ASHES TO ASHES
HEADLINE:
Author:
Harold Pinter
Title
of the play: Ashes to Ashes
Editorial: Faber & Faber
Year
of publication: 1996
Place
of publication: -
DRAMATIS PERSONAE:
Delvin:
Man of forty years old.
Rebeca: Woman of forty years old, it seems that between Delvin and she are
something more than friendship, but we don’t know surely.
PLOT:
Rebeca
tells to Delvin, that seems to be her couple, what happened to her with a lover
that she had( a guided tourist), who practically asphyxiate her after do her to
kiss his fist. Delvin thinks that if he did that is to kill her, although she
negated. When Delvin listen all this he has curiosity of his man and ask Rebeca
about he, so she starts to say that she love him very much, and she tells the
things with so enthusiasm and so affect to the other man that seems to be love
of this instead of Delvin, by the way Delvin starts to adopt the same
personality of the man that she talks about but she ignore him and continues
talking. After she starts to sing and says that she is not the lover of anybody
(for this motive I don’t know if they are a couple or not). And the play ends
while she is talking that someone carried away a baby, but is so confuse.
SPACE:
This
play is located in a country house with two armchairs, two lamps and a window
that shows the garden.
TIME:
This
play is in a summer afternoon, it seems to be in the present because the author
when he refers to the time says “now”.
STYLISTICS AND LITERARY RESOURCES:
The
play is written in an informal language, there are a lot of pauses and silences
between the phrases with the finality of the reader could understand without
problems. The register is vulgar. At the end of the play, appear a “third
voice” that is the echo that repeat the final worlds of Rebeca.
PERSONAL OPINION:
Due
to I don’t understand very well the end of the play, I couldn’t say if I like
it or not, I think that don’t has many sense. The dialogues are very confusing
and really I can’t understand if the story that tells at the end had happened
to her or not, maybe yes and so this she is traumatised.