SONNETS FROM THE PORTUGUESE

This book recounts the love story of Elizabeth and Robert Browning in a sequence of forty-four sonnets, the forty-third of which ("How do I love thee? Let me count the ways") is one of the most widely known love poems ever written.

Despite its title, this sequence of love poems is not a translation, but a very personal telling of the love story of Elizabeth Barrett and the poet Robert Browning. Elizabeth, who had been living in virtual seclusion with only her spaniel, Flush, as a companion in a home dominated by an iron-willed, classically Victorian father, received a fan letter from Browning which led to their meeting, to their falling in love, and ultimately to their elopement and marriage. The poems, which she wrote privately for her lover's eyes alone, were published after their marriage at his urging. To maintain some privacy, she wanted to call them Sonnets from the Bosnian, but Robert suggested that she substitute Portuguese as the appropriate language of their imaginary origin.

The poems were very popular during the poet's lifetime, and they remain so today.

They are in many ways typically Victorian with their tone of gloom and sorrow, their almost morbid sensitivity to illness and death, their great outpouring of feeling as love develops, and the force and intensity of their passion. Elizabeth had been in frail health since childhood, and she fully expected to live alone until an early death. The lover in the poems, as Robert did in her life, brings about her resurrection from a living death, giving her faith in herself and the courage to live fully in the wide world beyond her father's house.

The poems, because of the universality of the feelings they express and their complex patterns of religious symbolism, carry meaning far beyond the personal story and its Victorian identity. They are deservedly still admired and still read.

Title

Elizabeth was initially hesitant to publish the poems, feeling that they were too personal. However, her husband insisted that they were the best sequence of English-language sonnets since Shakespeare's time and urged her to publish them. To offer the couple some privacy, she decided that she might publish them under a title disguising the poems as translations of foreign sonnets. Therefore, the collection was first to be known as Sonnets from the Bosnian, until Robert suggested that she change their imaginary original language to Portuguese, probably after her admiration for Camões and his nickname for her: "my little Portuguese." The title is also a reference to Les Lettres portugaises.

I

I thought once how Theocritus had sung

Of the sweet years, the dear and wished-for years,

Who each one in a gracious hand appears

To bear a gift for mortals, old or young;

And, as I mused it in his antique tongue,

I saw, in gradual vision through my tears,

The sweet, sad years, the melancholy years,

Those of my own life, who by turns had flung

A shadow across me. Straightaway I was 'ware,

So weeping, how a mystic Shape did move

Behind me, and drew me backward by the hair;

And a voice said in mastery, while I strove,--

Guess now who holds thee?--Death, I said, But, there,

The silver answer rang,--Not Death, but Love.

II

But only three in all God's universe

Have heard this word thou has said,--Himself, beside

Thee speaking, and me listening! and replied

One of us...that was God,...and laid the curse

So darkly on my eyelids, as to amerce

My sight from seeing thee,--that if I had died,

The deathweights, placed there, would have signified

Less absolute exclusion. Nay is worse

From God than from all others, O my friend!

Men could not part us with their worldly jars,

Nor the seas change us, nor the tempests bend;

Our hands would touch for all the mountain-bars:

And, heaven being rolled between us at the end,

We should but vow the faster for the stars.

III

Unlike are we, unlike, O princely Heart!

Unlike our uses and our destinies.

Our ministering two angels look surprise

On one another, as they strike athwart

Their wings in passing. Thou, bethink thee, art

A guest for queens to social pageantries,

With gages from a hundred brighter eyes

Than tears even can make mine, to play thy part

Of chief musician. What hast thou to do

With looking from the lattice-lights at me,

A poor, tired, wandering singer, singing through

The dark, and leaning up a cypress tree?

The chrism is on thine head,--on mine, the dew--

And Death must dig the level where these agree.

IV

Thou hast thy calling to some palace-floor,

Most gracious singer of high poems! where

The dancers will break footing, from the care

Of watching up thy pregnant lips for more.

