RED MONA
: Este project site apoyado por "Purplefrog" contiene
alrededor
de 40 Naipes Franceses combinados con imagenes, texto y sonido.
MADAME DE
LAFAYETTE
BOOK OF HOURS
: Es un proyecto colaborativo que dirige Christy Sandford que
trata
de la vida, tiempo y obra de Madame de Lafayette. En él incluye
"LA COMTESSE DE TENDE"
, su particular traducción de una obra de Madame de Lafayette.
PARIS - DAKAR: Una electro-iluminada colección del género
"fusion"
y "Moving-books".
"Up Fifty Feet," "Come to Daddy," "Blue Lust" and "Blue Mud" from
Blue Lust
Diagrams. CENTRAL PARK, New York, NY, Number 26, Winter, 1997, pp.
16-20.
"Bivens Arm Nature Poem (Thirty-One Afternoons in Winter)." CHAIN,
New York, NY, #3., Vol 1, 1996, pp. 180-182.
"If If," "Black Snake" and "Beautiful Decomposition" from
Blue Lust Diagrams. PRIVATE, Chicago, IL, Spring, 1996, Issue 10, pp.
148-151.
"Sopa." THE ILLINOIS REVIEW, Bloomington, IL, Double Issue: Fall,
1995/Spring, 1996, pp. 91-94.
"PG3335 .Z8, M18," "PQ2354 .D68, 1986," "PQ 2607 .U8245, 1976," and
"GN282.W55 1989," from Library of Congress. THE ILLINOIS REVIEW,
Bloomington, IL, Double Issue: Fall 1995/Spring 1996, pp. 101-102.
"Thirty-One Days in July." HEAVEN BONE, Chester, NY, Issue 12,
1996, pp
39-42.
"Swamp" from Packaged Deals. OYSTER BOY, Chapel Hill, NC, Issue 3,
Fall,1995, Centerfold.
"Georgette's Revenge (Linked Frames)." TO: A JOURNAL OF POETRY,
PROSE +
THE VISUAL ARTS, Narberth, PA, Summer, 1995, pp. 86-100.
"Blue Mud-Lust" and "Right Hand" from Blue Lust Diagrams. FICTION
INTERNATIONAL, San Diego, CA, #27, 1995, pp. 81-83.
"PQ 1805.L5 A72" and "QB981 H377 1988" from Library of Congress. NO
ROSES
REVIEW, Chicago, IL, Summer, 1995, pp. 41-42.
"MÈmoires de Camargo (Seeds of the Revolution)." MEMBRANE,
Washington, D.C., Spring, 1995, pp. 85-99.
"The P's (With a Few Red Lilies from France)." MISSISSIPPI MUD, #
37,
Portland, OR, 1994, p. 42.
"The Color Scheme," "The H's: The Spasms of a Requiem (With Tigers,
Electric Saw and De Maupassant's Hearts)," "Hand Jive (Blond and Black,
Sunlight and Mourning)," "Flashback #1 (The Kinetic Museum)," and
"Somersaults (With Goddess Stomp)" from The H's: The Spasms of a
Requiem."
PRIVATE, #7, Chicago, IL, 1992, pp. 51-58.
"Flashback #2 (The Tête à Tête)" and "The Send
Off" from
The H's: The Spasms of a Requiem. THE WORLD (Poetry Project), #43, New
York, NY, 1992, pp. 54-55.
"Florida Map Meat." THE WORLD (Poetry Project), #43, NY, NY, 1992,
p. 55.
"Italian Tomato Label Love Song." CAPRICE, Wichita, KS, June, 1992,
p. 62.
"Mexico City Is Sinking, Komodo Dragons and Cocks-of-the-Rock."
YELLOW
SILK, Albany, CA, Summer/Fall, 1992, pp. 42-45.
"Pearls and Swine." ACM [Another Chicago Magazine], #24, Chicago,
IL,
Fall, 1992, pp. 145-150.
"Pink Silk Poem." CAPRICE, Wichita, KS, Aug., 1992, p. 11.
"Raisin Bread (With Lecture Notes and Shadows)." FIVE FINGERS
REVIEW, #11,
San Francisco, CA, 1992, pp. 146-152.
"Scenes of Angela Kissing (With Tunnel Visions, Snow White and
Dopey)."
BLACK ICE, #9, Boulder, CO, 1992, pp. 43-49.
