INDEX

 

1. Victorian Age, Historical Background (By Cristina Boix)  

               Sandra Gisbert

 

2. Science and Religion   (By Marga Martí)  Sandra Gisbert

 

3. Alfred Lord Tenison (my task) Sandra Gisbert

 

4. Robert Browning (by Sandra Gisbert)

 

5. E.B Browning (By Xihong Liu)

          Sandra Gisbert

 

6. G.M Hopkins (By Ana Such) Sandra Gisbert

 

7. Pre- Raphaelite Brotherhood (By Neu Zorrilla and Ana Such)

              Sandra Gisbert

 

8. Bibliography   Sandra Gisbert

 

 

 

ALFRED LORD TENNYSON (my task)

 

A Brief Biography

 

Sir Alfred Tennyson, 1st Baron Tennyson Alfred Tennyson was born August 6th, 1809, at Somersby, Lincolnshire, fourth of twelve children of George and Elizabeth (Fytche) Tennyson.

He was Poet Laureate of the United Kingdom after William Wordsworth and is one of the most popular English poets.

 

He also had a lifelong fear of mental illness, for several men in his family had a mild form of epilepsy, which was then thought a shameful disease. His father and brother Arthur made their cases worse by excessive drinking.

 

In 1827 Tennyson escaped the troubled atmosphere of his home when he followed his two older brothers to Trinity College, Cambridge, where his tutor was William Whewell -- see nineteenth-century philosophy. Because they had published Poems by Two Brothers in 1827 and each won university prizes for poetry.

 

The Tennyson brothers became well known at Cambridge. In 1829 The Apostles, an undergraduate club, whose members remained Tennyson's friends all his life, invited him to join. The group, which met to discuss major philosophical and other issues, included Arthur Henry Hallam, James Spedding, Edward Lushington (who later married Cecilia Tennyson), and Richard Monckton Milnes -- all eventually famous men who merited entries in the Dictionary of National Biography.

 

Arthur Hallam's was the most important of these friendships. He and Tennyson knew each other only four years, but their intense friendship had major influence on the poet. On a visit to Somersby, Hallam met and later became engaged to Emily Tennyson, and the two friends looked forward to a life-long companionship. Hallam's death from illness in 1833 (he was only 22) shocked Tennyson profoundly, and his grief lead to most of his best poetry, including In Memoriam , "The Passing of Arthur", "Ulysses," and "Tithonus."

 

Since Tennyson was always sensitive to criticism, the mixed reception of his 1832 Poems hurt him greatly. Critics in those days delighted in the harshness of their reviews: the Quarterly Review was known as the "Hang, draw, and quarterly." John Wilson Croker's harsh criticisms of some of the poems in our anthology kept Tennyson from publishing again for another nine years.

 

Late in the 1830s Tennyson grew concerned about his mental health and visited a sanitarium run by Dr. Matthew Allen, with whom he later invested his inheritance (his grandfather had died in 1835) and some of his family's money.

 

The success of his 1842 Poems made Tennyson a popular poet, and in 1845 he received a Civil List (government) pension of £200 a year, which helped relieve his financial difficulties; the success of "The Princess" and In Memoriam and his appointment in 1850 as Poet Laureate finally established him as the most popular poet of the Victorian era.

 

By now Tennyson, only 41, had written some of his greatest poetry, but he continued to write and to gain in popularity. In 1853, as the Tennysons were moving into their new house on the Isle of Wight, Prince Albert dropped in unannounced. His admiration for Tennyson's poetry helped solidify his position as the national poet, and Tennyson returned the favor by dedicating Idylls of the King (1885), to his memory.

 

This is one of Tennyson's most famous works. It is a series of narrative poems based entirely on King Arthur and the Arthurian tales, as thematically suggested by Sir Thomas Malory's earlier tales on the legendary king. The work was dedicated to Prince Albert, the husband of Queen Victoria. During his career, Lord Tennyson attempted drama, but his plays enjoyed little success even in his lifetime.

 

Tennyson suffered from extreme short-sightedness -- without a monocle he could not even see to eat -- which gave him considerable difficulty writing and reading, and this disability in part accounts for his manner of creating poetry: Tennyson composed much of his poetry in his head, occasionally working on individual poems for many years.

Alfred, Lord Tennyson died on October 6, 1892, at the age of 83.

 

After that we are going to analyse a poem which has references on the main ideas of Romanticism.

 

"The Kraken" (1830)

Below the thunders of the upper deep;
Far, far beneath in the abysmal sea,
His ancient, dreamless, uninvaded sleep
The Kraken sleepeth: faintest sunlights flee
About his shadowy sides: above him swell
Huge sponges of millennial growth and height;
And far away into the sickly light,
From many a wondrous grot and secret cell
Unnumbered and enormous polypi
Winnow with giant arms the slumbering green.
There hath he lain for ages and will lie
Battening upon huge sea-worms in his sleep,
Until the latter fire shall heat the deep;
Then once by man and angels to be seen,
In roaring he shall rise and on the surface die.

 

“The Kraken” first appeared in Poems, Chiefly Lyrical. By Alfred Tennyson.

“The Kraken” is one of Tennyson's few good sonnets, even though it has fifteen lines. In terms of rhyme scheme, the ABABCDDCEFEAAFE pattern suggests that it is modelled on the Petrarchian (Italian) rather than the Shakespearean (English) form of three quatrains and a concluding couplet.

 

The sestet has been extended to return to the dominant words and rhymes of the opening four lines.

 

The poem draws its images from the Norse legend of a gigantic sea-monster that supposedly preyed upon shipping off the coast of Norway (and was probably founded on the observation of an enormous cuttle-fish or squid), first described by Bishop Pontoppidan in A History of Norway (1752). It was said to be capable of dragging down to the sea-bottom even the largest ships because, when submerging, it created a powerful whirlpool, known as the Skagarag.

 

The connection of Tennyson's sea-best to the biblical end of time suggests the influence of John Milton's Paradise Lost.

 

Tennyson's poem neatly combines the Bible, literature, mythology, and natural history, balancing the theories of science with the traditions of Christian faith.

 

Seeing this poem we can see how he uses the reaction against the rationalization of nature, in art and literature it stressed strong emotion as a source of aesthetic experience, placing new emphasis on such emotions as trepidation, horror, and the experience in confronting the sublimity of nature.

 

Some examples of nature are words as “thunders” (line 1), “sea”(line 2), “sunlights”(line4) or “light”(line7).

Another examples are referring to religiosity as when at the end of the poem the authors mentions “then once by man and angels to be seen, / inroaring he shall rise and on the surface die” (line 14 / 15)

 

During the reading of the poem we can make an image of an animal as an octopus but seeing in a deeper part of the poem we can observe that the author is showing us the natural elements that involved the situation as the sea, the shadow, the weather, or the animal’s form. But the other important aspect is the vision of the animal as the devil, a big monster which causes horror.