And dost thou lift this house's latch too poor

For hand of thine? and canst thou think and bear

To let thy music drip here unaware

In folds of golden fulness at my door?

Look up and see the casement broken in,

The bats and owlets builders in the roof!

My cricket chirps against thy mandolin.

Hush, call no echo up in further proof

Of desolation! there's a voice within

That weeps...as thou must sing...alone, aloof.

V

I lift my heavy heart up solemnly,

As once Electra her sepulchral urn,

And, looking in thine eyes, I overturn

The ashes at thy feet. Behold and see

What a great heap of grief lay hid in me,

And how the red wild sparkles dimly burn

Through the ashen greyness. If thy foot in scorn

Could tread them out to darkness utterly,

It might be well perhaps. But if instead

Thou wait beside me for the wind to blow

The grey dust up,...those laurels on thine head,

O my Belovèd, will not shield thee so,

That none of all the fires shall scorch and shred

The hair beneath. Stand farther off then! go.

VI

Go from me. Yet I feel that I shall stand

Henceforth in thy shadow. Nevermore

Alone upon the threshold of my door

Of individual life, I shall command

The uses of my soul, nor lift my hand

Serenely in the sunshine as before,

Without the sense of that which I forbore—

Thy touch upon the palm. The widest land

Doom takes to part us, leaves thy heart in mine

With pulses that beat double. What I do

And what I dream include thee, as the wine

Must taste of its own grapes. And when I sue

God for myself, He hears that name of thine,

And sees within my eyes the tears of two.

VII

The face of all the world is changed, I think,

Since first I heard the footsteps of thy soul

Move still, oh, still, beside me, as they stole

Betwixt me and the dreadful outer brink

Of obvious death, where I, who thought to sink,

Was caught up into love, and taught the whole

Of life in a new rhythm. The cup of dole

God gave for baptism, I am fain to drink,

And praise its sweetness, Sweet, with thee anear.

The names of country, heaven, are changed away

From where thou art or shalt be, there or here;

And this...this lute and song...loved yesterday,

(The singing angels know) are only dear

Because thy name moves right in what they say.

VIII

What can I give thee back, O liberal

And princely giver, who hast brought the gold

And purple of thine heart, unstained, untold,

And laid them on the outside of the wall

For such as I to take or leave withal,

In unexpected largesse? am I cold,

Ungrateful, that for these most manifold

High gifts, I render nothing back at all?

Not so; not cold,--but very poor instead.

Ask God who knows. For frequent tears have run

The colours from my life, and left so dead

And pale a stuff, it were not fitly done

To give the same as pillow to thy head.

Go farther! let it serve to trample on.

IX

Can it be right to give what I can give?

To let thee sit beneath the fall of tears

As salt as mine, and hear the sighing years

Re-sighing on my lips renunciative

Through those infrequent smiles which fail to live

For all thy adjurations? O my fears,

That this can scarce be right! We are not peers,

So to be lovers; and I own, and grieve,

That givers of such gifts as mine are, must

Be counted with the ungenerous. Out, alas!

I will not soil thy purple with my dust,

Nor breathe my poison on thy Venice-glass,

Nor give thee any love--which were unjust.

Beloved, I only love thee! let it pass.

X

Yet, love, mere love, is beautiful indeed

And worthy of acceptation. Fire is bright,

Let temple burn, or flax; an equal light

Leaps in the flame from cedar-plank or weed:

And love is fire. And when I say at need

I love thee...mark!...I love thee--in thy sight

I stand transfigured, glorified aright,

With conscience of the new rays that proceed

Out of my face toward thine. There's nothing low

In love, when love the lowest: meanest creatures

Who love God, God accepts while loving so.

And what I feel, across the inferior features

Of what I am, doth flash itself, and show

How that great work of Love enhances Nature's.

