ANALYSIS OF
HERMIA
There are four young
lovers in the play, and Hermia, a young woman of
“Now I perceive that she hath made compare
Between
our statures; she hath urged her height,
And
with her personage, her tall personage,
Her
height, forsooth, she hath prevailed with him.
And
are you grown so high in his esteem
Because I am so dwarfish and so low?”
(MND, Act III scene ii, lines 290-295)
Early in the play (first
scene) we observe Hermia’s conflict with her father Egeus. Egeus wants her to marry
with Demetrius, but she refuses to marry the man her father has chosen for her,
since she loves Lysander. We could say that this is a
reflection of the society of that time, i.e, an
authoritarian and patriarchal society in which husbands, fathers, and
aristocrats are the dominant voices. But, as we have seen, Hermia
opposes her father’s choice even knowing that if she does not obey she will be
punished with death or she will be enclosed in a nunnery.
Marriage is an element
that appears in most of Shakespearean comedies, but as we observe in this first
scene it is not easy to reach it because of parental disapproval. In relation
to this we could say that Hermia is a brave character
because she opposes her father, she also argues with the Duke saying that Lysander is as worthy as Demetrius, and even she remarks
that she prefers to live in perpetual virginity rather than to marry a man that
she does not love. So we can see that love here is challenging authority.
Hermia
is also a well-educated, well-spoken and a lady trained in politeness. So,
although we have seen that at the beginning she confronts her father; on the
other hand she is respectful with him in the rest of matters. This attitude
(well-spoken, etc) can also be seen when she addresses her friend Helena in the
first scenes, since Hermia is kind with her and she
shows affection to her.
Through the story we can
infer that Hermia is the liveliest of the four
lovers, she is bold, intelligent and she has clear ideas on life, love and
marriage. For example, as we have seen, she only wants to marry the man she
loves; or when Lysander proposes her to run away to a
wood and she accepts it. So, here we observe another common feature which is
meeting in secret. At the same time, we could consider this as a feature of a
romantic character (in this case is Hermia).
When both lovers, Hermia and Lysander, are in the
wood they decide to have a rest; Lysander wants to
sleep with Hermia, but she tells him that he should
not rest so close to her:
“Nay, good Lysander,
for my sake, my dear,
Lie
further off yet; do not lie so near.”
“But, gentle friend, for love and courtesy
Lie
further off, in human modesty;
Such
separation as may well be said
Becomes
a virtuous bachelor and a maid,”
(MND, Act II scene ii, lines 49-50 and
62-65, Hermia)
We point out this scene
since here we can see that Hermia respects the
decorum that society dictated at that time, i.e,
lovers could not sleep together if they were not married. So, here we can see Hermia as a virginal young woman. We can compare this
reaction to the one which occurs in one of the first scenes, since she does not
accept her father’s election, which was something done in that society (i.e accept what father decided); and on the other hand, in
this scene she is accepting the decorum.
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