Student: José Martínez Hernández       e-mail: jomarhe5@alumni.uv.es

English Philology.  First cicle, first course.

English Theatre XIX & XX Centuries  Group B ( evenings ).

 

 

Play: Fog

Eugene O'Neill Complete plays

Editor: Travis Bogard.  Publisher: Library of America

14 E  60 th street. New York. NY 1002 - 1006.

 

 

 

The main characters are:

 

The poet.

An unwealthy poet with whom the reader has the tendency to identify himself with, since he is unwilling and unflashy hero, in the line O'Neill is so good at portraying. The exceptional within the most common or low. He defends the position of keeping silent at his ( and the other ) risk in order no to risk other people´s lifes. He thought of committing suicide sinking with the boat, in the best way not to shame his family, before the accident, but the urge for helping someone else triggers his will.

 

The business man.

 

He is the pragmatic character. Egoist, sort of a coward. He is rather wealthy and he has never noticed or thought much of the other people, the ones that haden't had his luck of being well fed, and healthy, and of going to better schools and so on.

 

 

The polish peasant woman.

 

This character, barely shown among the shades, is full of sore pain, full of broken motherhood, the living face of grief, as she holds in her arms his child that died in the sinking vessel's wreck.

 

The dead child

 

A refrence carachter of major importance, since he is the reason of the discussion of the opportunities everyone has in life, plus he allegedly is the respondible , in a unexpected twist, of the rescue of all of them.

 

The third officer of a steamer

 

The unportrayed character used mainly to introduce the unthinkable, who gets really rocked and surprised ( along with the others ) when the truth about the circumstances of the rescue come to light.

 

 

The plot.

 

A passenger steamer has sank off the Grand Banks of Newfoundland among dense fog and very cold weather. Inside a drifting life-boat are barely distinguished three figures. On one side, the poet and the business man, and on the other side the mother, that later on the play shows us holding a dead baby in its arms. Then the two men talk lead us to know that all life-boats were drifted away long ago when the business man was absoltulely helpless in the sea, and when he was about to drone, the poet in his boat rescued him.

The reason being that the poet was to commit suicide, but he noticed the mother carrying his child and helped them by lowering to the sea a left life-boat and getting the three of them on board, thus being the salvation of the fourth castaway, the businessman. The child dies soon afterwards and a conversation over him ( and life in the wide sense ) takes place, indicating that probably his unfortunate death was not so bad after all, since his health from malnutrition was already bad, and his chances of survival ( on the ground ) in such extreme poverty were scarce. An even if he did, it would be a suffering and horrible existence. In opposition to some people's life, the whealty, as they are well fed, healthy, have the best doctors, go to the best schools, and have the best opportunities in life.

To make things even worse, the boat hits an iceberg, and they nearly freeze, when they heard the horn of a steamer in the distance. Then, the poet ask the business man not to call the steamer as that would put into risks the life of all crew inside the steamer if they it the iceberg in the terribly dense fog.

The business man reacts like a coward, but the poet achieves the steamer passes by. Despair is on tha air, but after some time, while the dense fog clears, the steamer comes back and rescues them. The big twist being that the officer tells them that he was only able to find them as he was guided all the time by the cries of the baby, in spite of the fact that the baby was already dead for about two days.