Universitat de València Press |
Sensorial and Intellectual Signs
in Brave New World
Features of Utopian and Dystopian
Narratives
Is there a fixed structure in this
narrative genre ?.
A visual example of this Monogenetic
Narrative.
More utopian writers ( in english
) and their Books.
Curiosity : more Utopian writers
( in spanish )
Is there a fixed
structure in this narrative genre ?.
According to Martin Gray´s " Dictionary
of Literary Terms ", a utopia would be all fictional, philosophical
or political works depicting imaginary worlds better than our own. On the
other hand, dystopia is an imaginary world even worse than our own.
In fact, it works this way because the new unattainable discourses are
subordinated to this petrified term.
Satirical, visionary, or a serious attempt to
imagine future, this discourse has a particular attribute that differs
from other forms of discourse. In its fictional dimension, the literary
theory approach to these texts has called it " the monogenetic phenomenon
", and it basically means that, in a temporal scale, this text
is the central point that puts into relation old texts and new ones by
means of form and/or content , but the most important consequence is that
it is used to define a whole genre.
In Western Literature, the modern meaning of the term utopia
appears in 1516, when Sir Thomas More wrote his novel " De
optimo reipublicae statu deque nova insula Utopia", and from
that moment this term has been used to describe those similar discourses
and/or texts. But , it deals with form or it deals with content ?.
In a philosophical or in a political dimension, I´d say that it
deals with content, but in a fictional one
I would say that it´s a question of form and content.
At this point, I´d like to add that the dichotomy
( better/worse ) is just a question of polarity because both texts
keep this narrative model balanced. Dystopian texts change the value of
this polarity, but they respect the form and the content of their antagonists.
Bearing in mind this, my idea, or supposition, is that if these utopian
and dystopian texts keep a narrative model balanced, their internal structures
will keep, too, a minimal number of fixed elements balanced. Therefore,
I think that a suittable method for describing these texts would be a
new one which contemplates both form and content as follows : ( available
in spanish )
A ) Textual features:
-
Hybrid language : combination of specific
language and aesthetic language.
-
Monogenetic and Intertextual : it has a
particular context.
-
Thomas More´s "Utopia" (1516) defines this narrative gender.
-
It is being determined by its relationships with
reality
-
There is a certain parallelism.
-
It tranmits the knowledge of its time.
-
It is the result of the writer´s hypothetic-deductive
approach.
B) Features of the Narrative Text :
-
A faked writing in dialogue form is used.
-
Internal : between narrator - narrators ( characters ).
-
External : between author - reader.
C) Features of the plot :
-
It is focussed on human-being and on a material and
intellectual environment.
-
It is dynamic and progressive.
-
The focal point is being displaced towards the end-of-trip.
( It is a pretext which leaves behind the
ending by itself.)
-
It modifies spatial, temporal, geographical or historical
characteristics.
D) Features of the fabula :
-
Insularity : Isolation.
-
Regular : Geometric disposition ,
Order , severity , alignment. Symmetry.
-
Anti-evolucionary : Resistant to
change , Present time , anti-historical.
-
Institutional : Standing orders ,
obligations , Legislative immutablity.
-
Functional social classes.
-
Strict management : constrictive
nature ; Freedom means slavery.
-
Collective hapiness.
-
Common Ceremonies : Ascetism.
-
Pedagogical.
-
Optimistic Anthropocentrism.
-
Totalitarianism.
-
Humanistic.
E) Features of the Characters :
-
Legislator : far-seeing , disinterested
, people venerate his/her figure.
-
Social uniformity : Unanimity , Depersonalization
, even Hybridity.
-
Visitor or traveller ( external o internal
).
( Note : This structure is based on R.Trousson ´s "
History of Utopian Literature " and on Mieke Bal ´s " Theory
of Narrative " ) |
A Visual Example
of this Monogenetic Narrative
I think that a visual example can help us to understand much better
this monogenetic phenomenon. When a writer decides to talk about
a better world or about a worse one, s/he cannot avoid to use this fixed
model and to be subordinated to this discourse.But, little by little, each
new writer has been able to include new dimensions in his/her discourse
without changing its macro-structure.
Here you have some stylistic changes that can be found in these texts.
1516
|
Utopia
by Sir Thomas More (1478-1535)
Originally written in Latin, this is the first modern utopian text.
He described an imaginary world in Book II , but he used a faked writing
in dialogue form in Book I . He included an elemental figure (
the visitor or traveller Raphael Hythloday ) and the dramatic
dimension in his prose
|
1905
|
A Modern Utopia
by H.G.Wells (1866-1946)
Wells changed the static meaning of this term for a new kinetic one.
Focussed on a particular instant of the evolutionary aspect of universe,
he´s able to describe a fourth dimension. His characters found
their equals in that dimension and their stream of consciousness becomes
dialogue.
|
1920
|
WE
by Evgeni I. Zamiatin (1884-1937)
This russian writer was the first one who developed the dystopian narrative
in a modern context. In 1917, he was living in England and he read Wells´
universes.
