INTRODUCTION

 

I am going to compare a Victorian poet, E. B. Browning  with the theme of my team, Love and Worship to Nature, and I am going to compare this author with a the Romantic poet that I chose in the other paper also with the theme of my team.

 

“The literary lull which followed the early deaths of Keats, Shelley and Byron is a true age of transition, the period of the Great Reform Bill of 1832. Features of the Victorian age began to appear: liberal legislation, a triumphant middle class, industrial advance, proletarian unrest, religious renewal. When Queen Victoria came to the throne, the warning voices of Keble and Carlyle were audible. Among the young writers were Tennyson, the Brownings, Thackeray and Dickens”.

 

Alexander, Michel.  A history of English literature, New York. Palgrave foundations. 2000. (“The Romantics:1790-1837” page 243-244)

 

Victoria’s long reign saw a growth in literature, especially in fiction, practised notably by Dickens, Thackeray, the Brontës, George Eliot, Trollope, James and Hardy. Poetry too was popular, especially that of Tennyson; Browning and Hopkins are also major poets”.

 

Alexander, Michel.  A history of English literature, New York. Palgrave foundations. 2000. (“Victorian Literature to 1880” page 247)

 

“The Victorian poetry does not have a topic on his poems about love and worship of Nature as the Romantics had in their poetry. It is because the Romantics loved Nature and this was showed through their poems adoring and blessing the Nature as if it was God”.

 

 

(http://www.victorianweb.org/authors/rb/dm1.html  3/1/07

Section: Victorianism

Home: http://www.victorianweb.org )

 

 

Barret Borwing was born at Caxhoe, Co. Durham. In 1809 the family moved to Hope End in Hertfordshire where she sustained a spinal injury in her teens although this does not fully account for her semi-invalid status throughout much of her life. She displayed great precocity in learning Latin and Greek. She published An essay on Mind (1826), Prometheus Unbound (1833), and The Seraphin (1844). Her reputation was firmly established by Poems (1844) which led to a correspondence with Robert Browning, whom she married in 1846 and lived with abroad for long periods”.

 

Romantic women poets 1770-1838, Volume 1. Edited by Andrew Ashfield. Manchester University press. 1995 (page 267)

 

I studied Elizabeth Barret Browning, a Victorian poet and I looked for poems with the theme of my group: “Love and Worship of nature”. What I found was some poems with features about nature as was the Sonnet XLIV:

 

XLIV. Beloved, thou hast brought me many flowers

 

Beloved, thou hast brought me many flowers

Plucked in the garden, all the summer through,

And winter, and it seemed as if they grew

In this close room, nor missed the sun and showers.

So, in the like name of that love of ours,

Take back these thoughts which here unfolded too,

And which on warm and cold days I withdrew

From my heart's ground. Indeed, those beds and bowers

Be overgrown with bitter weeds and rue,

And wait thy weeding; yet here's eglantine,

Here's ivy!--take them, as I used to do

Thy flowers, and keep them where they shall not pine.

Instruct thine eyes to keep their colours true,

And tell thy soul, their roots are left in mine

 

http://www.online-literature.com/elizabeth-browning/sonnets-from-the-portuguese/44/    (4/01/07)

Section: Sonnets from the Portuguese

Home: http://www.online-literature.com/

 

Some other poems with this characteristic are from the Seraphin and other poems:

 

An island

IV

More like, perhaps, that mountain piece

Of Dante’s paradise,

Disrupt to an hundred hills like these,

In falling from the skies;

Bringing within it, all the roots

Of heavenly trees and flowers and fruits:

 

The complete poetical works of Elizabeth Barret Browning. Buccaneer books. Cutchogue, New York. 1993. (page. 32)

 

 

The others from Seraphin and other poems were: The desert garden, Night and the merry man, Earth and her praises and Man and Nature.

 

The complete poetical works of Elizabeth Barret Browning. Buccaneer books. Cutchogue, New York. 1993. (page. 33, 39, 40, 48 respectively).

 

 

 

From the poems of 1844 we can emphasize Patience taught by Nature:

 

"O DREARY life," we cry, "O dreary life !"

And still the generations of the birds

Sing through our sighing, and the flocks and herds

Serenely live while we are keeping strife

With Heaven's true purpose in us, as a knife

Against which we may struggle ! Ocean girds

Unslackened the dry land, savannah-swards

Unweary sweep, hills watch unworn, and rife

Meek leaves drop year]y from the forest-trees

To show, above, the unwasted stars that pass

In their old glory: O thou God of old,

Grant me some smaller grace than comes to these! -

But so much patience as a blade of grass

Grows by, contented through the heat and cold.

 

http://www.firstscience.com/SITE/POEMS/browning_e.asp (4/01/07)

Section: Poems and Quotes

http://www.firstscience.com/home/

 

The complete poetical works of Elizabeth Barret Browning. Buccaneer books. Cutchogue, New York. 1993 (page. 102)

 

From the poems of 1850 we can emphasize Heaven and Earth and A dead rose:

A dead rose

I

O rose, who dares to name thee?

No longer roseate now, nor soft nor sweet,

But pale and hard and dry as stybble wheat,

Kept seven years in a drawen, thy titles shame thee.

 

The complete poetical works of Elizabeth Barret Browning. Buccaneer books. Cutchogue, New York. 1993 (page.198 and 207 respectively)

 

 

She has some other poems with some quotations about Nature, but she mention the Nature differently as the romantics had done some years before. That’s mean that she uses the nature to talk about love, religion… not describe a thing of the Nature that she is seeing.

