Chronological List of Works By Virginia Woolf
The Voyage Out (26 March 1915, Duckworth; U.S. pub. by Doran, May 1920)
Woolf's first
novel, begun in 1908 and heavily revised after about 1912.
Manuscript editions of the earlier version (1909-12) have been compiled
and published by Louise DeSalvo as Melymbrosia (1982), Woolf's working title for
the book.
Two Stories (1917)
"The Mark on the Wall" by VW and "a story" by
Leonard Woolf. The book was published by
subscription only, mainly to friends and acquaintances, and was the Hogarth
Press’s first publication.
Kew Gardens (12 May 1919)
Ten pages
of text by VW, with illustrations by her sister, Vanessa Bell.
Night and
Day (20 Oct 1919, Duckworth; U.S. pub. Doran, 1920)
VW
considered this her "traditional" novel, in the manner of the
nineteenth-century novelists she admired.
Monday or
Tuesday (7 April 1921; U.S. pub. Harcourt Brace, Nov. 1921) - stories
Includes
"Kew Gardens," "The Mark on the Wall," "An Unwritten
Novel" and five previously unpublished
sketches.
Jacob’s Room (27 Oct 1922; U.S. pub. Harcourt Brace, 1922)
Her first
truly experimental novel and the Hogarth Press’s first large-scale work, Jacob's
Room begins Woolf's reputation as "difficult" or
"highbrow." Critics compare her to James Joyce and Dorothy
Richardson. Jacob is based on Woolf's older brother Thoby
Stephen, who died of a fever in 1906, when he was in his mid-twenties.
Mr. Bennett and Mrs. Brown (1923)
A response
to Arnold Bennett’s criticism that she "can’t create or didn’t in Jacob’s
Room, characters that survive" (Woolf paraphrasing Bennett, Writer’s
Diary). First version was published in the
U.S. and then in England. A later, better-known, version was written as a
lecture to the Cambridge Heretics on 18 May 1924, then published in the Criterion
under the title "Character in Fiction," and then published by
Hogarth Press as Mr. Bennett and Mrs. Brown. Critically,
"the essay became a key document, not only in the assessment of Virginia
Woolf’s work, but in relation to
twentieth-century fiction generally" (Critical Heritage 17).
The Common Reader (First Series, 23 Apr 1925)
The Common
Reader was Woolf's title for two series of critical essays she published (the
second series was published in 1932), mostly focused on her responses to
reading and literature. It includes biographical sketches of many writers
and such now-famous essays as "On Not Knowing Greek" and "How it
Strikes a Contemporary."
Mrs. Dalloway (14 May 1925; simultaneously in England and
U.S.; first time for simultaneous publication in U.S. and England)
A novel
that takes place entirely in the space of one day in the life of Clarissa
Dalloway, with a parallel plot about a shell-shocked World War I veteran, Septimus Smith. The setting is London.
To the Lighthouse (5 May 1927)
Woolf's
most famous and most autobiographical novel. The novel takes place
chiefly at a family summer house based on Woolf's own family's house in
Cornwall (though the novel is set in the Hebrides), during two visits, seven
years apart, with events in between described abstractly in a middle section
called "Time Passes." The "Time Passes" section had
been published in French in Dec. 1926.
Orlando
(2 Oct 1928)
Her most
successful novel up to then, in terms of sales (even though publishing it as a
"biography" confused booksellers), Orlando traces the life of
an English nobleman, Orlando, from the Renaissance to the very moment of
publication. Orlando, based on Woolf's friend Vita Sackville-West,
lives 400 years and changes into a woman in the 18th century.
A Room of One’s Own (24 Oct 1929)
Woolf's first major feminist criticism, originating in two lectures
given in October 1928 to students at the two women's colleges of Cambridge
University (Newnham and Girton,
here fictionalized as "Fernham").
First published as a short essay on "Women and Fiction" in Forum (March 1929), it was thereafter
heavily revised to the present six chapters.
See also a
study of extant manuscripts edited by S.P. Rosenbaum, Virginia Woolf/Women
& Fiction: The Manuscript Versions of A Room of One's Own (Oxford : Blackwell, 1992).
The Waves (October 1931)
This novel
is generally considered Woolf's masterpiece, though it is also her most
experimental (some say most difficult) work.
NOTE: The first book-length criticism
of VW appeared in 1932, Winifrid Holtby’s
biography and Floris Delattre’s
Le Roman psychologique de Virginia Woolf. Delattre writes on VW’s use of time (quality vs. quantity).
The Common Reader (Second Series, 1932)
This collection
includes both new and revised critical essays, including biographical sketches
of Mary Wollstonecraft and Dorothy Wordsworth, and the now-famous essay
"How Should One Read a Book?"
Flush (5 Oct 1933)
A comic
novel written from the point of view of Elizabeth Barrett Browning's
cocker spaniel Flush.
The Years (13 March 1937]
A
bestseller, popular with critics and readers, this novel traces the life of a
Victorian family, the Pargiters, from 1880 to the
"Present Day." Begun as a sequel to A Room of One's Own,
Woolf originally intended to alternate nonfiction essays with the Pargiter's story (which illustrates the essays).
Woolf ultimately extracted the nonfiction and changed the working title
from "The Pargiters" to The Years.
Mitchell A. Leaska has edited the extracted
portions and published them as The Pargiters: The
Novel-Essay Portion of The Years (1977), which
also includes the earlier version of the 1880 section of the novel.
Three Guineas (4 June 1938)
These
feminist essays function as a sequel to A Room of One's Own, including a
critique of patriarchy (illustrated with photographs of public figures) and an
argument for pacifism in the face of the growing threat of another world war.
The illustrations are not printed in
modern editions.
Roger Fry (25 July 1940)
A biography of Woolf's friend, the art critic and painter
(1866-1934), who had introduced post-impressionism (Picasso, Cezanne) to
England in the years before World War I.
Between the Acts (17 July 1941)
Woolf's last novel,
published after her death. She had changed her mind about publishing it
just days before her death (see letter to John Lehmann). Like Mrs.
Dalloway, the action takes place in a short span of time in June and is
focused on a social event, here a community pageant rather than a party.
The setting is June 1939 in the English
countryside at a house called Pointz Hall (the
working title of the book), home of the Olivers, and
in the nearby village, where Miss LaTrobe is in
charge of the pageant. The pageant concerns English history, and
parts of it are part of the narrative.
A Writer’s Diary (UK 1953)
The public's
first access to Woolf's diaries came in this heavily edited selection of diary
entries concerning writing or particular works Woolf was writing. The
selections were prepared by her husband, Leonard Woolf. The more
complete 5-volume edition of Woolf's diaries was published 1977-1984, edited by
her nephew Quentin Bell's wife, Anne Olivier Bell. Six volumes of Woolf's
letters have also been published (ed. Nigel Nicolson and Joanne Trautmann, 1975-1980).
Moments of Being (US 1976, ed. Jeanne Schulkind)
Woolf often spoke
of writing her autobiography, but these unpublished autobiographical writings
are as close as we have to formal autobiography. The earliest,
"Reminiscences," was written at the birth of her first nephew, Julian
Bell, supposedly as a biography of her sister Vanessa. The latest, "A
Sketch of the Past," was written near the end of her life, apparently as
the beginning of a formal autobiography. The rest are sketches she read to
members of the Memoir Club, who met regularly to read such essays.