Author:
Tenesse
Williams
Tittle: El zoo de cristal
Theatre company: Producciones de Cristina Rota
Director: Agustín Alezzo
Cast:
_Tom: Luis Tosar
_Amanda: Cristina Rota
_Laura: Maria Botto
_Jim: Juan Carlos Vellido
Artstical and technical
staff:
_Set & clothes design: Ana Garay
_Set & clothes design assistant: Teresa
Rodrigo
_Lights: Felipe Ramos
_Original Soundtrack: Mariano Marin
_Record studio: “Sound Garden”
_Sound engineer: Pepe Manchado
_ Vals Choreography: Monica Ruende
_Graphic design: Luis Castro
_Photography: Jean Pierre Ledos
_Comunication: CNC/Alicia Ovando
_Director assistant: Amanda Rodríguez
_Production boss: Carlos Montalvo
_Executive production: Producciones Teatrales Contemporáneas, S.L.
_Production: Producciones Cristina Rota, S.A.
_Transport:
Transpet
_Lights technical:
Teatrek
Place
and day of the representation: Sunday, 18th December 2005, in
Teatro Principal
Dramatis
personae
_Tom: He is the son in a family whose father has
left them. He also plays the role of the narrator. There are moments when he
tells the story to the audience. He is tired of his mother, of his life in that
family, so every night he leaves home and goes to the cinema. He is worried
about his sister and wants to find her a husband because his mother tells him.
He is a dreamer. He works in a shoe’s shop. Her mother is always disturbing, not
leting him be, so at the end, he decides going away and left home as his father
did.
_Amanda: She is the mother of the family. She is very
disturbing and he always is complainning about her son and telling him that he
should be worry about his sister. She tells him that he must find a husband to
his sister, because she is getting older and she is disabled and she needs a
husband. She doesn’t let live to her son.
_Laura: She is the Tom’s sister. She is a very
melancholic person. She’s a disabled person, she can’t walk right, she has a
problem in the leg, and she is full of complexes. She is in love with Jim, so,
when she knows that he is coming her house, he goes very
embarrased.
_Jim:
He is mate of
Tom. They work together. Tom bring him to his house because he wants that he and
his sister fall in love each other. He apparently fall in love with Laura, and
they kiss each other but at the end he says that she has a girlfriend and he
can’t be with Laura.
Space
The space in the play is always the same. It is
a house in the sur of United States in the 20th century, in the
forties. Is an indoor space, the house of the family. Is the living room of the
house. At the end of the stage there is a big windows.
At the
right of the stage there is a stairs that go to the street and a wall. In this
wall is where Tom is rested when he plays the role of narrator. There is no
change in the set. Beyond the scenary is supposed that there are the cook and
the bedrooms.
Lights
Lights are very important in this play. A
characteristic in this play is that the frame with the picture of the Tom’s
father is always lighted, in every moment althoug there is a dark light, the
frame is always lighted but when there is the dark when Tom plays the role of
narrator. Also it’s important the lights in the windows to know what part of the
day they are.
Clothes
The clothes of the
play are clothes from that age, from the half of the 20th century.
There is a change in the clothes of Tom when he plays the role of narrator. He
appears with a jacket and a hat of sailor. Laura and her mother wears always the
same clothes except when Jim comes to supper to their
house.
Atrezzo
There is a lot of
atrezzo in this play, the scenary is a living room so, there are a lot of
furnitures: sofas, chairs, tables, etc. There is also a gramo phone and a
telephone. And a very important detail is the frame with the picture of the
father of the family which make the presence of the father although he doesn’t
appear, because he left them many years ago. But the most important element it’s
a little table with animal figures made of glass, a small glass zoo. From here
is where the name of the play comes.
Theatre atmosphere
The representation was quite calm, but there
were two moments when my attention was distracted. The first was when a women in
the row behind me wanted to leave the auditorium and it was dark so she stumbled
and fell in the floor. The second moment was when Tom was saying the last
monologue, a very important moment in the play. He was saying his monologue when
a horn of a car outside the theatre started to ring.
Personal opinion
I think this is one of the most important and
good plays that I have seen. The actors are spectaculars, the work of Luis Tosar
is perfect, he gets to create the character of Tom perfectly and his voice and
his diction is very clear, what is very important. Everybody knows that he is a
splendid actor, he has proved it in his films. Cristina Rota and Juan Carlos
Vellido also have worked very good, although, personally I don’t like very much
these woman. Maria Botto, in my opinion, she doesn’t works bad, but she is the
worst of them. I don’t like her voice and there are moments when the audience
don’t understand well what she was telling. In short, I have enjoyed a lot this
play because the interpretation is very good, and they make that the audience
feels what the characters feel.
With
respect to the script, I think that is a little bit dull, but all the plays that
belong to the movement called realism are dull. The play is long and the
audience become a little bit tired, because like all the realism’s plays
apparently there is nothing to happen, it’s very lineal. The end of the play is
like the rest of plays of the realism, the character left his house, as Nora did
in “Casa de muñecas” or in the play
“Tio Vania”.
In general
the play as I have said before, I think is one of the best I have seen, I like
it very much, but I admit that it can result a little bored for the people who
doesn’t like the realism.