The reader is the visitor,dialogue externally faked,and the prose of
his binnacle book is a mix in between poetry and technology.
|
1932
|
Brave New World
by Aldous Huxley (1894-1963)
This author tried to satirize Wells´ Modern Utopia and
he creates this funny-strange world. It is the second dystopian text and
we can see that literature and science are the axis of his dystopian
narrative.
|
1949
|
1984
by George Orwell ( 1903-1950 )
Orwell included the historical and the political dimensions in the dystopian
text. This author was clearly influenced by Zamiatin´s WE,
but he just change the elements of the prose.
|
MORE UTOPIAN WRITERS (
in english ) AND THEIR BOOKS :
-
1516 - More, Thomas. De optimo reipublicae
statu deque nova insula Utopia.
-
1551 - More , Thomas. Utopia ( English
version )
-
1621 - Burton, Robert. The Anatomy of Melancholy.
-
1627 - Bacon, Francis. Francisci Baconi opera omnia philosophica,
moralia et historico-politica.
-
1638 - Godwin, Francis. The man in the Moon.
-
1638 - Wilkins, Peter. The discovery of a world in the Moon.
-
1641 - Hartlib, Samuel. A description of the famous kingdom of
Macaria.
-
1644 - Cavendish, Margaret.The
description of a new world, called de Blazing world.
-
1648 - Gott, Samuel. Nova Solyma, the ideal city, or Jerusalem
regained.
-
1660 - Lord Verulam y R.M. Esq. New Atlantis.
-
1676 - Glanvill, Joseph. Anti Fanatical religion and free philosophy,
in continuation of New Atlantis ( in Essays on several important subjects
in philosophy and religion )
-
1685 - Barnes, Joshua. Gerania. A new discovery of a little sort
of people, anciently discoursed of, call´d Pigmies.
-
1696 - The Free State of Noland.
-
18th Century
-
1714 - Mandelville, Bernard de. The fable of the bees.
-
1726 - Swift, Jonathan . Gulliver´s travels.
-
1733 - Madden, Samuel. Memoirs of the Twentieth Century.
-
19th Century
-
1852 - Hawthorne, Nathaniel.
The Blithedale
Romance.
-
1871 - Bulwer Lytton, Edward. The Coming
Race.
-
1872 - Butler, Samuel. Erewhon, or Over
the range.
-
1884 - Wise, Conrad.
Darkness and Dawn.
The peaceful birth of a new age.
-
1887 - Hudson, William Henry. A Crystal
Age.
-
1887 - Bellamy, E. Looking Backward 2000
-1887.
-
1890 - Donelly, Henry Ignatius.
Caesar´s
Column.
-
1890 - Morris, William. News from Nowhere
or an Epoch of Rest.
-
1891 - Jérome, K., Jérome.
Diary
of a pilgrimg and six essays : the new utopia.
-
1895 - Wells, H.G. The time machine.
-
1897 - Bellamy, E. Equality.
-
1899 - Wells, H.G. When the Sleeper wakes.
-
1901 - Butler, Samuel. Erewhon revisited
twenty years later.
-
1905 - Wells, H.G. A Modern Utopia.
-
1907 - Newte, Horace W. The Master beast.
-
1907 - Blatchford, Robert. The Sorcery
shop.
-
1908 - London, Jack. The iron heel.
-
1910 - Herbert, E.G. Newaera.
-
1911 - Saunders, W.J. Kalomera.
-
1920 - Zamiatin, E.I. We ( first dystopian
text )
-
1921 - Shaw, G.B. Black to Methuselah.
A metabiological Pentateuch.
-
1923 - Wells, H.G. Men like Gods.
-
1927 - Haldane, John B.S. The last
judgement ( in Possible worlds ).
-
1930 - Stapledon, W.O. Last and first men.
A story of the near and far future.
-
1932 - Huxley, A. Brave New World.
-
1933 - Wells, H.G. The shape of things
to come.
-
1945 - Orwell, G. Animal Farm.
-
1949 - Orwell, G. 1984.
-
1949 - Huxley, A. Ape and Essence.
-
1953 - Bradbury, R. Fahrentheit 451.
-
1958 - Huxley, A.
Brave New World revisited.
-
1962 - Huxley, A.
Island.
-
1970 - Levin, Ira.
This perfect day.
List copyrighted by © 1979 Raymond Trousson
.
For further references see : Trousson, R ( 1995 ) : Historia
de la Literatura Utópica.Barcelona.Península.
Curiosity
: UTOPIAN WRITERS ( in spanish )
-
Federico Urales
-
Antonio Ocaña
-
José Maceira
-
Juan López
-
Alfonso Martínez Rico ( from
Valencia )
-
1932 - El amor dentro de 200 años.
-
1933 - 1945, El advenimiento del comunismo libertario.
List copyrighted by © 1998 Vicente Muñoz Puelles.
For further references see : Muñoz, V (1998) :
La
Ciencia Ficción,Valencia,ed. La Máscara
Academic year 1997/1998
© a.r.e.a./Dr.Vicente Forés López
© Jose Fco. Saiz Molina
Universitat de València Press
Page maintained by : Jose
Fco.Saiz Molina
Last Updated : 05/11/99
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