Universitat de València Press

Sensorial and Intellectual Signs in Brave New World
Features of Utopian and Dystopian Narratives
 

  • Is there a fixed structure in this narrative genre ?.
  • A visual example of this Monogenetic Narrative.
  • More utopian writers ( in english ) and their Books.
  • Curiosity : more Utopian writers ( in spanish )


  • Is there a fixed structure in this narrative genre ?.

    According to Martin Gray´s " Dictionary of Literary Terms ", a utopia would be all fictional, philosophical or political works depicting imaginary worlds better than our own. On the other hand, dystopia is an imaginary world even worse than our own. In fact, it works this way because the new unattainable discourses are subordinated to this petrified term.

    Satirical, visionary, or a serious attempt to imagine future, this discourse has a particular attribute that differs from other forms of discourse. In its fictional dimension, the literary theory approach to these texts has called it " the monogenetic phenomenon ", and it basically  means that, in a temporal scale, this text is the central point that puts into relation old texts and new ones by means of form and/or content , but the most important consequence is that it is used to define a whole genre.

    In Western Literature, the modern meaning of the term utopia appears in 1516, when Sir Thomas More wrote his novel " De optimo reipublicae statu deque nova insula Utopia", and from that moment this term has been used to describe those similar discourses and/or texts. But , it deals with form or it deals with content ?.

    In a philosophical or in a political dimension, I´d say that it deals with content, but in a fictional one
    I would say that it´s a question of form and content. At this point, I´d like to add  that the dichotomy
    ( better/worse ) is just a question of polarity because both texts keep this narrative model balanced. Dystopian texts change the value of this polarity, but they respect the form and the content of their antagonists. Bearing in mind this, my idea, or supposition, is that if these utopian and dystopian texts keep a narrative model balanced, their internal structures will keep, too, a minimal number of fixed elements balanced. Therefore, I think that a suittable method for describing these texts would be a
    new one which contemplates both form and content as follows : ( available in spanish )
     
     

    A ) Textual features: 
    •      Hybrid language : combination of specific language and aesthetic language. 
    •      Monogenetic and Intertextual : it has a particular context. 
      • Thomas More´s "Utopia" (1516) defines this narrative gender. 
    •     It is being determined by its relationships with reality 
      • There is a certain parallelism. 
    •     It tranmits the knowledge of its time. 
    •     It is the result of the writer´s hypothetic-deductive approach. 
    B) Features of the Narrative Text : 
    •  A faked writing in dialogue form is used. 
      •  Internal : between narrator - narrators ( characters ). 
      •  External : between author - reader. 
    C) Features of the plot : 
    •     It is focussed on human-being and on a material and intellectual environment. 
    •     It is dynamic and progressive. 
    •     The focal point is being displaced towards the end-of-trip.

    •      ( It is a pretext which leaves behind the ending by itself.) 
    •     It modifies spatial, temporal, geographical or historical characteristics. 
    D) Features of the fabula : 
    •       Insularity : Isolation. 
    •       Regular : Geometric disposition , Order , severity , alignment. Symmetry. 
    •       Anti-evolucionary : Resistant to change , Present time , anti-historical. 
    •       Institutional : Standing orders , obligations , Legislative immutablity. 
    •       Functional social classes. 
    •       Strict management : constrictive nature ; Freedom means slavery. 
    •       Collective hapiness. 
    •       Common Ceremonies : Ascetism. 
    •       Pedagogical. 
    •       Optimistic Anthropocentrism. 
    •       Totalitarianism. 
    •       Humanistic. 
    E)  Features of the Characters : 
    •      Legislator : far-seeing , disinterested , people venerate his/her figure. 
    •      Social uniformity : Unanimity , Depersonalization , even Hybridity. 
    •      Visitor or traveller ( external o internal ). 
    ( Note : This structure is based on R.Trousson ´s " History of Utopian Literature " and on Mieke Bal ´s " Theory of Narrative " )


    A Visual Example of this Monogenetic Narrative

    I think that a visual example can help us to understand much better this monogenetic phenomenon.  When a writer decides to talk about a better world or about a worse one, s/he cannot avoid to use this fixed model and to be subordinated to this discourse.But, little by little, each new writer has been able to include new dimensions in his/her discourse without changing its macro-structure.

    Here you have some stylistic changes that can be found in these texts.
     

    1516 
     Utopia
    by Sir Thomas More (1478-1535)

    Originally written in Latin, this is the first modern utopian text. He described an imaginary world in Book II , but he used a faked writing in dialogue form in Book I . He included an elemental figure ( the  visitor or traveller Raphael Hythloday ) and the dramatic dimension in his prose

     

    1905
     A Modern Utopia
    by H.G.Wells (1866-1946) 

    Wells changed the static meaning of this term for a new kinetic one. Focussed on a particular instant of the evolutionary aspect of universe, he´s able to describe a  fourth dimension. His characters found their equals in that dimension and their stream of consciousness becomes dialogue.
     

    1920 
    WE
    by Evgeni I. Zamiatin (1884-1937)

    This russian writer was the first one who developed the dystopian narrative in a modern context. In 1917, he was living in England and he read Wells´ universes. 
    The reader is the visitor,dialogue externally faked,and the prose of  his binnacle book is a mix in between poetry and technology.
     

    1932 
    Brave New World
    by Aldous Huxley (1894-1963)

    This author tried to satirize Wells´ Modern Utopia and he creates this funny-strange world. It is the second dystopian text and
    we can see that literature and science are the axis of  his dystopian narrative. 
     

    1949 
    1984
    by George Orwell ( 1903-1950 )

    Orwell included the historical and the political dimensions in the dystopian text. This author was clearly influenced by Zamiatin´s WE, but he just change the elements of the prose.

     



    MORE UTOPIAN WRITERS ( in english ) AND THEIR BOOKS : List copyrighted by © 1979 Raymond Trousson .
    For further references see : Trousson, R ( 1995 ) : Historia de la Literatura Utópica.Barcelona.Península.


    Curiosity : UTOPIAN WRITERS ( in spanish ) List copyrighted by © 1998 Vicente Muñoz Puelles.
    For further references see : Muñoz, V (1998) : La Ciencia Ficción,Valencia,ed. La Máscara


    Academic year 1997/1998
    © a.r.e.a./Dr.Vicente Forés López
    © Jose Fco. Saiz Molina
    Universitat de València Press

    Page maintained by :  Jose Fco.Saiz Molina
    Last Updated : 05/11/99



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