XI

And therefore if to love can be desert,

I am not all unworthy. Cheeks as pale

As these you see, and trembling knees that fail

To bear the burden of a heavy heart,--

This weary minstrel-life that once was girt

To climb Aornus, and can scarce avail

To pipe now 'gainst the valley nightingale

A melancholy music,--why advert

To these things? O Belovèd, it is plain

I am not of thy worth nor for thy place!

And yet, because I love thee, I obtain

From that same love this vindicating grace,

To live on still in love, and yet in vain,--

To bless thee, yet renounce thee to thy face.

XII

Indeed this very love which is my boast,

And which, when rising up from breast to brow,

Doth crown me with ruby large enow

To draw men's eyes and prove the inner cost,--

This love even, all my worth, to the uttermost,

I should not love withal, unless that thou

Hadst set me an example, shown me how,

When first thine earnest eyes with mine were crossed,

And love called love. And thus, I cannot speak

Of love even, as good thing of my own:

Thy soul hath snatched up mine all faint and weak,

And placed it by thee on a golden throne,--

And that I love (O soul, we must be meek--)

Is by thee only, whom I love alone.

XIII

And wilt thou have me fashion into speech

The love I bear thee, finding words enough,

And hold the torch out, while the winds are rough,

Between our faces, to cast light on each?--

I drop at thy feet. I cannot teach

My hand to hold my spirit so far off

From myself--me--that I should bring thee proof

In words, of love hid in me out of reach.

Nay, let the silence of my womanhood

Commend my woman-love to thy belief,--

Seeing that I stand unwon, however wooed,

And rend the garment of my life, in brief,

By a most dauntless, voiceless fortitude,

Lest one touch of this heart convey its grief.

XIV

If thou must love me, let it be for nought

Except for love's sake only. Do not say

I love her for her smile--her look--her way

Of speaking gently,--for a trick of thought

That falls in well with mine, and certes brought

A sense of ease on such a day--

For these things in themselves, Belovèd, may

Be changed, or change for thee,--and love, so wrought,

May be unwrought so. Neither love me for

Thine own dear pity's wiping my cheek dry,--

A creature might forget to weep, who bore

Thy comfort long, and lose thy love thereby!

But love me for love's sake, that evermore

Thou may'st love on, through love's eternity.

XV

Accuse me not, beseech thee, that I wear

Too calm and sad a face in front of thine;

For we two look two ways, and cannot shine

With the same sunlight on our brow and hair.

On me thou lookest with no doubting care,

As on a bee in a crystalline;

Since sorrow hath shut me safe in love's divine

And to spread wing and fly in the outer air

Were most impossible failure, if I strove

To fail so. But I look on thee--on thee--

Beholding, besides love, the end of love,

Hearing oblivion beyond memory;

As one who sits and gazes from above,

Over the rivers to the bitter sea.

XVI

And yet, because thou overcomest so,

Because thou art more noble and like a king,

Thou canst prevail against my fears and fling

Thy purple round me, till my heart shall grow

Too close against thine heart henceforth to know

How it shook when alone. Why, conquering

May prove as lordly and complete a thing

In lifting upward, as in crushing low!

And as a vanquished soldier yields his sword

To one who lifts him from the bloody earth;

Even so, Belovèd, I at last record,

Here ends my strife. If thou invite me forth,

I rise above abasement at the word.

Make thy love larger to enlarge my worth.

XVII

My poet, thou canst touch on all the notes

God set between His After and Before,

And strike up and strike off the general roar

Of the rushing worlds a melody that floats

In a serene air purely. Antidotes

Of medicated music, answering for

Mankind's forlornest uses, thou canst pour

From thence into their ears. God's will devotes

Thine to such ends, and mine to wait on thine.

How, Dearest, wilt thou have me for most use?

A hope, to sing by gladly? or a fine

Sad memory, with thy songs to interfuse?

A shade, in which to sing--of palm or pine?

A grave, on which to rest from singing? Choose.

