THE MOVEMENT
“The Movement was a term coined by J. D. Scott, literary
editor of The Spectator, in 1954 to describe a group of writers including
Kingsley Amis, Philip Larkin, Donald Davie, D.J. Enright, John Wain, Elizabeth
Jennings, Thom Gunn, and Robert Conquest. The Movement was essentially English
in character; poets in
( http://www.answers.com/topic/the-movement-literature
16/12/06
Section: The Movement literature
Home: http://www.answers.com/)
The Movement emerged against the extreme romanticism of the
New Apocaliptics. These poets worked towards anti-romanticism, the rationality
and the sobriety.
(http://en.wikipedia.org/wiki/Movement_(literature)
17/12/06
Section: The Movement literature
Home: http://en.wikipedia.org/wiki/Main_Page )
“John
Press has described it as "a general retreat from direct comment or
involvement in any political or social doctrine”
(http://en.wikipedia.org/wiki/Movement_(literature) 17/12/06
Section: The Movement literature
Home: http://en.wikipedia.org/wiki/Main_Page)
The poets that belong to these type of poetry,
The Movement, generate two anthologies one in the 50s (Poets of the 50s) and
the other, New Lines. These two in a difference that a year, the first one in
1955 and the other one in 1956. At these New Lines belonged: Kingsley Amis,
Robert Conquest, Donald Davie, D.J. Enright, Tom Gunn, john Holloway, Elizabeth
Jennings, Philip Larkin and John Wain.
In 1963 appeared a second New Lines anthology,
to which belong poets as THOMAS Blackburn, Edwin Brock, Hilary Corke, john
Fuller, Francis Hope, Ted Hughes, Richard Kell, Thomas Kinsella, Laurence
Lerner, Edward Lucie-Smith, George Macbeth, Jame Michie, Jonathan Price, Vernon
Scannell, Anthony Thwaite, Hugo Williams, and the same poets as the first one.
(http://www.answers.com/topic/the-movement-literature
16/12/06
Section: The Movement literature
Home: http://www.answers.com/)
“Philip Larkin, English poet, novelist, and critic, a leading figure of 'The Movement,'
term coined to describe a group of British poets that coalesced during the
1950s'The Movement' poets addressed everyday British life in plain,
straightforward language and often in traditional forms”.
(http://www.kirjasto.sci.fi/larkin.htm 15/12/206
Section: Larkin
Home: http://www.kirjasto.sci.fi/calendar.htm)
Larkin wrote not only poetry but also prose, but his
works are not about the typical romantic theme. His works are: The North Ship (1945); A Girl In Winter (1947), High
Windows (1974)…
(http://www.philiplarkin.com/biblio.htm
Section: Larking Bibliography http://www.philiplarkin.com/biog.htmhttp://www.philiplarkin.com/biog.htm
Section: Larkin Biography
Home: http://www.philiplarkin.com/ 15/12/2006)
“He began his literary career as a poet, has published
four collections of poetry with Oxford University Press and is currently a
member of the Academie Europenne de Poesie”.
(http://www.kimpoor.com/ed-bio.html 16/12/2006
Section: Edward Lucie-Smith Biography
But as we can see Larkin is not the only poet in
this group but he is the most characteristic, we also have Enright that his
poetry is in the line of communication and his wish of be understand. Another
one was Elisabeth Jennnings that was the only woman that collaborate in New Lines , she has some love poems that
was in the line of romantic poetry. T. Huges was a poet that describe with a
big power animals and nature, but I think that this poetry is a bit sad.
(Historia de la literature
inglesa
F. Pujales
Ed.
“The movement” was a group of young people that they
only want wrote poetry, a sincerely poetry.
So, his poetry was completely opposite to the romantic line, they didn’t
write about nature and love, the main themes in romantic poetry.
With all these information we can say that in
The Movement do not appear romantic characteristic in general because this is a
movement against the romantics and all their characteristics but we can see
some authors that have romantic characteristics as Elisabeth Jennings and T.
Huges. So, if in general we can say that this movement is against our theme
love and worship of nature, we can see an author that describe, in his
way, animal that are part of the nature.
So, we can’t say that do not appear any author and any poet in which appear any
characteristic of romantic poetry.
BILIOGRAPHY
1. http://www.answers.com/topic/the-movement-literature 16/12/06
Section:
The Movement literature
Home: http://www.answers.com/
2. http://en.wikipedia.org/wiki/Movement_(literature)
17/12/06
Section: The Movement
literature
Home: http://en.wikipedia.org/wiki/Main_Page
3. (http://www.kirjasto.sci.fi/larkin.htm 15/12/206
Section: Larkin
Home: http://www.kirjasto.sci.fi/calendar.htm
4. (http://www.philiplarkin.com/biblio.htm
Section: Larking
Bibliography http://www.philiplarkin.com/biog.htmhttp://www.philiplarkin.com/biog.htm
Section:
Larkin Biography
Home: http://www.philiplarkin.com/ 15/12/2006
5. (http://www.kimpoor.com/ed-bio.html 16/12/2006
Section:
Edward Lucie-Smith Biography
Ø
The other parts of the paper:
·
Introduction
·
Victorian
Poetry à Inma Sanchis
·
Aesthetic
Pre- Rafaelism à Annalisa Garofalo
·
Georgian
Poets à Tania Sendra
·
Modernism
à Ani Tadevousy
·
New
Romantics in the Forties à Elena Mármol
·
Modernist
Tradition à Sara Lozano
·
The
Extremist Art Poets à Sara Lozano
·
The
British Poetry Revival à Mº Aranzazu Sarrió
·
The
Mersey Beat à Mº Aranzazu Sarrió
Academic year 2006/2007
© a.r.e.a./Dr.Vicente Forés López
© Carmen Mora Vives
mamovi3@alumni.uv.es
Universitat de València Press