"Triptych: Panel #1: Laws of the Jungle," "Panel #2: Wailing" and
"Panel
#3: Funeral Arrangement (A Layering of Steel and Flowers)" from The
H's:
The Spasms of a Requiem. SONORA REVIEW, #22/23, Tucson, AZ, Spring,
1992,
pp. 99-101.
"Do-It-Yourself Woman Enveloped and De-Enveloping." PIG IRON, #17,
Youngstown, OH, 1991, p. 63.
"Measuring (Sixties Sex Research, Moving into the Realm of the
Angels)."
EXQUISITE CORPSE, #33, Baton Rouge, LA, 1991, p. 27.
"Black and Tan Fantasy (Dance after Duke Ellington)." CAPRICE,
Wichita, KS, 1990, p. 92.
"Crab Dance." ARTFUL DODGE, #18/19, Wooster, OH, 1990, p. 118.
"Dance of the Five Veils." THE NEW YORK QUARTERLY, #42, Summer, New
York, NY, 1990, pp. 91, 92.
"Hurt Park." THE NEW YORK QUARTERLY, #41, Spring, New York, NY,
1990, p. 73.
"Maculate Conception at Bivens Arm." EARTH'S DAUGHTERS, #35,
Buffalo, NY, 1990, pp. 11-13.
"Mary, Tied to Dressing Table." and "Missionary Moving
through M's (With Multiple Choices and Found List)." BIG WEDNESDAY,
Vol. II, Issue 1, Spring, New York, NY, 1990, pp. 4, 5.
"1928 Guide to the Italian Riviera (Lux Flakes)." APALACHEE
QUARTERLY, #35, Talahassee, FL, 1990, pp. 1-3.
Work Prior to 1990 Listed by Name, Place and Year: "Black
Hawk (My `Antonia')." THE MINNESOTA REVIEW, 1989; "Balzac Robed, Balzac
Nude." NEGATIVE CAPABILITY,1989; "Come Closer, Leo (Portrait of a
Moving Subject)." VOL. NO., 1989; "Gargoyle Piece (To Be Performed at
Notre Dame by Churchgoers, Tourists, Others)." NORTH AMERICAN REVIEW,
1989; "Home Movie of My Grandmother Laughing (With Quotes from an
Article on Crystals, a Cadillac Brochure and the Rubáiyát
of Omar
Khayyám)." EPOCH, 1989; "Lady of the Valentine (With Dangerous
Suggestions)." HELICON NINE, 1989; "Magnolia Grandiflora L." KANSAS
QUARTERLY, 1989; "New Guinea Seduction." MARGIN, 1989; "Raisin Bread
(With Lecture Notes and Shadows)." CENTRAL PARK, 1989; "The Romance of
Citrus (Sectional Version)." 11 x 30, (Toledo Poets Center), 1989;
"Romance of Reptiles (An Evolutionary Tale)." SPEAKEASY, 1989; "Song of
the Necklaces (Soap Opera Version)." GYPSY, 1989; "Southern New Mexico
Preference Test (Short Answer Machine Scored, Form B)." Z
MISCELLANEOUS, 1989; "A Starry Night with Perfect Swirls (Twentieth
Century Iconic Martyrs)." MISSISSIPPI MUD, 1989; "Voyageant de Port en
Port à l'Initial `M' (Plateau de fruits de mer)." In French in
AIRES,
1989; "Watching the Sand Shift in North Africa in 1939 (With Quotes
from Rimbaud's A Season in Hell)." MISSISSIPPI MUD, 1989; "Weight of
Dreams." Z MISCELLANEOUS, 1989; "Zelia's Visual Vocabulary (Red Truck,
Mulberry Lipstick, Spanish Style New Orleans House)." MISSISSIPPI MUD,
1989; "The Bug." APALACHEE QUARTERLY, 1988; "Double Portrait of George
Sand and Frédéric Chopin (After the Painting by Delacroix
with Quotes
from Sand's Consuelo and Chopin's Letters and Music)." GYPSY, 1988;
"Fan Dance." THE NEW YORK QUARTERLY, 1988; "The Garage." ALTERNATIVE
FICTION & POETRY, 1988; "Hot and Cold Plums (McLuhan Memories)."