XVIII

I never gave a lock of hair away

To a man, dearest, except this to thee,

Which now upon my fingers thoughtfully,

I ring out to the full brown length and say

Take it. My day of youth went yesterday;

My hair no longer bounds to my foot's glee,

Nor plant I it from rose or myrtle-tree,

As girls do, any more: it only may

Now shade on two pale cheeks the mark of tears,

Taught drooping from the head that hangs aside

Through sorrow's trick. I thought the funeral-shears

Would take this first, but Love is justified,--

Take it thou,--finding pure, from all those years,

The kiss my mother left here when she died.

XIX

The soul's Rialto hath its merchandise;

I barter curl for curl upon that mart,

And from my poet's forehead to my heart

Receive this lock which outweighs argosies,--

As purply black, as erst to Pindar's eyes

The dim purpureal tresses gloomed athwart

The nine white Muse-brows. For this counterpart,...

The bay-crown's shade, Belovèd, I surmise,

Still lingers on thy curl, it so black!

Thus, with a fillet of smooth-kissing breath,

I tie the shadows safe from gliding back,

And lay the gift where nothing hindereth;

Here on my heart, as on thy brow, to lack

No natural heat till mine grows cold in death.

XX

Belovegrave;d, my Belovèd, when I think

That thou wast in the world a year ago,

What time I sat alone here in the snow

And saw no footprint, heard the silence sink

No moment at thy voice, but, link by link

Went counting all my chains as if that so

They never could fall off at any blow

Struck by thy possible hand,--why, thus I drink

Of life's great cup of wonder! Wonderful,

Never to feel thee thrill the day or night

With personal act or speech,--nor ever cull

Some prescience of thee with the blossoms white

Thou sawest growing! Atheists are as dull

Who cannot guess God's presence out of sight.

XXI

Say over again, and yet once over again,

That thou dost love me. Though the word repeated

Should seem "a cuckoo-song," as thou dost treat it,

Remember, never to the hill or plain,

Valley and wood, without her cuckoo-strain

Comes the fresh Spring in all her green completed,

Belovèd, I, amid the darkness greeted

By a doubtful spirit-voice, in that doubt's pain

Cry, Speak once more--thou lovest! Who can fear

Too many stars, though each in heaven shall roll,

Too many flowers, though each shall crown the year?

Say thou dost love me, love me, love me--toll

The silver iterance!--only minding, Dear,

To love me also in silence with thy soul.

XXII

When our two souls stand up erect and strong,

Face to face, silent, drawing nigh and nigher,

Until the lengthening wings break into fire

At either curvèd point,--what bitter wrong

Can the earth do to us, that we should not long

Be here contented? Think. In mounting higher,

The angels would press on us and aspire

To drop some golden orb of perfect song

Into our deep, dear silence. Let us stay

Rather on earth, Belovèd,--where the unfit

Contrarious moods of men recoil away

And isolate pure spirits, and permit

A place to stand and love in for a day,

With darkness and the death-hour rounding it.

XXIII

Is it indeed so? If I lay here dead,

Wouldst thou miss any life in losing mine?

And would the sun for thee more coldly shine

Because of grave-damps falling round my head?

I marveled, my Beloved, when I read

Thy thought so in the letter. I am thine--

But...so much to thee? Can I pour your wine

While my hands tremble? Then my soul, instead

Of dreams of death, resumes life's lower range.

Then, love me, Love! Look on me--breathe on me!

As brighter ladies do not count it strange,

For love, to give up acres and degree,

I yield the grave for thy sake, and exchange

My near sweet view of Heaven, for earth with thee!

XXIV

Let the world's sharpness, like a clasping knife,

Shut in upon itself and do no harm

In this close hand of Love, now soft and warm,

And let us hear no sound of human strife

After the click of the shutting. Life to life--

I lean upon thee, Dear, without alarm,

And feel as safe as guarded by a charm

Against the stab of worldlings, who if rife

Are weak to injure. Very whitely still

The lilies of our lives may reassure

Their blossoms from their roots, accessible

Alone to heavenly dews that drop not fewer;

Growing straight, out of man's reach, on the hill.

