Student: Negar Hossein

Profesor: Vicente Fores Lopez

University: University of Valencia, Faculty of Philology

 

 

 

Contents:

 

 

1. The Victorian era, an Inroduction

 

2. The Industrial Revolution

 

3. Victorian Imperalism

 

4. Comparation of Alfred Lord Tennyson´s poem "In Memoriam A.H.H." and William  Wordsworth´s poem "Influence of Natural Objects"

 

 

 

 

1. The Victorian and Victorianism

 

"The Victorian era of the United Kingdom was an important stage in the development of the British Industrial Revolution and especially an imporant period for the British Empire. Particularly, the Victorian era refers to the reign of Queen Victoria from 1837 until 1901."1

"The Victorian era was a very impressive and exciting era which is described as a paradoxical age and it is well-known as the second English Renaissance."2

"In Victorian England people noticed a great expansion of wealth and power which influenced the culture´s and literature´s growth. If one pays attention to the people´s way of lives during the reign of Queen Victoria one can say that the people were very prudish. The Victorians had ideas and attitudes which were more traditional and not very progressive of that time. One was not able to have feelings or desires that allow oneself to express or think the way they liked without hide one´s feelings. People showed their disapproval and were very easily shocked by topics relating to sex.

On the other hand the Victorians were known to be very clever and had the ability to think about new ideas. Their cleverness marked science and tecnology. The people´s reputation depended on their activities in their past. One had a good reputation if his activities deserved respect or admiration.

In religion the Victorians experienced an age of doubt, e.g. institutional Christianity was questioned.

Considering oneself to literature and other arts the Victorians had a talent for invention. They tried to creat something which seemed to be revolutionary. For instance, "Victorians attempted to combine Romantic emphases upon self, emotion, and imagination with Neoclassical ones upon the public role of art and a corollary responsibility of the artist."3

 

1 http://en.wikipedia.org/wiki/Victorian_era

                               2 George P. Landow, Professor of English and Art History, Brown University

                               3 forementioned

 

2. The Industrial Revolution

 

The Industrial Revolution caused economic and social changes. The result was that large numbers of people went to industrial towns, especially to find work. "Mill towns grew quickly in central and northern England."5 The immigrants had to live in urban areas. For instance, Manchester increased immensely in the years between 1760 and 1830. "Families lived in horribly crowded, unsanitary housing. Moved by the terrible suffering resulting from a severe economic depression in the early 1840s,... ."4

"During the Victorian era many writers showed an impressive interest in the working class. For instance, Elisabeth Barrett wrote a poem about child labour and she described the children´s suffering, misfortune and misery. Friedrich Engels lived twenty month in Manchester and described in his book of the year 1845 the industrial conditions of Manchester which was fundamental for his cooperation with Karl Marx. Frierich Engels and Karl Marx stressed that the industrial capitalist society is unfair. In 1854 Charles Dickens described the rigidity of the industrial towns in his writings. During the 1830s and the 1840s the parlimentary committees and conditions investigated the industrial town´s working situation of women and children and found out that they were working under unhuman conditions. Additionally, it is important to mention that Poverty Knock, a nineteenth-century British Folk song described  the weaver´s unpleasant work. One have to mention an important and interesting man who is well-known as a travel writer, the reformer William Booth compares England´s overcrowded industrial cities with Africa´s jungle. William Booth compares England´s urban slums with the jungle which is known as a thick tropical forest with many plants growing very close together. Besides, C. Duncan Lucas reports about the industrial situation of England and associates the factories like a beehive."5

 

 

 

4 C:\Dokumente und Einstellungen\Nicky\Desktop\Uni Valencia\Poesia inglesa los siglos XIX Y XX\05VictorianI.htm

 

5 forementioned

 

4. Victorian Imperalism

 

