The trial made headlines. Parnell's ten-year liaison
with Mrs. O'Shea, to which the Captain had given tacit assent, was the
stuff of scandal, and the intimate details that emerged were embarrassing
for all concerned. For instance, Katharine and Parnell addressed one another
as "King" and "Queen" in private. One of Parnell's code names in communicating
with his lover, "Mr. Fox," became widely known, while Mrs. O'Shea was universally
referred to as "Kitty," which was coincidentally a slang term for a prostitute.
Parnell was a man of enormous pride and rather cold, aristocratic demeanor.
He refused to defend against the charge and wished only to marry Mrs. O'Shea,
who for ten years had remained legally married to her husband only in hopes
of a legacy. Gladstone decided that his Liberal party in its fight for
Home Rule could not afford to be associated with a man of questionable
moral character, and the Irish party, at the urging of Davitt and Tim Healy,
removed Parnell from leadership. Parnell refused to capitulate, and the
party spilt; he was denounced by Catholic churchmen, whose leaders hoped
to regain influence over the Nationalist movement. Among his attackers
was Archbishop William Walsh, whom Simon Dedalus characterizes as "Billy
the Lip."
As his power diminished, Parnell was accused of
outrageous things, such as embezzling the Land League's "Paris funds" to
subsidize his love life. Following his marriage to Kitty he continued to
take his campaign to the people, in weakening health, and in 1891 died.
As many as 150,000 people accompanied his sealed coffin to Glasnevin cemetery,
led by the radical Fenians who had supported him at the end. In a revulsion
of popular feeling, Parnell gained a kind of mythic status even among many
of those who had attacked him, and as it became clear that Nationalism
was in disarray he became the "dead king" who alone could have led Ireland
to independence. Following his death the nine-year-old Joyce wrote a bitter
broadside poem against Parnell's betrayers entitled "Et tu Healy," which
John Joyce had printed. Joyce came to see Parnell as a martyr, betrayed
by his own people, in the mold of earlier nationalist heroes who had led
aborted insurrections, such as Wolfe Tone and Robert Emmet. Like Joyce,
Stephen Dedalus views himself as their potential successor, an Artist-Hero
who may save his country not only from its enemies but from itself.