THE FLORIDA REVIEW, 1988; "Looking at Paris and the Moon in 1922 (With
Phrases from Mina Loy's Lunar Guide)." QUARTERLY WEST, 1988;
"Imperfections in Various Sizes (New York City)." COLORADO REVIEW,
1988; "Nina Tied to the Bed." SUB-TERRAIN, 1988; "Our Lady of the
Miracles (Every Savior Ought To Be Saved)." THE FICTION REVIEW, 1988;
"Painted Man." KALLIOPE, 1988; "Pink Silk Poem." REACTOR, 1988; "The
Romance of Fainting (Blackout Cases)." APALACHEE QUARTERLY, 1988; "The
Romance of Swooning (Our Lady of Troy, New York)." BLACK ICE, 1988;
"Scenario for Marion and Gregory (Stories)." NEGATIVE CAPABILITY, 1988;
"Sunday Brides." WISCONSIN REVIEW, 1988; "Valerie,
Touring V's in Florida." SONORA REVIEW, 1988; "The Apprentice's
Revenge,
Being the True Account of a California Girl's Tribulations During the
Middle Ages in Prussia (With Translations and Multiple Choices for the
Reader)." APALACHEE QUARTERLY, 1987; "Black Lace/White Lace." SWIFT
KICK,
1987; "Cat Scan of a Paper Doll." KALLIOPE, 1987; "Galileo's Ode to the
Stars (Brides Traveling through National Geographic)." THE ARTS
JOURNAL,
l987; "Hurt Park." ASYLUM, 1987; "Indigo Love Affair (Dreams Never Grow
Old)." BLACK ICE, 1987; "Nettie Tied to Car." PARAGRAPH, 1987; "Our
Lady
of the Lavender Mist (For Woman, Men and Reader)." SLIPSTREAM, 1987;
"The
Princess and Her Servant (Wide-Angle Photo of the Defunct Southeast
Gainesville Depot)." KALLIOPE, 1987; "Romance of the Scallop."
PULPSMITH,
1987; "Scenes with Balloons (Creating the Stilleto-Soft Environment)."
BLACK ICE, 1987; "Suburban Night Work." PARAGRAPH, 1987; "Swimmers
North
Florida: Bed (After Jennifer Bartlett's Painting `Swimmers Atlanta:
Boat')." WOODRIDER, 1987-88; "The Woman, Baseball and the Dolphin."
BLACK
ICE, 1987; "Bride Thrashing Thru History on Her Way to Silicon Valley."
PHOEBUS, 1986; "Dreams of Snakes, Chocolate and Men." EXQUISITE CORPSE,
1986; "Hardcore Personals." CINCINNATI POETRY REVIEW, 1986; "Hard-Wired
Bondage." CALIFORNIA STATE POETRY QUARTERLY, 1986; "Homecoming Parade."
IMPETUS, 1986; "Nesting inthe Sands." COLUMBIA, 1986; "Only the Nude
Can
Redeem the Landscape (Picture Postcards from Daytona Beach, Florida)."
COLUMBIA, 1986; "The Porsche Ballet." SALOME, 1986; "The R-Complex."
EXQUISITE CORPSE, 1986; "The Romance of Citrus (Sectional Version)."
EXQUISITE CORPSE, 1986; "The Romance of Mud." MISSISSIPPI MUD, 1986;
"Satin Doll Dreams in Black, Yellow and Purple (For Man, Woman, Group
and
Audience)." DREAMWORKS, 1986; "Shirley, Skipping." THE FLORIDA REVIEW,
1986; "Supplicants and Shrines." IMAGE, 1986-87; "Torso." AMELIA, 1986;
"The Touching of Our Forearms." YELLOW SILK, 1986; "Traveling through
Ports that Begin with `M' (Seafood Medley)." MISSISSIPPI MUD, 1986; "A
Wedding with Reservations (Silkscreen Print, 1/100)." CINCINNATI POETRY
REVIEW, 1986; "The Artists' Model." LIPS, 1985; "8 mm Wedding,
Spliced."
VISIONS, 1985; "Her Dowry." THE FLORIDA REVIEW, 1985; "Launching
Acculturation into the Firmament (Lingerie in Outer Space)." A FINE
MADNESS, 1985; "Machine Scored Short Answer Poem, #2." POETRY MOTEL,
1985; "The Oranges of a 1980's Artemis Ephesia (Suburban Sculpture)."
REBIRTH OF ARTEMIS, 1985; "The R-Complex." ELECTRUM, 1985;
"Renée
and Ben Waiting (After Suzanne Valadon's `The Blue Room')." DREAMWORKS,
1984-85; "The Romance of Imprinting (Cases of Bonding and Possession)."