God only, who made us rich, can make us poor.

XXV

A heavy heart, Belovèd, have I borne

From year to year until I saw thy face,

And sorrow after sorrow took the place

Of all those natural joys as lightly worn

As the stringed pearls, each lifted in its turn

By a beating heart at dance-time. Hopes apace

Were changed to long despairs, till God's own grace

Could scarcely lift above the world forlorn

My heavy heart. Than thou didst bid me bring

And let it drop adown thy calmly great

Deep being! Fast it sinketh, as a thing

Which its own nature doth precipitate,

While thine doth close above it, mediating

Betwixt the stars and the unaccomplished fate.

XXVI

I lived with visions for my company

Instead of men and women, years ago,

And found them gentle mates, nor thought to know

A sweeter music than they played to me.

But soon their trailing purple was not free

Of this world's dust, their lutes did silent grow,

And I myself grew faint and blind below

Their vanishing eyes. Then thou didst come--to be,

Belovèd, what they seemed. Their shining fronts,

Their songs, their splendors (better, yet the same,

As river water hallowed into fonts),

Met in thee, and from out thee overcame

My soul with satisfaction of all wants:

Because God's gifts put man's best dreams to shame.

XXVII

My dear Belovèd, who hast lifted me

From this drear flat of earth where I was thrown,

And, in betwixt the languid ringlets, blown

A life-breath, till the forehead hopefully

Shines out again, as all the angels see,

Before thy saving kiss! My own, my own,

Who camest to me when the world was gone,

And I who looked for only God, found thee!

I find thee; I am safe, and strong, and glad.

As one who stands in dewless asphodel

Looks backward on the tedious time he had

In the upper life,--so I, with bosom-swell,

Make witness, here, between the good and bad,

That Love, as strong as Death, retrieves as well.

XXVIII

My letters-- all dead paper, mute and white!

And yet they seem alive and quivering

Against my tremulous hands which loose the string

And let them drop down on my knee to-night,

This said,--he wished to have me in his sight

Once, as a friend: this fixed a day in spring.

To come and touch my hand...a simple thing,

Yet I wept for it!--this...the paper's light...

Said, Dear, I love thee; and I sank and quailed

As if God's future thundered on my past.

This said, I am thine--and so its ink has paled

With lying at my heart that beat too fast.

And this...O Love, thy words have ill availed

If, what this said, I dared repeat at last!

XXIX

I think of thee!--my thoughts do twine and bud

About thee,as wild vines, about a tree,

Put out broad leaves, and soon there's nought to see

Except the straggling green which hides the wood.

Yet, O my palm-tree, be it understood

I will not have my thoughts instead of thee

Who art dearer, better! Rather, instantly

Renew thy presence; as a strong tree should,

Rustle thy boughs and set thy trunk all bare,

And let these bands of greenery which insphere thee

Drop heavily down,--burst, shattered, everywhere!

Because, in this deep joy to see and hear thee

And breathe within thy shadow a new air,

I do not think of thee--I am too near thee.

XXX

I see thine image through my tears to-night,

And yet to-day I saw thee smiling. How

Refer the cause?--Belovèd, is it thou

Or I , who makes me sad? The acolyte

Amid the chanted joy and thankful rite

May so fall flat, with pale insensate brow

On the alter stair, I hear thy voice and vow,

Perplexed, uncertain, since thou art out of sight,

As he, in his swooning ears, the choir's amen.

Belovèd, dost thou love? or did I see all

The glory as I dreamed, and fainted when

Too vehement light dilated my ideal,

For my soul's eyes? Will that light come again,

As now these tears come--falling hot and real?

XXXI

Thou comest! all is said without a word.

I sit beneath thy looks, as children do

In the noon-sun, with souls that tremble through

Their happy eyelids from an unaverred

Yet prodigal inward joy. Behold, I erred

In that last doubt! and yet I cannot rue

The sin most, but the occasion--that we two

Should for a moment stand unministered

By a mutual presence. Ah, keep near and close,

Thou dovelike help! and, when my fears would rise,

With thy broad heart serenely interpose:

Brood down with thy divine sufficiencies

These thoughts which tremble when bereft of those,

Like callow birds left desert to the skies.

