Huxley didn't write a lot of poetry. I only picked a -few- from the book "Collected Poetry Of Aldous Huxley", although there are
quite a few more. Personally, I don't think his poetry is nearly as good as his novel and essay writing, however, since the poetry
seems to be hard to find, I'm going to keep this page up. A few people have written mail to me about it, so I feel like it's a good
and unique resource. I like his novels much better, like "A Brave New World", and the classic peyote book "The Doors of
Perception" He was pretty inspirational for a number of freaks (such as Timothy Leary and, of course, The Doors)
 
 
 

 Doors Of The Temple
 Darkness
 Vision
 Books and Thoughts
 EscapeThe Garden
 The Canal
 The Ideal Found Wanting
 Misplaced Love
 The Choice
 Formal Verses
 Perils of the Small Hours
 Complaint
 Inspirations
 Summer Stillness
 ItalyBy The Fire
 Valedictory
 Crapulous Impression
 The Life Theoretic
 Complaint Of A Poet Manqué
 

                                     Poem
                                     Sympathy
                                     Excerpt from "Soles Occidere Et Redire Possunt"
                                     Seasons
                                     Storm At Night
                                     Sheep
                                     Carpe Noctem
                                     The Yellow Mustard
 
 
 
 
 

       Doors Of The Temple

Many are the doors of the spirit that lead

        Into the inmost shrine:

And I count the gates of the temple divine,

        Since the god of the place is God indeed.

        And these are the gates that God decreed

Should lead to his house: - kisses and wine,

Cool depths of thought, youth without rest,

        And calm old age, prayer and desire,

The lover's and mother's breast,

        The fire of sense and the poet's fire.

But he that worships the gates alone,

        Forgetting the shrine beyond, shall see

        The great valves open suddenly,

Revealing, not God's radiant throne,

        But the fires of wrath and agony.
 
 
 
 

          Darkness

My close-walled soul has never known
That innermost darkness, dazzling sight,
Like the blind point, whence the visions spring
In the core of the gazer's chrysolite…
The mystic darkness that laps God's throne
In a splendour beyond imagining,
        So passing bright.

But the many twisted darknesses
That range the city to and fro,
In aimless subtlety pass and part
And ebb and glutinously flow;
Darkness of lust and avarice,
Of the crippled body and the crooked heart…
        These darknesses I know.
 
 

               Vision

I had been sitting alone with books,
        Till doubt was a black disease,
When I heard the cheerful shout of rooks
        In the bare, prophetic trees.

Bare trees, prophetic of new birth,
        You lift your branches clean and free
To be a beacon to the earth,
        A flame of wrath for all to see.

And the rooks in the branches laugh and shout
        To those that can hear and understand:
"Walk through the gloomy ways of doubt
        With the torch of vision in your hand."
 
 
 

   Books and Thoughts

Old ghosts that death forgot to ferry
Across the Lethe of the years -
These are my friends, and at their tears
I weep and with their mirth am merry.
On a high tower, whose battlements
Give me all heaven at a glance,
I lie long summer nights in trance,
Drowsed by the murmurs and the scents
That rise from earth, while the sky above me
Merges its peace with my soul's peace,
Deep meeting deep.  No stir can move me,
Nought break the quiet of my release:
        In vain the windy sunlight raves
        At the hush and gloom of polar caves.

    Escape

I seek the quietude of stones
Or of great oxen, dewlap-deep
In meadows of lush grass, where sleep
Drifts, tufted, on the air or drones
On flowery traffic.  Sleep atones
For sin, comforting eyes that weep.
O'er me,  Lethean darkness, creep
Unfelt as tides through dead men's bones!

In that metallic sea of hair,
Fragrance!  I come to drown despair
Of wings in dark forgetfulness.
No love…  Love is self-known, aspires
To heights unearthly.  I ask less, -
Sleep born of satisfied desires.

     The Canal

No dip and dart of swallows wakes the black
Slumber of the canal: - a mirror dead
For lack of loveliness remembered
From ancient azures and green trees, for lack
Of some white beauty given and flung back,
Secret, to her that gave: no sun has bled
To wake an echo here of answering red;
The surface stirs no leaf's wind-blown track.

Between unseeing walls the waters rest,
Lifeless and hushed, till suddenly a swan
Glides from some broader river blue as day,
And with the mirrored magic of his breast
Creates within that barren water-way
New life, new loveliness, and passes on.
 
 

    The Ideal Found Wanting

I'm sick of clownery and Owlglass tricks;
Damn the whole crowd of you!  I hate you all.
The same, night after night, to powdered stall
To sweating gallery, your faces fix
In flux an idiot mean.  The Apteryx
You worship is no victory; you call
On old stupidity, God made to crawl
For tempting with world-wisdom's narcotics.

