SONGS OF INNOCENCE by WILLIAM
BLAKE
HOLY THURSDAY
'Twas on a Holy Thursday, their innocent faces clean,
Came children walking two and two, in read, and blue, and green:
Grey-headed beadles walked before, with wands as white as snow,
Till into the high dome of Paul's they like Thames waters flow.
Oh what a multitude they seemed, these flowers of London town!
Seated in companies they sit, with radiance all their own.
The hum of multitudes was there, but multitudes of lambs,
Thousands of little boys and girls raising their innocent hands.
Now like a mighty wild they raise to heaven the voice of song,
Or like harmonious thunderings the seats of heaven among:
Beneath them sit the aged man, wise guardians of the poor.
Then cherish pity, lest you drive an angel from your door.
SONGS OF INNOCENCE by WILLIAM
BLAKE
From Songs of Experience
Is this a holy thing to see
In a rich and fruitful land, -
Babes reduced to misery,
Fed with cold and usurous hand?
Is that trembling cry a song?
Can it be a song of joy?
And so many children poor?
It is a land of poverty!
And their sun does never shine,
And their fields are bleak and bare,
And their ways are filled with thorns,
It is eternal winter there.
For where'er the sun does shine,
And where'er the rain does fall,
Babe can never hunger there,
Nor poverty the mind appal.
http://www.poetryloverspage.com/poets/blake/holy_thursday_experience.html
First
of all HOLY THURSDAY is the
title given by Blake for two versions of a poem. Two versions which are
oppositein their view and their way of expressing the feelings and ideas. The
vision of a young and unexperienced Blake that we can see in the version of SONGS
OF INNOCENCE show a group of young boys which meet in a holy day to
celebrate the religious date.
As
the poem says, the image is actually positive, very childish, very “inniocent”,
as the title of the book says.. there we see how young Blake makes reference to
the “faces clean”, the colourful image of the children, “ red and blue and
green”. This way reader’s mind travels into a place, London in 18th and 19th Centuries in this case, where the situation of
children is healthy, admirable, we could even extract from the poem that they
are rich in some sense; where the image of children represent the hope of a
whole country, the expected future. The reader feels that the description of
young people is a kind of national enhancement. Words and expressions like “hum
of multitudes”, “harmonious thunderings” make reference to tha national feeling
in that celebration, that enhancement of their time and place full of hope, of
illussion. Children are symbolized as “flowers of London” in line 5 to link
them with nature, to that sense of purity and energy that only nature can offer
to humanity. But, as I said at the beginning, this is an innocent and childish
image of the real situation of children in concrete, and society in general, at
the time when Blake lived and wrote his poems.
The are
some aspects that must be taken into account. The rhyme used by the author is AABB CCDD EEFF, lines
rhyme in pairs in perfect consonance. This way we see the efforts of a young
Blake to make a clear and recognizable rhyme and sound effect. In lines 5 and
six we find a non-complete rhyme with “town-own” that variating a bit the
pronunciation we can make symilar sounds, this is a visual rhyme. The same
happens in lines 11 and 12 with “poor-door”. The vocabulary used by the author
is clearly related to youth:”innocent “8, “flowers”4, “lambs”7, “boys and
girls”8 that are closely related to the religious sense of the celebration. As
verses are 17 syllable long they have a break in the middle of each to mark the
rhythm.
On
the other hand, the version included in SONGS OF EXPERIENCE is all the
contrary. From the very beginning the poem starts with a retorical question
and, indeed a very harming one. Blake has grown old and has a very different
point of view. This rhetorical question asks the reader if the vision of a
situation of “babes reduc’d to misery” can be “holy” at all. The author is
continuously using contradictions to shake the mind of the reader, to make him
see that there are two different realities, that they can not blind their eyes
to that situation anymore. Some examples of contradictions are:
Rich
and fruitful 2 – misery 3, poverty 16
Trembling
cry 5 – voice of song 9 (in version 1)
And
these contradictions make direct reference to the poem of SONGS OF INNOCENCE
where the vision is much more positive. This way Blake realizes tht his
earlier vision was wrong and very conditioned bye his age and his lack of
experience. And he expresses that feeling by asking maybe the reader, maybe
himself, how can it be possible that they live and promote that situation
described in his poems.. The author wants to get inside the conscience of the
reader and make him think about the situation in which children are living at
that time and place.
The contrast is clear, the “song” that appears in
Version 2 is seen as a trembling cry, very negative, that gives the reader an
image of misery. And this is in contrast with the song we find in Version 1,
where all the children are “clean”, they walk in pairs, everything is colour
and celebrations. Here are two Londons, one which is enhanced as the pride of a country, represented in
the first poem by a writer which was so innocent, or wanted to look at another
side; and the second London where poor
and miserable children are forced to work in extremely hard conditions as we
extract from this poem, or other examples as “the chimney sweeper” of the same
author and “the little black boy”, poems of the same author that relate the
dreams and experiences of those children obligued by his parents to work
sweeping the chimneys of the rich people.. Here Blake tries to express a
feeling that is hidden inside the hearts of everybody at his time, but none
makes public, thatt is, the horrible situation in which children are living for
the good of their “fruitful land”.
There
are more links between the two poems. The second poem seem s to talk directly
to those “aged men, guardians of the poor”, which appear in Version 1. the
first two verses of Version 1, full of colour, of health and feeling of union,
“children walking two and two”, make strong contrast with a Sun that “does
never shine” in Version 2, this way hope is deleted from the picture symbolized
by the Sun.
Blake
is questioning all the time in Version 2, he doubts about the future of the
country, of people’s mind and heart, of children’s destiny, and he expresses
his doubts with these rhetorical questions whose expected readers are society
in general. He expresses his will for a change, a radical change in situation,
“Babe can never hunger there” which is a claim to his society.