 

hers was, above all things, a religious nature, and she had already passed through a deep spiritual experience”

 

The complete poetical works of Elizabeth Barret Browning. Buccaneer books. Cutchogue, New York. 1993. Biographical sketch xiii (l. 12 -13).

 

 

CONCLUSION

 

 

“Browning is generally considered the greatest of English poetesses. Her works are full of tender and delicate, but also of strong and deep, thought. Her own sufferings, combined with her moral and intellectual strength, made her the champion of the suffering and oppressed wherever she found them. Her gift was essentially lyrical, though much of her work was not so in form. Her weak points are the lack of compression, an occasional somewhat obtrusive mannerism, and frequent failure both in metre and rhyme”.

 

http://en.wikipedia.org/wiki/Elizabeth_Barrett_Browning (4/01/07)

Section: Elizabeth Barret Browning

http://en.wikipedia.org/wiki/Main_Page

 

“Empathetic due to her own lifelong physical sufferings but evocative of profound intellectual thought, Browning’s poems are considered among the greatest contributions to English poetry for the nineteenth century. Through her pen, she was passionately outspoken on issues of social injustice like slavery, child labour, and oppression of women, and later in life expressed her political opinions of the struggle in Italy with Austria”.

 

http://www.online-literature.com/elizabeth-browning/ (04/01/07)

Biography written by C.D. Merriman for Jalic Inc. Copyright Jalic Inc. 2006

Section: Elizabeth Barret Browning

http://www.online-literature.com/

 

Apart of the poems mentioned, Barret has got others with a bit reference about Nature, but the use that she had of the Nature is very different from the use that romantics had done some years before.

 

If we have to compare a poem by Barret such as A dead rose (for example) with a poem of a romantic poet such as Ode to West Wind by Pierce Shelley, we find different grasps between one and the other. Shelley was a typical romantic poet with love, beauty and nature as themes. He describe Nature as such, he tell what he is seeing. But Barret do not the same. She uses the Nature to express another theme that in essential is more important than the use of the nature. But without this use of the Nature or the nature vocabulary were not the same effect in the reader or in who is listening the poem.

 

In the poem by Shelley, Ode to West Wind, the feeling of happiness are emphasized, while in the poem A dead rose by Barret Browning she describes the rose using some Christian features and vocabulary : “…and mix his glory in thy gorgeous urn…”.

 

(A dead rose, Paragraph III. Line 3 The complete poetical works of Elizabeth Barret Browning. Buccaneer books. Cutchogue, New York. 1993. Page 207)

 

I think that in Victorian time the poets use the Nature in different way that in Romantic time done. The romantics, like its name says, are bound up with love, nature, views… These themes ever are related (for me). So, in this way, the poem of Shelley is in the line of romantics and use the Nature as such, describing that thing that they are looking at the moment. In Victorian poets, they use the Nature to express his feeling to God or to other thing, but not describe the Nature as such.  An example of this is A Dead Rose, although the title make reference to a rose, in the poem what is describing is the death of this rose, not if she is red or rose, nor if its tale is long or short…

 

So, the Victorian poets use the Nature to describe another theme, that is much important in the poem although in a poem maybe can appear the Nature theme.

 

 

 

Bibliography

 

 

-  Alexander, Michel.  A history of English literature, New York. Palgrave

foundations. 2000. (“The Romantics:1790-1837” page 243-244)

 

- http://www.victorianweb.org/authors/rb/dm1.html  (3/1/07)

Section: Victorianism

Home: http://www.victorianweb.org

 

-  Romantic women poets 1770-1838, Volume 1. Edited by Andrew Ashfield. Manchester University press. 1995 (page 267)

 

-  http://en.wikipedia.org/wiki/Elizabeth_Barrett_Browning (4/01/07)

Section: Elizabeth Barret Browning

http://en.wikipedia.org/wiki/Main_Page

 

- http://www.online-literature.com/elizabeth-browning/ (4/01/07)

Biography written by C.D. Merriman for Jalic Inc. Copyright Jalic Inc. 2006

Section: Elizabeth Barret Browning

http://www.online-literature.com/

 

-  A dead rose, Paragraph III. Line 3 The complete poetical works of Elizabeth Barret browning. Buccaneer books. Cutchogue, New York. 1993. Page 207

 

- http://www.online-literature.com/elizabeth-browning/sonnets-from-the-portuguese/44/    (4/01/07)

Section: Sonnets from the Portuguese

Home: http://www.online-literature.com/

 

- The complete poetical works of Elizabeth Barret Browning. Buccaneer books. Cutchogue, New York. 1993. (page. 32)

 

- The complete poetical works of Elizabeth Barret Browning. Buccaneer books. Cutchogue, New York. 1993. (page. 33, 39, 40, 48)

 

- http://www.firstscience.com/SITE/POEMS/browning_e.asp (3/01/07)

Section: Poems and Quotes

http://www.firstscience.com/home/

 

- The complete poetical works of Elizabeth Barret Browning. Buccaneer books. Cutchogue, New York. 1993 (page. 102)

 

- The complete poetical works of Elizabeth Barret Browning. Buccaneer books. Cutchogue, New York. 1993 (page.198 and 207)

 

- The complete poetical works of Elizabeth Barret Browning. Buccaneer books. Cutchogue, New York. 1993. Biographical sketch xiii (l. 12 -13).

 

 

Academic year 2006/2007
© a.r.e.a./Dr.Vicente Forés López
© Carmen Mora Vives
mamovi3@alumni.uv.es
Universitat de València Press