I'll break the window through my prison!  See,
The sunset bleeds among the roofs; comes night,
Dark blue and calm as music dying out.
Is it escape?  No, the laugh's turned on me!
I kicked at cardboard, gaped at red limelight;
You laughed and cheered my latest knockabout.
 
 

                 Misplaced Love

Red wine that slowly leaned and brimmed the shell
Of pearl, where lips had touched, as light and swift
As naked petals of the rose adrift
Upon the lazy-luted ritournelle
Of summer bee-song: laughing as they fell,
Gold memories: dream incense, childhood's gift,
Blue as the smoke that far horizons lift,
Tenuous as the wings of Ariel: -

These treasured things I laid upon the pyre;
And the flame kindled, and I fanned it high,
And, strong in hope, could watch the crumbling past.
Eager I knelt before the waning fire,
Phoenix, to greet thine immortality…
But there was naught but ashes at the last.
 
 

            The Choice

Comrade, now that you're merry
And therefore true,
Say - where would you like to die
And have your friend to bury
What once was you?
"On the top of a hill
With a peaceful view
Of country where all is still?"…
Great God, not I!
I'd lie in the street
Where two streams meet
And there's noise enough to fill
The outer ear,
While within the brain can beat
Marches of death and life,
Glory and joy and fear,
Peace of the sort that moves
And clash of strife
And routs of armies fleeing.
There would I shake myself clear
Out of the deep-set grooves
Of my sluggish being.
 
 
 

      Formal Verses

                I
Mother of all my future memories,
Mistress of my new life, which but to-day
Began, when I beheld, deep in your eyes,
My own love mirrored and the warm surprise
        Of the first kiss swept both our souls away,

                II
Ah, those were days of silent happiness!
        I never spoke, and had no need to speak,
        While on the windy down-land, cheek by cheek,
The slow-driven sun beheld us.  Each caress
Had oratory for its own defense;
And when I kissed or felt her fingers press,
        I envied not Demosthenes his Greek,
Nor Tully for his Latin eloquence.
 
 
 

     Perils of the Small Hours

When life burns low as the fire in the grate
And all the evening's books are read,
I sit alone, save for the dead
And the lovers I have grown to hate.

But all at once the narrow gloom
Of hatred and despair expands
In tenderness: thought stretches hands
To welcome to the midnight room

Another presence: - a memory
Of how last year in the sunlit field,
Laughing, you suddenly revealed
Beauty in immortality.

For so it is; a gesture strips
Life bare  of all its make-believe.
All unprepared we may receive
Our casual apocalypse.

Sheer beauty, then you seemed to stir
Unbodied soul; soul sleeps to-night,
And love comes, dimming spirit's sight,
When body plays interpreter.
 
 

          Complaint

I have tried to remember the familiar places, -
        The pillared gloom of the beechwoods, the towns by the sea, -
I have tried to people the past with dear known faces,
        But you were haunting me.

Like a remorse, insistent, pitiless,
        You have filled my spirit, you were ever at hand;
You have mocked my gods with your new loveliness:
        Broken the old shrines stand.
 
 
 

  Inspirations

Noonday upon the Alpine meadows
Pours its avalanche of Light
And blazing flowers: the very shadows
Translucent are and bright.
It seems a glory that nought surpasses -
Passion of angels in form and hue -
When, lo!  from the jewelled heaven of the grasses
Leaps a lightning of sudden blue.
Dimming the sun-drunk petals,
Bright even unto pain,
The grasshopper flashes, settles,
And then is quenched again.
 
 

   Summer Stillness

The stars are golden instants in the deep
Flawless expanse of night: the moon is set:
The river sleeps, entranced, a smooth cool sleep
Seeming so motionless that I forget
The hollow booming bridges, where it slides,
Dark with the sad looks that it bears along,
Towards a sea whose unreturning tides
Ravish the sighted ships and the sailors' song.
 
 

                By The Fire

We who are lovers sit by the fire,
Cradled warm 'twixt thought and will,
Sit and drowse like sleeping dogs
In the equipoise of all desire,
Sit and listen to the still
Small hiss and whisper of green logs
That burn away, that burn away
With the sound of a far-off falling stream
Of threaded water blown to steam,
Grey ghost in the mountain world of grey.
Vapours blue as distance rise
Between the hissing logs that show
A glimpse of rosy heat below;
And candles watch with tireless eyes
White we sit drowsing here.  I know,
Dimly, that there exists a world,
That there is time perhaps, and space
Other and wider than this place,
Where at the fireside drowsily curled
We hear the whisper and watch the flame
Burn blinkless and inscrutable.
And then I know those other names
That through my brain from cell to cell
Echo - reverberated shout
Of waiters mournful along corridors:
But nobody carries the orders out,
And the names (dear friends, your name and yours)
Evoke no sign.  But here I sit
On the wide hearth, and there are you:
That is enough and only true.
The world and the friends that lived in it
Are shadows: you alone remain
Real in this drowsing room,
Full of the whispers of distant rain
And candles staring into the gloom.
 