XXXII

The first time that the sun rose on thine oath

To love me, I looked forward to the moon

To slacken all those bonds which seemed too soon

And quickly tied to make a lasting troth.

Quick-loving hearts, I thought, may quickly loathe;

And, looking on myself, I seemed not one

For such man's love!--more like an out-of-tune

Worn viol, a good singer would be wroth

To spoil his song with, and which, snatched in haste,

Is laid down at the first ill-sounding note.

I did not wrong myself so, but I placed

A wrong on thee For perfect strains may float

'Neath master-hands, from instruments defaced,--

And great souls, at one stroke, may do and dote.

XXXIII

Yes, call me by my pet-name! let me hear

The name I used to run at, when a child,

From innocent play, and leave the cowslips piled,

To glance up in some face that proved me dear

With the look of its eyes. I miss the clear

Fond voices which, being drawn and reconciled

Into the music of Heaven's undefiled,

Call me no longer. Silence on the bier,

While I call God--call God!--So let thy mouth

Be heir to those who are now exanimate.

Gather the north flowers to complete the south,

And catch the early love up in the late.

Yes, call me by that name,--and I, in truth,

With the same heart, will answer and not wait.

XXXIV

With the same heart, I said, I'll answer thee

As those, when thou shalt call me by my name--

Lo, the vain promise! is the same, the same,

Perplexed and ruffled by life's strategy?

When called before, I told how hastily

I dropped my flowers or brake off from a game,

To run and answer with the smile that came

At play last moment, and went on with me

Through my obedience. When I answer now,

I drop a grave thought, break from solitude;

Yet still my heart goes to thee--ponder how--

Not as to a single good, but all my good!

Lay thy hand on it, best one, and allow

That no child's foot could run as fast as this blood.

XXXV

If I leave all for thee, wilt thou exchange

And be all to me? Shall I never miss

Home-talk and blessings and the common kiss

That comes to each in turn, nor count it strange,

When I look up, to drop on a new range

Of walls and floors, another home than this?

Nay, wilt thou fill that place by me which is

Filled by dead eyes too tender to know change?

That's hardest. If to conquer love, has tried,

To conquer grief, tries more, as all things prove;

For grief indeed is love and grief beside.

Alas, I have grieved so I am hard to love.

Yet love me--wilt thou? Open thine heart wide,

And fold within the wet wings of thy dove.

XXXVI

When we met first and loved, I did not build

Upon the event with marble. Could it mean

To last, a love set pendulous between

Sorrow and sorrow? Nay, I rather thrilled,

Distrusting every light that seemed to gild

The onward path, and feared to over-lean

A finger even. And, though I have grown serene

And strong since then, I think that God has willed

A still renewable fear...O love, O troth...

Lest these enclaspèd hands should never hold,

This mutual kiss drop down between us both

As an unowned thing, once the lips being cold.

And Love, be false! if he, to keep one oath,

Must lose one joy, by his life's star foretold.

XXXVII

Pardon, oh, pardon, that my soul should make,

Of all that strong divineness which I know

For thine and thee, an image only so

Formed of the sand, and fit to shift and break.

It is that distant years which did not take

Thy sovranty, recoiling with a blow,

Have forced my swimming brain to undergo

Their doubt and dread, and blindly to forsake

Thy purity of likeness and distort

Thy worthiest love to a worthless counterfeit:

As if a shipwrecked Pagan, safe in port,

His guardian sea-god to commemorate,

Should set a sculptured porpoise, gills a-snort

And vibrant tail, within the temple gate.