"By the end of the 19th century nearly 400 people were ruled by the Great Britain. The following countries were under the political control of Great Britain in 1901, e.g. Australia, British Guiana (now Guyana), Brunei, Canada, Cyprus, Egypt, Gambia, the Gold Coast (Ghana), Hong Kong, British India (now Bangladesh, India, Myanmar, Pakistan, Sri Lanka), Ireland, Kenya, Malawi, the Malay States (Malaysia), Malta, Mauritius, New Zealand, Nigeria, Sierra Leone, Singapore, Somaliland (Somalia), South Africa, the Sudan, Rhodesia (Zimbabwe), and Trinidad and Tobago. Additionally, it is remarkable to mention the crown colonies like Jamaica on which Britain had the official power. One have to take in consideration Uganda which was protected and controlled by Great Britain. It is important to know that Canada and Australia became practically "self-governing" by its own organizatns.

One have to focus himself to a more interesting development of England´s foreign affairs between 1870 and 1900. It was very essential and important for Great Britain´s economy to find "virtual partners" who did not lose their authority for their own country. Great Britain tried to influence other contries advantageously for its own economy."6

 

 

 

6 C:\Dokumente und Einstellungen\Nicky\Desktop\Uni Valencia\Poesia inglesa los siglos XIX Y XX\05VictorianI.htm

 

 

 

 

Topic of my second paper:

 

 

Comparation of Alfred Lord Tennyson´s poem "In Memoriam A.H.H." and William Wordsworth poem "Influence of Natural Objects"

 

 

Alfred Lord Tennyson (1809-1892)

In Memoriam A. H. H. OBIIT MDCCCXXXIII: 56

 

1"So careful of the type?" but no.

2 From scarped cliff and quarried stone

3 She cries, "A thousand types are gone:

4I care for nothing, all shall go.

 

5"Thou makest thine appeal to me:

6 I bring to life, I bring to death:

7 The spirit does but mean the breath:

8I know no more." And he, shall he,

 

9Man, her last work, who seem'd so fair,

10 Such splendid purpose in his eyes,

11 Who roll'd the psalm to wintry skies,

12Who built him fanes of fruitless prayer,

 

13Who trusted God was love indeed

14 And love Creation's final law--

15 Tho' Nature, red in tooth and claw

16With ravine, shriek'd against his creed--

 

17Who loved, who suffer'd countless ills,

18 Who battled for the True, the Just,

19 Be blown about the desert dust,

20Or seal'd within the iron hills?

 

21No more? A monster then, a dream,

22 A discord. Dragons of the prime,

23 That tare each other in their slime,

24Were mellow music match'd with him.

 

25O life as futile, then, as frail!

26 O for thy voice to soothe and bless!

27 What hope of answer, or redress?

28Behind the veil, behind the veil.

 

 

http://rpo.library.utoronto.ca/poem/2141.html

 

 

William Wordsworth (1770-1850)

FIRST STANZA

 