 

   Valedictory

I had remarked - how sharply one observes
When life is disappearing round the curves
Of yet another corner, out of sight! -
I had remarked when it was "good luck" and "good night"
And "a good journey to you", on her face
Certain enigmas penned in the hieroglyphs
Of that half frown and queer fixed smile and trace
Of clouded thought in those brown eyes,
Always so happily clear of hows and ifs -
My poor bleared mind! - and haunting whys.
There I stood, holding her farewell hand,
(Pressing my life and soul and all
The world to one good-bye, till, small
And smaller pressed, why there I'd stand
Dead when they vanished with the sight of her).
And I saw that she had grown aware,
Queer puzzled face!  of other things
Beyond the present and her own young speed,
Of yesterday and what new days might breed
Monstrously when the future brings
A charger with your late-lamented head:
Aware of other people's lives and will,
Aware, perhaps, aware even of me…
The joyous hope of it!  But still
I pitied her; for it was sad to see
A goddess shorn of her divinity.
In the midst of her speed she had made pause,
And doubts with all their threat of claws,
Outstripped till now by her unconsciousness,
Had siezed on her; she was proved mortal now.
"Live, only live!  For you were meant
Never to know a thought's distress,
But a long glad astonishment
At the world's beauty and your own.
The pity of you, goddess, grown
Perplexed and mortal!"
                Yet…yet…can it be
That she is aware, perhaps, even of me?

And life recedes, recedes; the curve is bare,
My handkerchief flutters blankly in the air;
And the question rumbles in the void:
Was she aware, was she after all aware?
 
 
 

               Crapulous Impression

(To J.S.)
Still life, still life…the high-lights shine
Hard and sharp on the bottles: the wine
Stands firmly solid in the glasses,
Smooth yellow ice, through which there passes
The lamp's bright pencil of down-struck light.
The fruits metallically gleam,
Globey in their heaped-up bowl,
And there are faces against the night
Of the outer room - faces that seem
Part of this still, still life…they've lost their soul.

And amongst these frozen faces you smiled,
Surprised, surprisingly, like a child:
And out of the frozen welter of sound
Your voice came quietly, quietly.
"What about God?" you said.  "I have found
Much to be said for Totality.
All, I take it, is God: God's all -
This bottle, for instance…" I recall,
Dimly, that you took God by the neck -
God-in-the-bottle - and pushed Him across:
But I, without a moment's loss
Moved God-in-the-salt in front and shouted: "Check!"
 
 

       The Life Theoretic

While I have been fumbling over books
And thinking about God and the Devil and all,
Other young men have been battling with the days
And others have been kissing the beautiful women.
They have brazen faces like batering-rams.
But I who think about books and such -
I crumble to impotent dust before the struggling,
And the women palsy me with fear.
But when it comes to fumbling over books
And thinking about God and the Devil and all,
Why, there I am.
But perhaps the battering-rams are in the right of it,
Perhaps, perhaps…God knows.
 
 

 Complaint Of A Poet Manqué

We judge by appearance merely:
If I can't think strangely, I can at least look queerly.
So I grew the hair so long on my head
That my mother wouldn't know me,
Till a woman in a night-club said,
As I was passing by,
"Hullo, here comes Salome…"

I looked in the dirty gilt-edged glass,
And, oh Salome!  there I was -
Positively jewelled, half a vampire,
With the soul in my eyes hanging dizzily
Like the gatherer of proverbial samphire
Over the brink of the crag of sense,
Looking down from perilous eminence
Into a gulf of window night.
And there's straw in my tempestuous hair,
And I'm not a poet: but never despair!
I'll madly live the poems I shall never write.
 
 

       Poem

Books and a coloured skein of thoughts were mine;
And magic words lay ripening in my soul
Till their much-whispered music turned a wine
Whose subtlest power was all in my control.

These things were mine, and hey were real for me
As lips and darling eyes and a warm breast:
For I could love a phrase, a melody,
Like a fair woman, worshipped and possessed.

I scorned all fire that outward of the eyes
Could kindle passion; scorned, yet was afraid;
Feared, and yet envied those more deeply wise
Who saw the bright earth beckon and obeyed.

But a time came when, turning full of hate
And weariness from my rememberd themes,
I wished my poet's pipe could modulate
Beauty more palpable than words or dreams.

All loveliness with which an act informs
The dim uncertain chaos of desire
Is mine to-day; it touches me, it warms
Body and spirit with its outward fire.