XXXVIII

First time he kissed me, he but only kissed

The fingers of this hand wherewith I write;

And ever since, it grew more clean and white,

Slow to world-greetings, quick with its Oh, list,

When the angels speak. A ring of amethyst

I could not wear here, plainer to my sight,

Than that first kiss. The second passed in height

The first, and sought the forehead, and half missed,

Half falling on the hair. O beyond meed!

That was the chrism of love, which love's own crown,

With sanctifying sweetness, did precede.

The third upon my lips was folded down

In perfect, purple state; since when, indeed,

I have been proud and said, My love, my own.

XXXIX

Because thou hast the power and own'st the grace

To look through and behind this mask of me

(Against which years have beat thus blanchingly

With their rains), and behold my soul's true face,

The dim and weary witness of life's race,

Because thou hast the faith and love to see,

Through that same soul's distracting lethargy,

The patient angel waiting for a place

In the new Heavens,--because nor sin nor woe,

Nor God's infliction, nor death's neighbourhood,

Nor all which others viewing, turn to go,

Nor all of which makes me tired of all, self-viewed,--

Nothing repels thee,...Dearest, teach me so

To pour out gratitude, as thou dost, good!

XL

Oh, yes! they love through all this world of ours!

I will not gainsay love, called love forsooth,

I have heard love talked in my early youth,

And since, not so long back but that the flowers

Then gathered, smell still. Mussulmans and Giaours,

Throw kerchiefs at a smile, and have no ruth

For any weeping. Polypheme's white tooth

Slips on the nut if, after frequent showers,

The shell is over-smooth,-- and not so much

Will turn the thing called love, aside to hate

Or else to oblivion. But thou art not such

A lover, my Belovèd! thou canst wait

Through sorrow and sickness, to bring souls to touch,

And think it soon when others cry Too late.

XLI

I thank all who have loved me in their hearts,

With thanks and love from mine. Deep thanks to all

Who paused a little near the prison-wall

To hear my music in its louder parts

Ere they went onward, each one to the mart's

Or temple's occupation, beyond call.

But thou, who, in my voice's sink and fall

When the sob took it, thy divinest Art's

Own instrument didst drop down at thy foot

To hearken what I said between my tears,...

Instruct me how to thank thee! Oh, to shoot

My soul's full meaning into future years,

That they should lend it utterance, and salute

Love that endures, from Life that disappears!

XLII

My future will not copy fair my past--

I wrote that once; and thinking at my side

My ministering life-angel justified

The word by his appealing look upcast

To the white throne of God, I turned at last,

And there, instead, saw thee, not unallied

To angels in thy soul! Then I, long tried

By natural ills, received the comfort fast,

While budding, at thy sight, my pilgrim's staff

Gave out green leaves with morning dews impearled.

I seek no copy now of life's first half:

Leave here the pages with long musing curled,

And write me new my future's epigraph,

New angel mine, unhoped for in the world!

Sonnet XLIII

How do I love thee? Let me count the ways.

I love thee to the depth and breadth and height

My soul can reach, when feeling out of sight

For the ends of Being and ideal Grace.

I love thee to the level of everyday's

Most quiet need, by sun and candle-light.

I love thee freely, as men strive for Right;

I love thee purely, as they turn from Praise.

I love thee with the passion put to use

In my old griefs, and with my childhood's faith.

I love thee with a love I seemed to lose

With my lost saints, -I love thee with the breath,

Smiles, tears, of all my life! - and, if God choose,

I shall but love thee better after death,

XLIV

Belovèd, thou hast brought me many flowers

Plucked in the garden, all the summer through

And winter, and it seemed as if they grew

In this close room, nor missed the sun and showers.

So, in the like name of that love of ours,

Take back these thoughts which here unfolded too,

And which on warm and cold days I withdrew

From my heart's ground. Indeed, those beds and bowers

Be overgrown with bitter weeds and rue,

And wait thy weeding; yet here's eglantine,

Here's ivy!--take them, as I used to do

Thy flowers, and keep them where they shall not pine.

Instruct thine eyes to keep their colours true,

And tell thy soul, their roots are left in mine.

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