          1    Wisdom and Spirit of the universe!

              2  Thou Soul, that art the Eternity of thought!

              3  And giv'st to forms and images a breath

              4  And everlasting motion! not in vain,

              5  By day or star-light, thus from my first dawn

              6  Of childhood didst thou intertwine for me

              7  The passions that build up our human soul;

              8  Not with the mean and vulgar works of Man;

              9  But with high objects, with enduring things,

            10   With life and nature; purifying thus

            11   The elements of feeling and of thought,

            12   And sanctifying by such discipline

            13   Both pain and fear,--until we recognise

            14   A grandeur in the beatings of the heart.

15        Nor was this fellowship vouchsafed to me

            16   With stinted kindness. In November days,

            17   When vapours rolling down the valleys made

            18   A lonely scene more lonesome; among woods

            19   At noon; and 'mid the calm of summer nights,

            20   When, by the margin of the trembling lake,

            21   Beneath the gloomy hills, homeward I went

            22   In solitude, such intercourse was mine:

            23   Mine was it in the fields both day and night,

            24   And by the waters, all the summer long.

            25   And in the frosty season, when the sun

            26   Was set, and, visible for many a mile,

            27   The cottage-windows through the twilight blazed,

            28   I heeded not the summons: happy time

            29   It was indeed for all of us; for me

            30   It was a time of rapture! Clear and loud

            31   The village-clock tolled six--I wheeled about,

            32   Proud and exulting like an untired horse

            33   That cares not for his home.--All shod with steel

            34   We hissed along the polished ice, in games

            35   Confederate, imitative of the chase

            36   And woodland pleasures,--the resounding horn,

            37   The pack loud-chiming, and the hunted hare.

            38   So through the darkness and the cold we flew,

            39   And not a voice was idle; with the din

            40   Smitten, the precipices rang aloud;

            41   The leafless trees and every icy crag

            42   Tinkled like iron; while far-distant hills

            43   Into the tumult sent an alien sound

            44   Of melancholy, not unnoticed while the stars,

            45   Eastward, were sparkling clear, and in the west

            46   The orange sky of evening died away.

                  

                   SECOND  STANZA.

 

            47      Not seldom from the uproar I retired

            48   Into a silent bay, or sportively

            49   Glanced sideway, leaving the tumultuous throng,

            50   To cut across the reflex of a star;

            51   Image, that, flying still before me, gleamed

            52   Upon the glassy plain: and oftentimes,

            53   When we had given our bodies to the wind,

            54   And all the shadowy banks on either side

            55   Came sweeping through the darkness, spinning still

            56   The rapid line of motion, then at once

            57   Have I, reclining back upon my heels,

            58   Stopped short; yet still the solitary cliffs

            59   Wheeled by me--even as if the earth had rolled

            60   With visible motion her diurnal round!

            61   Behind me did they stretch in solemn train,

            62   Feebler and feebler, and I stood and watched

            63   Till all was tranquil as a summer sea.

 

 

4. Comparation of Alfred Lord Tennyson´s poem "In Memoriam A.H.H." and William  Wordsworth´s poem "Influence of Natural Objects"

 

 

The poem "In Memoriam A.H.H." by Alfred Lord Tennyson is written in memory of Tennyson´s friend  Arthur Henry Hallam "who died suddenly of a cerebral hemorrhage in Vienna in 1833."1 He was a very famous an respected man. Arthur Henry Hallam was engaged with Tennyson´s sister. Tennyson shows his feelings and emotions about his friend´s disease. One gets the impression that Tennyson is thinking carefully about his friend´s death in order to reflect what had happened.

The poem "In Memoriam A.H.H." contains seven stanzas. One can investigate that the poem is written in four-line ABBA stanzas of iambic pentameter. The first stanzas emphasizes the following words like "scarped cliff", "quarried stone" and "care" which has the effect that tennyson´s readers feel sympathy for his suffering and sadness. Tennyson is thinking about his friend´s death and it seems that he is very melancoly. The author´s intention is to get attenion and that his readers feel sorry for his situation. One can notice that he addresses his readers to help him emotionally. Tennyson describes specially his sister´s sorrow. She has lost the man who she loved and liked to marry with.

In the following Tennyson says that "all shall go" that means that he begins to be thoughtful and think like a way which makes him able to accept the lives rules. Namely, that everybody will die sonner or later.

