A Woman's Last Word
by Robert Browning
(1812-1889)
I.
Let's contend no more, Love,
Strive nor weep:
All be as before, Love,
---Only sleep!
II.
What so wild as words are?
I and thou
In debate, as birds are,
Hawk on bough!
III.
See the creature stalking
While we speak!
Hush and hide the talking,
Cheek on cheek!
IV.
What so false as truth is,
False to thee?
Where the serpent's tooth is
Shun the tree---
V.
Where the apple reddens
Never pry---
Lest we lose our Edens,
Eve and I.
VI.
Be a god and hold me
With a charm!
Be a man and fold me
With thine arm!
VII.
Teach me, only teach, Love
As I ought
I will speak thy speech, Love,
Think thy thought---
VIII.
Meet, if thou require it,
Both demands,
Laying flesh and spirit
In thy hands.
IX.
That shall be to-morrow
Not to-night:
I must bury sorrow
Out of sight:
X
---Must a little weep, Love,
(Foolish me!)
And so fall asleep, Love,
Loved by thee.
http://classiclit.about.com/library/bl-etexts/rbrowning/bl-rbrown-womlas.htm
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The main idea that the poem tries to express is the
contrast between Reason and Feelings. With this poem Robert Browning makes a
critic to Reason, symbolized by words and language, and a defence of Feelings,
regarding emotional relationships.
She, the speaker, claims for the stop of thinking, that is, she wants her lover to stop speaking and start acting. There are lots of examples that tell the reader about the attitude of the Woman. For instance, in verse 1 “let’s contend no more”, she begins by asking for peace, she wants calm, and that calm can be achieved by silence. “Hush and hide the talking” in verse 11 because there is a “creature stalking”. She wants no words for that night, she doesn`t want him to tlak to her, then she wants real evidences, she wants acts like “hold” in verse 21 and “fold” in verse 23, this way she wants her lover to demonstrate real love, through acts instead of words.
She makes a criticism to Reason in the fourth stanza,
saying that there is nothing as “false” as the “truth”. She makes that
contradiction to take the reader to her way of thinking and convince him of the
defence of Feelings. The speaker uses the Biblical image of the “serpent” in
verse 15, tempting the woman from the tree and, reminding the man that evil is
always present and dangerous, and it can take them to wrong ways by the arm of
the Speaking, which she wants to avoid. This way she links the Speech with
Evil. She advises her lover to get away from those dangerous places “where the
apple reddens” and get far from the snake. Stanzas 4 and 5 are related to
Religion because they make reference to
the episode of Adam and Eve. She asks for him to “be a God” in verse 21, making
a contrast with verse 23 where she wants him to “be a man”. She wants both
realities, divine and human, linking the divine and the real world by the image
of her lover, and the same happens in stanza 8 where she wants to unite “flesh
and spirit”
“English poet, noted for his mastery of dramatic
monologue.” ROBERT BROWNING
The voice of the poem is expressed by a Woman who
speaks to her lover. The voice of the man is not present in the poem, an
essential feature to create a Dramatic Monologue, where the main character speaks
with no physical listener. This kind of writing is characteristic for the
Victorian period, and it is often used by authors like Robert Browning. This
gives the oportunity to the poet to express his thoughts, ideas and feelings
through an invented, or even real character, giving him voice and personality,
which can differ from the poet’s own personality.
“he techniques he developed through his dramatic
monologues—especially his use of diction, rhythm, and symbol—are regarded as
his most important contribution to poetry, influencing such major poets of the
twentieth century as Ezra Pound, T. S. Eliot, and Robert Frost” The academy of american poets.
With this kind of poems the author shows his constant
insecurity towards his feelings, towards his couple. He is not sure about what
the reaction is going to be, that is one of the reasons he asks for silence and
wants no words anymore. “Hay razones para atribuir a esa
disonancia interna la permanente inseguridad que padeció Browning a lo largo de
su vida y que marcó el tono fundamental de sus versos”. Algunas notas sobre
Robert Browning.
The rhyme of the poem is structured abab cdcd, and it
is divided into 10 stanzas of four lines each. The first and the third verse of
each stanza contain 6 syllables, and the second and the fourth have 3
syllables. The poet repeats the structure on and on and the ear of the reader
gets acostumed to it. This way the reader creates his own expectations about
the reading of the poem, the rhythm is fast and light. The sentence of the
first line of each stanza needs the second verses to be complete, to have full
meaning and to fulfill the expectations of the reader.
The structure of the poem is visibly round since the
author begins the poem by asking the man to go to sleep, she devlops her
purpose through the poem by making him start acting, and it ends with the same
requirement of the beginning, to “fall asleep”.
The title is very important for the understanding of
the poem. A WOMAN’S LAST WORD makes reference to the last Will of a woman, her
last expression dedicated to her lover, the last advises she wants to make are
dedicated to her lover, to their relationship. With her last word she wants her
couple to get the right way, to escape from temptation, to “bury sorrow”, to
have a better future from that very moment because next night, “to-morrow”,
they are going to lie together in peace.
To conclude, the darkness of this kind of poems makes
the reader realize how dificult and hard the life of the poet must have been,
psychologically speaking. In hard times like the 18th Century “he
did not always realize how obscure were his references and allussions.” Poetry
Connection.