What passing-bells for
these who die as cattle?
- Only the monstruous
anger of the guns.
Only the stuttering rifles' rapid rattle
Can patter out their hasty orisons.
No mockeries now for them; no prayers nor bells;
Nor any voice of
mourning save the choirs, -
The shrill, demented choirs of wailing shells;
And bugles calling for them from sad
shires.
What candles may be held to
speed them all?
Not in the hands of boys, but in their
eyes
Shall shine the holy glimmers of good-byes.
The pallor of girls' brows shall be their
pall;
Their flowers the tenderness of patient minds,
And each slow dusk a drawing-down of blinds.
http://users.fulladsl.be/spb1667/cultural/owen/anthem-for-doomed.html
III. The Dead by Rupert Brooke (1887-1915)
Blow out, you bugles, over the
rich Dead!
There's none of these so lonely and poor of old,
But, dying, has made us rarer gifts
than gold.
These laid the world away; poured out the red
Sweet wine of youth; gave up the years to be
Of work and joy, and that unhoped
serene,
That men call age; and those would have been,
Their sons, they gave, their immortality.
Blow, bugles, blow! They
brought us, for our dearth,
Holiness, lacked so long, and Love, and Pain.
Honour has come back, as a king, to earth,
And paid his subjects with a royal wage;
And Nobleness walks in our ways again;
And we have come into our heritage.
http://www.amherst.edu/~rjyanco94/literature/rupertchawnerbrooke/poems/menu.html
This essay will compare the different
perspectives between the poets Wilfred Owen and Rupert Brooke with respect to
the World War I, referred to then as the Great War. For that purpose the poems
“Anthem for Doomed Youth” by Wilfred Owen with “III and The Dead” by Rupert
Brooke, will be compared.
The first poem, “Anthem for Doomed Youth” by
Wilfred Owen describes how the burial of those who died in the war. The poem is
clearly divided in two parts. The first stanza is an octave and the second one
is a sestet. Petrarchian sonnets are usually formed
in such ways. In the first stanza, concretely in the first verse Owen states
that the burial of the soldiers is different “these who die as cattle”. Then,
the author describes ironically the atmosphere of the burial by making
reference to “the monstrous anger of the guns”, “stuttering rifles” and
“wailing shells”. Then, when Owen talks about
“bugles” (songs played in military funerals), he introduces a different
tone, which is followed by a softer mood in the second stanza when Owen refers
to the “candles” they should held to speed them all , “holy glimmers” and
“flowers of tenderness” which are elements more commonly found in a burial
rather than guns and he also talks about the suffering of the family and
friends of the soldiers “the pallor of girls’ brows” “ their pall” “patient minds”.
These changes of tone and the change in the rhythm of the poem could also be
interpreted as the beginning and the end of a battle.
Along the poem we can clearly observe the
contrast made between the elements associated with the war and those associated
with a formal burial. Owen says satirically that the “anger of the guns” is the
only “passing-bell” of the soldiers, the rapid rattle of rifles the only
“orisons” (funeral prayers), and the wail of shells the only choir music.
To sum up we can say that where the first
stanza expresses the bitterness that the soldiers die “as cattle” and
substitutes the elements from a formal burial with the elements of war, the
second stanza describes the dead soldiers as individuals, with families that
will be in mourning for them.
In general terms we can come to the conclusion
that Owen today condemns the horrors of war as “If he glorifies the soldiers -
and he does, gloriously - it is as victim, not as victor; not as the hero
achieving, but as one whose sacrificial love passes the love of women”
(Spartacus). We can observe noticeably this view in the first stanza “these who
die as cattle” as dying as cattle. He is horrified about how many young
soldiers die in the absurd war. Owen in the preface of a volume of poems,
states that he was not concerned with “poetry”: “My subject is War, and the
pity of war”. “Anthem for Doomed Youth” reminds readers that each one of the
millions soldiers who died in the Great War were individuals and as such their
families and friends will suffer their loss.
Rupert Brooke poems, however, “glorified
In the poem “ III. The
Dead” we can easily observe his praises to the soldiers who died in the war,
not as victims but as authentic patriotic heroes and we can confirm what many
critics and the Prime Minister affirmed.
In the first verse it is observed the military
emphasis, which is repeated in the first verse of the second stanza “Blow out,
you bugles...” as bugles are played in military burials. Since the first verse of the poem, R. Brooke
states that soldiers are “rich Dead” and what makes them rich is the way in
which they died, fighting for
R. Broke also make emphasis on that the
soldiers are sacrificing their youth life by rejecting doing usual thinks as
working, having fun“ gave up the years to be for work and joy” and die without
issue “and those who would have been, their sons…” For these reasons they are
immortal.
All these sacrifices they made and all they
contribute to society “holiness, Love, Honour, Nobleness” is “our heritage”,
which means we have to be proud of them but at the same time it gives us
responsibility. Probably the same responsibility he felt when he joined to the
army for his loved
Bibliography
http://users.fulladsl.be/spb1667/cultural/owen/anthem-for-doomed.html.
eric.laermans@intec.rug.ac.be.
www.amherst.edu/~rjyanco94/literature/rupertchawnerbrooke/poems/menu.html.
Richard J. Yanco.
http://www.warpoetry.co.uk/brooke2.html. 2004 Saxon
Books.
http://www.firstworldwar.com/poetsandprose/owen_editors.htm . Stephen Cloutier, contributed by Richard Schumaker.04-04-2006
http://www.bbc.co.uk/shropshire/content/articles/2005/03/16/wilfred_owen.shtml. shropshire@bbc.co.uk.
http://home.tiscali.be/ericlaermans/cultural/owen.html. eric.laermans@intec.rug.ac.be.
http://www.spartacus.schoolnet.co.uk/Jowen.htm.05-04-2006
http://www.oucs.ox.ac.uk/ltg/projects/jtap/tutorials/intro/brooke/obituary.html. Robert Means.
Academic
year 2005/2006
a.r.e.a./Dr.Vicente
Forés López
©Lorena Ramos Jiménez
Universitat de València Press
loraji@alumni.uv.es