The first stanza deals with the authors doubt about the God´s existence. One can refer himself to the Victorian era and relate Tennyson´s thoughts to the fact that the people were chianging his way of thinking about God and reflecting their moral norms. The second stanza is about God and his power to creat life and the ability to take this life away, e.g. " I bring to life, I bring to death". Tennyson is refusing the traditional moral norms by saying "And he, shall he,... ." At the same time, one can focus himself to William Wordsworth poem "Influence of Natural Objects" who tried to express his moral point of view. Wordsworth regards nature as an example to human beings. Nature is everything in the physical world that is not contrilled by humans. The nature´s owner is God and Wordsworth says that we have to respect and admire nature. We have to pray and try to protect our world, beacuse it is God´s present for the human being. We should not complain about our life and try to trust in God and his "plan".  On the other hand, if one compare Wordsworth moral view one can say that Tennyson is not agree to God´s freedom and power to decide and rule over his life and over those of his fellow beings. His addresses God and expresses the message, " I do not leave it to you." That is the reason why nature is not perfect. In my opinion Tennyson shows that he is not string enough to put up with his sad situation. He is losing his faith in God and his feelings do not let him to be exuberant. If one trusts in God he will never doubt about his decisions. Simultaneously, his sister expresses her anger and shows that she is unsatisfied. To my mind, Wordsworth considers their behaviour as a sin towards God. Wordsworth admires nature which is related to God and for him nature is perfect and holy. One should not question why nature creats wild plants and animals, earth and rocks, and the water. This shold be related as well to God that a human being should trust in God and should not question his actions and complain about things in life. The complaint and the human being´s dissatisfaction is seemed like an action that is against religious rules an is considered to be an offence against God. For the Victorian era it was remarkable that people began to be active psyhologically and reflected the traditional way of life. Wordsworth is an famous and important author of romanticism. Romanticism considered wild nature beauty as more important than anything else in the world whose owner is God. Wordsworth´s poem represents a contrast towards Tennyson´s poem. Wordsworth is teaching his readers and explains what is for him a right or wrong behaviour. The victorian era leaded to great improvements. The third stanza is very interesting if we want to compare the two poems. Both poets, Tennyson and Wordsworth, have something in common refering to their way to express their sadness. They express their sadness and mourning by describing the nature and relate their emotions to nature. For instance, in Wordsworth poem, "vapours rolling down the valley." Additionally, i like to show another example in Tennyson´s poem which supports my observation of the way how both poets express their emotions in their particular time. Namely, Tennyson says, "Such splendid purpose in his eyes, who rolled the psalm to wintry skies." The forth stanza Tennyson shows his hatred for God by decribing the nature in a ugly way, e.g.  Tennyson talks about a deep narrow valley like "ravine". He feels anger about God because of the "final law" which Tennyson defines as the life´s price who everybody has to pay, namely the people´s death and the loss of the loved and the beloved.

The fifth stanza is about Tennyson´s past and his childhood. He remembers his illnesses and his sorrows. He talks about his epilepsy attacks and that he had to stay under the control of a doctor´s care. It is important to mention that his family was ill and he had not a happy childhood, e.g. his brother suffered from addiction and illness. To my mind, if one is not content with his life or something had happened in his life which has affected him very badly you automatically or probably will begin to remember yourself at all the bad situations in his life. This is what is happening to Tennyson. Besides, there are critical comments which affected Tennyson as well. "Glenn Everett comments that Tennyson was very sensitive to criticism and reading those harsh comments hurt him immensely. Tennyson stoped to publish his poems. I supose that he was not very self-confident. He could not endure that his readers did not think well of him and he thought that they do not like him. Tennyson´s intention was to get help, sympathy and emotional support. He was not emotionally strong enough to take part in arguments or to discuss about his poetry. In addition to that, one can notice that his poetry could be seen like a communication to his readers in order to describe and show his suffering. If his readers him begin to let him suffer more he loses his pleasure for writing poems. Besides, Worthwords is a very strong and self-confident poet. He is teaching his readers and at the same time he has a superior position towards his readers. Wordsworth was admired by his readers because of the fact that he had a moral view which was shared by a majority of the society of that particular time. The victorian era was more revolutionary that the romanticism. People expressed their point of view more and in the time of romanticism the religion had more values that in later times. That is because of the industrial revolution and the scientific progress which influenced the people´s behaviour and rection to literature, art and politics. To my mind, it is very revolutionary if Tennyson begins to behave himself in a way that shows his readers that he does not apreciate God and that he is doubting his existence. In my opinion, he did not intend to insult somebody of his unfaithful behaviour. On the other hand, he should accept the societies´ reaction to his poetry.

