MARY SHELLEY Biography
Born: August 30, 1797
Died: February 1, 1851
English novelist
English novelist Mary Shelley is best known for
writing Frankenstein, or The Modern Prometheus
(1818) and for her marriage to the poet Percy Bysshe
Shelley (1792–1822).
Early years
Mary Wollstonecraft Godwin was born on August 30,
Mary's home life improved little when four years later
her father married his next-door neighbor, Mary Jane Clairmont, who already had two children of her own. The new
Mrs. Godwin favored her own children over the
daughters of the celebrated Wollstonecraft, and Mary was often alone and
unhappy. She was not formally educated, but she read many of her mother's books
and absorbed the intellectual atmosphere created by her father and such
visitors as the poet Samuel Taylor Coleridge (1772–1834). Young Mary's favorite retreat was Wollstonecraft's grave in the St.
Pancras churchyard, where she went to read and write, and eventually, to meet
her lover, Percy Shelley (1792–1822).
Life with Shelley
An admirer of Godwin, Percy Shelley visited the
author's home and briefly met Mary when she was fourteen, but their attraction
did not take hold until a meeting two years later. Shelley, twenty-two, was
married, and his wife was expecting their second child, but he and Mary, like
Godwin and Wollstonecraft, believed that ties of the heart were more important
than legal ones. In July 1814, one month before her seventeenth birthday, Mary
ran away with Percy, and they spent the next few years traveling
in
In 1816 Mary's half-sister Fanny committed suicide;
weeks later, Percy's wife, Harriet, drowned herself. Mary and Percy were
married in
Despite these difficult circumstances, Mary and Percy
enjoyed a large group of friends, which included the poet Lord Byron
(1788–1824) and the writer Leigh Hunt (1784–1859). They also maintained a
schedule of very strict study—including classical and European literature,
Greek, Latin, and Italian language, music and art—and other writing. During
this period Mary completed Frankenstein, the story of a doctor who,
while trying to discover the secret of life, steals bodies from graves in an
attempt to create life from the parts—but instead creates a monster.
Critical
reaction to Frankenstein
While most early reviewers criticized what they
considered the gruesome (inspiring horror) elements in Frankenstein, many
praised the author's imagination and powers of description. In the later
nineteenth century and throughout Frankenstein criticism, critics have searched
for Percy Shelley's influence on the book. Scholars have also debated the value
of the additional narratives that he encouraged his wife to write. While some
have praised the novel's resulting three-part structure, others have argued
that these additions take away from and merely pad the story. Many have also
noted the influence of Shelley's father's social views in the book; in
addition, some critics claim to have found links to his fiction.
Mary Shelley's journal entries reveal that during 1816
and 1817, when Frankenstein was being written, she and her husband discussed
the work many times. It is also known that in these years she and Shelley both
read John Milton's (1608–1674) Paradise Lost, and that she was interested at
this same time in Godwin's Political Justice, Thomas Paine's (1737–1809) The
Rights of Man, and Aeschylus's (525–456 B.C.E.) Prometheus
Bound. This is not to say that Mary Shelley borrowed her social and
moral ideas from Paine, or from Shelley or Godwin. It is perfectly
understandable that she shared the social thoughts of her father and her
husband and that she wove these ideas, which were shared also by many of the
enlightened English public during those years, into a pattern of her own
making.
Life
as a widow
The Shelleys were settled
near
Mary Shelley also produced five more novels, which
received negative criticism for being too wordy and having awkward plots. The
Last Man (1826) is her best-known work after Frankenstein. This novel, in which
she describes the destruction of the human race in the twenty-first century, is
noted as an inventive description of the future and an early form of science
fiction. Valperga (1823) and The Fortunes of Perkin
Warbeck (1830) are historical novels that have received little attention from
book critics, while Lodore (1835) and Falkner (1837),
thought by many to be autobiographical (based on her own life), are often
examined for clues to the lives of the Shelleys and
their circle.
The Shelleys' situation
improved when Sir Timothy increased Percy Florence's allowance with his coming
of age in 1840, which allowed mother and son to travel in Italy and Germany;
their journeys are recounted in Rambles in Germany and Italy in 1840, 1842, and
1843 (1844). Too ill in her last few years to complete her most cherished
project, a biography of her husband, Mary Shelley died at age fifty-three.
Mary Shelley's stories were collected and published
after her death, as was Mathilda, a short novel that
appeared for the first time in the 1950s. The story of a father and daughter's
attraction, it has been viewed as a fictional treatment of her relationship
with Godwin. The verse dramas Proserpine and Midas (1922) were written to
accompany one of Percy Shelley's works and have earned mild praise for their
poetry. Critics also admire Mary Shelley's nonfiction, including the readable,
though now dated, travel volumes; the vigorous essays for Chamber's Cabinet Cyclopedia; and her notes on her husband's poetry.
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