father was rector. Cambridge is the place where he meets Arthur Hallam, his best friend, who became the Muse of Tennyson in his work. He together with his brothers (Frederick and Charles) published Poems by Two Brothers in 1827. His father died in 1831, and his friend Arthur Hallam died in 1833. We can say that in most of his best poetry, “In Memoriam” , “Ulysses”, “Tithonus”, “Morte d'Arthur”, “Tears, Idle Tears” , etc., the subject is the sense of loss of Hallam. Tennyson became so popular that some of his poems were found in most of the genteel Victorian houses. (cf. Trilling, Alfred, Lord tennyson , 395.) |
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“Hallam's gift to Tennyson, his liberating virtue, was to give the poet enough confidence in the value of his own imagination to allow him to indulge it, for a time.” (cf. Trilling, Alfred, Lord tennyson , 395.) |
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Tennyson wrote poems about love, the old stories of King Arthur (stories full of the moral of the Victorian society), etc. He had a lot of melancholy (to the past time) and he gave expression to this in his poems. Some of his most important and popular works were: |
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-Poems by Two Brothers (1827), - Timbuctoo (1829), - Poems , Chiefly Lyrical (1830) - Poems (1832): “The Lotus-Eaters,” “A Dream of Fair Women,” and “ The Lady of Shalott. ”, - Poems (1842): “Locksley Hall,” “ Ulysses ,” “ Morte d'Arthur ,” and “Break, Break, Break.”, - The Princess (1847), - In Memoriam (1850), - “ Ode on the Death of the Duke of Wellington ” (1852), - “ The Charge of the Light Brigade ” (1855), - Idylls of the King (1859), - Maud (1855), - Enoch Arden (1864), - Becket (1879; produced 1893), - Ballads and Other Poems (1880), - Demeter and Other Poems (1889): “Crossing the Bar.” (cf. < http://www.bartleby.com/65/te/Tennyson.html > 22/04/07) |
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Tennyson has a lot of important works in poetry, but we have made a selection of some of his most representative poems and a comparison with the topic that concerns us “Love and Worship of Nature”. |
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The Lady of Shalott | ||
This poem is included in the book Poems (1832), that contains: “The Lotus-Eaters,” “A Dream of Fair Women,” and “ The Lady of Shalott. ”. This poem talks about a Lady, The Lady Of Shalott, she is a mysterious lady who all people have heart about, but who nobody has seen. She lives apart from the town of Camelot , but near, so near that the inhabitants of Camelot can hear her voice when she sings. “ The Lady of Shalott ” has a lot of references to Nature when Tennyson explains and describes to the readers where the Lady of Shalott lives: |
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I On either side the river lie 10 Willows whiten , aspens quiver , |
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The inhabitants of Camelot can hear the voice of the lady, who they call: “ 'Tis the fairy The Lady of Shalott ”, (line 35-36), she is a magic lady, like the fairy of Nature: |
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[...] 28 Only reapers, reaping early, |
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Sir Lancelot is a very important character in Tennyson's poetry because the poet likes very much the stories of the King Arthur and of his time. Sir Lancelot is a gentleman of the Middle Age and in this age human beings lived very near to Nature: |
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[...] III 73 A bow-shot from her bower-eaves, The gemmy bridle glitter'd free, |
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Tennyson is describing the landscape where Sir Lancelot is riding, going to Camelot, and the way he dresses and rides: |
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[...] 91 All in the blue unclouded weather 100 His broad clear brow in sunlight glow'd; |
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The lady of Shalott feels that something is happening and then she looks at Camelot. Yes, something is happening, Sir Lancelot is crossing the way to go to Camelot. But when it seams that all is going well, then wrong things happen to the lady and she thinks "The curse is come upon me," (line 116): |
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[...] She left the web, she left the loom, |
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The lady of Shalott decides go to Camelot to know what is happening there, and why the curse has come upon her: |
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[...] IV In the stormy east-wind straining , And down the river 's dim expanse Seeing all his own mischance -- Lying, robed in snowy white |
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But during the way to Camelot she is feeling bad and while she is singing the inhabitants of Camelot know that something is happening, and then the lady dies: |
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[...] 145 Heard a carol, mournful, holy , |
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The people of Camelot could see the body of the lady, but nobody knew her by her face and her body until someone could read in the boat The Lady of Shalott . And then they discovered the face of the beautiful voice that they were hearing time ago: |
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[...] Under tower and balcony, Who is this? And what is here? |
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BIBLIOGRAPHY : | ||
Bartleby. The Columbia Encyclopedia . Sixth Edition. 2001-05. Home: < http://www.bartleby.com/65/te/Tennyson.html > 22/04/07 Rosenthal, M. L. Poetry in English. An Anthology . Oxford University Press. New York . 1987. Soanes, Catherine and Angus stevenson. Oxford Dicctionary of English . Second Edition. Oxford University Press. 2003. Tennyson, Alfred. La Dama de Shalott y otros poemas . (Trad. Antonio Rivero Taravillo.) Ed. Pre-Textos. Madrid-Buenos Aires-Valéncia. 2002. The Tennyson Page . Home: <http://charon.sfsu.edu/TENNYSON/tennyson.html> < http://charon.sfsu.edu/TENNYSON/ULYSSES.HTML > 22/04/07 < http://charon.sfsu.edu/TENNYSON/poems/chargeofthelightbrigade.shtml > 22/04/07 <http://charon.sfsu.edu/tennyson/inmemoriam.html>22/04/07 < http://charon.sfsu.edu/TENNYSON/poems/mortedarthur.shtml > 22/04/07 <http://charon.sfsu.edu/TENNYSON/TENNLADY.HTML>22/04/07 Trilling, Lionel and Harold Bloom. The Oxford Anthology of English Literature . Oxford University Press. New York . 1973. |
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The other parts of the paper | ||
INTRODUCTION: Maria Aranzazu Sarrió (http://mural.uv.es/masacha/collective3.html) | ||
PRE-RAPHAELIST: Annalisa Garofalo (http://mural.uv.es/garofalo/Love%20and%20Worship%20of%20Nature%20in%20the%20Poetry%20from%201830%20to%201950.htm) | ||
GEORGIAN POETS: Tania Sendra (http://mural.uv.es/tasenfe/rupertbrooke) | ||
MODERNISM: Ani Tadevosyan (http://mural.uv.es/tadevosy/secondcoll.html) | ||
THE THIRTIES: Sara Lozano (http://mural.uv.es/saloa/collective3html) | ||
NEW ROMANTICS IN THE FORTIES: Elena Mármol (http://mural.uv.es/memaro2/thirdpapercol.html) | ||
CONCLUSION: Carmen Mora Vives (http://mural.uv.es/mamovi3/collective3) | ||