The sixth stanza supports furthermore his antipathy towards God because of the fact that i suppose that he is talking of God when he is sayind, "a monster, than

a dream... ." The next verse is an antithesis, namely, "dragons of the prime". A Dragon is a  large imaginary animal that has wings a long tail and can breath out fire. That is very interesting to me that Tennyson is talking about Dragons. One can read the exact definition of what is a dragon and one can associate this description with Tennyson´s imagination of God. The reason for that is that Tennyson considers the wings like the Angel´s wings and the tail like devil´s tail. This association represents as well an antithesis which in my opinion can be described as an metaphor. A metaphor replaces the reality and is imagination and association of our ideas. In addition to this and as i have already mentioned, the dragon has the ability to breath out fire which is likewise a metaphor and comparation of the devil and God. Nevertheless, the wings point out that the devil which is for Tennyson God has a holy quality in his imagination. Actually, Tennyson trusted in God but his anger and his sadness about losing his best friend Arthur did not let him to think clearly. At the same moment, Tennyson has the hope that everything is a dream but for him the situation is not a dream its reality. Aditionally, one have to focus on the fact that he says, "a monster, than a dream." That means that he is hoping that everthing was a dream, but does not have a sense if one reads Tennyson´s  expression. He is talking of a person and describing him as a monster, but a person cannot be confrontated with a dream. In my opinion one has to focus on the semantical meaning of Tennyson´s expression and not on the literal one. The semantical meaning is that Tennyson´s hope that his friend´s death is not just a bad dream is for him God´s blame. As God has the power to judge. If a lawer judges about somebody´s life it means that he has thought carefully about all the informations and then he has the oportunity to decide. Wordsworth thinks that one should accept and respect God´s power. For instance, Wordsworth is talking of "Wisdom and Spirit of the Universe". The Universe can be described as all space, including all the stars and planets.  Wisdom and Spirit of the Universe can be regarded as the fact that the Universe is created by God. In opposition to Tennyson, Wordsworth admires and honours God in his poem.

The last stanza is very interesting because Tennyson shows that he has lost all his faith in God and tries to find other solutions to communicate with his best friend Arthur. Unfortunately, there does not seem to be any solution or posibility to meet his fried Arthur Hallam again. He is talking about a "veil" which prevents him from meeting his friend. The "veil" has a religious meaning which can be analysed. Women have to cover their faces for religious reasons and only their husbands are allowed to see them without their veil at home. This home is considered to be a special place for the couple. If Tennyson is speaking of the "veil" which prevents him to communicate with Arthur Hallam, it means that his friend is near to God, e.g. "behind the veil, behind the veil".Therefore, God is a rival for him. Tennyson is asking for "redress", because he does not understand or does not like to accept that the death is the law of the life. Otherwise, he is expecting that God gives him answers, for instance, "What hope of answer, or redress?" Tennyson is thinking about what life means to him. He says, "O life as futile, then, as frail!" That menas that Tennyson regards life as useless, because for he thinks that he will not be happy or successful in life. He does not have hope that his sadness will improve. Tennyson says that he does not want to write poems in the future. To my mind he has lost his happiness. Simultaneously, Wordsworth expresses his desire to retire, because of a lot of noise, angry and protest of his poems. Tennyson and Wordsworth have in common that they want to stop writing because their readers began to critizise their poems. To my mind, Wordsworth feels insulted. If one reads his poem, one can say that he is teaching. He does not want that people judge him.

                                               

 

 

 

 

 

 

 

1 http://en.wikipedia.org/wiki/In_Memoriam_A.H.H.

2 http://www.victorianweb.org/authors/tennyson/tennybio.html , Glen Everett