I am mine no more: I have become a part
Of that great earth that draws a breath and stirs
To meet the spring.  But I could wish my heart
Were still a winter of frosty gossamers
 
 

  Sympathy

The irony of being two…!
Grey eyes, wide open suddenly,
Regard me and enquire; I see a face
Grave and unquiet in tenderness.
Heart-rending question of women - never answered:
"Tell me, tell me, what are you thinking of?"
Oh, the pain and foolishness of love!
What can I do but make my old grimace,
Ending it with a kiss, as I always do?
 
 
 

 Excerpt from "Soles Occidere Et Redire Possunt"

Oh, how remote he walked along the street,
Jostling with other lumps of human meat! Seasons

Blood of the world, time stanchless flows;
The wound is mortal and is mine.
I act, but not to my design,
Choose, but 'twas ever fate that chose,
Would flee, but there are doors that close.
Winter has set its muddy sign
Without me and within.  The rose
Dies also in my heart and no stars shine.

But nightingales call back the sun;
The doors are down and I can run,
Can laugh, for destiny is dead.
All springs are hoarded in the flowers;
Quick flow the intoxicating hours,
For wine as well as blood is red.

He was so tired.  The café doors invite.
Caverned within them, still lingers the night
In shadowy coolness, soothing the seared sight.
He sat there smoking, soulless and wholly crass,
Sunk to the eyes in the warm sodden morass
Of his own guts, wearily, wearily
Ruminating visions of mortality -
 
 
 

 Seasons

Blood of the world, time stanchless flows;
The wound is mortal and is mine.
I act, but not to my design,
Choose, but 'twas ever fate that chose,
Would flee, but there are doors that close.
Winter has set its muddy sign
Without me and within.  The rose
Dies also in my heart and no stars shine.

But nightingales call back the sun;
The doors are down and I can run,
Can laugh, for destiny is dead.
All springs are hoarded in the flowers;
Quick flow the intoxicating hours,
For wine as well as blood is red.
 
 
 

    Storm At Night

Oh, how aquarium-still, how brooding-warm
This paradise!  How peacefully in the womb
Of war itself, and at the heart of storm
How safely - safely a captive, in a tomb -
I lie and, listening to the wild assault,
The pause and once-more fury of the gale,
Feel through the crack of my sepulchral vault
The fine-drawn probe of air, and watch the pale
Unearthly lightenings leap across the sky
Like sudden sperm and die and leap again.
The thunder calls and every spasm of fire
Beckons, a signal, to that old desire
In calm for tempest and at ease for pain.
Dreaming of strength and courage, here I lie.
 
 
 

      Sheep

Seeing a country churchyard, when the grey
Monuments walked, I with a second glance,
Doubting, postponed the apparent judgement day
To watch instead the random slow advance
Across the down of a hundred nibbling sheep.
And yet these tombs, half fnacied and half seen
In the dim world between waking and sleep,
These headstones browsing on their plot of green,
Were sheep indeed and emblems of life.
For man to dust, dust turns to grass.  The butcher's knife
Works magic, and the ephermeral sheep forms pass
Through swift tombs and through silent tombs, until
One more God's acre feeds across the hill.
 
 
 

      Carpe Noctem

There is no future, there is no more past,
No roots nor fruits, but momentary flowers.
Lie still, only lie still and night will last,
Silent and dark, not for a space of hours,
But everlastingly.  Let me forget
All but your perfume, every night but this,
The shame, the fruitless weeping, the regret.
Only lie still: this faint and quiet bliss
Shall flower upon the brink of sleep and spread,
Till there is nothing else but you and I
Clasped in a timeless silence.  But like one
Who, doomed to die, at morning will be dead,
I know, though night seem dateless, that the sky
Must brighten soon before to-morrow's sun.
 
 
 

   The Yellow Mustard

Cabined beneath low vaults of cloud,
        Sultry and still, the fields do lie,
Like one wrapt living in his shroud,
        Who stifles silently.

Stripped of all beauty not their own -
        The gulfs of shade, the golden bloom -
Grey mountain-heaps of slag and stone
        Wall in the silent tomb.

I, through this emblem of a mind
        Dark with repinings, slowly went,
Its captive, and myself confined
        In like discouragement.

When, at a winding of the way,
        A sudden glory met my eye,
As though a single, conquering ray
        Had rent the cloudy sky.

And touched, transfiguring bright
        In that dull plain, one luminous field;
And there the miracle of light
        Lay goldenly revealed.

And yet the reasons for despair
        Hung dark, without one rift of blue;
No loophole to the living air
        Had let the glory through.

In their own soil those acres found
        The sunlight of a flowering weed;
For still there sleeps in every ground
        Some grain of mustard seed.
 
 
 
 
 
 


 
 
 
 

©Lourdes Tomás Tudela
©a.r.e.a/Dr.Vicente Forés López
Curso Escolar 2000/2001
Universidad de Valencia
Fac. de Filología