OYEZ REVIEW, 1985; "The Romance of Yielding." ELECTRUM, 1985; "This
Bride
Is Not an Expressway." RANDOM WEIRDNESS, 1985; "Black Lace/White Lace."
THE NEW LAUREL REVIEW, 1984; "The Excitement of Ice." BLACK ICE, 1984;
"Great Handshakes." THE PIEDMONT LITERARY REVIEW, 1984; "The
Honeymoons."
YELLOW SILK, 1984; "Hurricane! Alex!" BLACK ICE, 1984; "Minoan
Incantation in the Courthouse Square." GRYPHON, 1984; "On Taking Your
Daughter's Hand." THE PIEDMONT LITERARY REVIEW, 1984; "Scattered Fog
(Caresses and Bruises Received in the Mist)." SLIPSTREAM, 1984;
"Florida
Bed with Flora." KALLIOPE, 1983; "The Oranges of a 1983 Artemis Ephesia
(Suburban Sculpture)." GRYPHON, 1983; "Pre-frondescent Black Lace
Bras."
GRYPHON, 1983.
GALERIAS / MUSEOS
BACKDROP GALLERY, Moving toward the Light: a
Meditation on the Solstice. Web Project Exhibit for A Solstice
Celebration. Atlanta, GA, December 20, 1997.
MAID IN CYBERSPACE, Red Mona shown at XX Web Art Festival, Exhibit
in Montreal, Canada, May 31-June 1, 1997.
NEW VISION FESTIVAL, "Bigamy in the Desert," "Ocean
Crossing: Nancy Cunard" and "Safara in the Beginning." "The Manipulated
Word: Text & Image Florida/Brazil." South Florida Art Center,
Miami, FL, November-December, 1996.
LECTURAS / ACTUACIONES
Panel Member, Modern Language Association Annual
Convention. Panel Title: "The Same River Twice: Time Representation in
Hypertext Literature." Paper Title: "Into the Light: Time in the
Fluctuating Universe." Forthcoming, San Francisco, CA, December, 1998.
Panel Member, Society of Literature and Science, Annual
Convention. Theme: "Thinking the Brain and Beyond." Gainesville, FL,
October, 1998.
Presenter at the Annual Lawrence Durrell Society
Conference, "Nancy Cunard." Cincinnati State University, Cincinnati,
OH, May, 1998.
Reader and Lecturer at the Museum of Art, Portsmouth, Ohio, May,
1998.
Presenter at the Annual Film and Literature Conference.
Theme: "Post Colonialism." Paper Title: "Ocean Crossing: Nancy Cunard."
Florida State University, Tallahassee, January, 1998.
Panel Member, Society of Literature and Science, Annual Convention.
"Apache Dancing with Html." Pittsburgh, PA, October, 1997.
Reader and Lecturer at The Manchester Public Library, Manchester,
Ohio, August 22, 1997.
Reader and Lecturer at Portsmouth Museum, "Writers Live at the
Library," Portsmouth, Ohio, August 21, 1997.
Lecturer on "The Participatory Age" and showing of Internet Art,
Pratt School of Design, Brooklyn, NY, December, 1996.
Panel Member with Chella Courington and Marilyn Moriarity.
West Georgia College, "International Conference on Despair and Desire
in Literature and the Visual Arts, Including Cinema," "Framing a Text
(Space-Time)", Atlanta, GA, October, 1996.
Panel Member, Pedagogy Panel with Brooke Bergan and
Marilyn Moriarty, "Introducing a World View into the Creative Writing
Classroom." Associated Writing Programs Annual Conference, Atlanta, GA,
April, 1996.
Reader, West Georgia College, Foreign Language and Literature
"International Conference on The Sacred and the Profane," Atlanta, GA,
October, 1995.
Reader, The University of Toledo, The Canady Center, Toledo, OH,
May,
1995.
Reader, La Fonderie, Sponsored by Frank, Montreuil, France, June,
1994.
Reader, Manchester Library, Guest of Bloody Twin Press and
Manchester
Public Library, Manchester, OH, July, 1994.
Reader, University of Florida Art Department Interdisciplinary
Symposium, "Beauty Reconsidered," Harn Museum, Gainesville, Florida,
Sept.,
1994.
Reader, Stevens Institute of Technology, Department of Humanities
Conference, "The New Freedoms: Celebrating Contemporary American and
Russian Poetry," Hoboken, NJ, Apr., 1994.
Reader, Hollins College, Co-Sponsored by Art and English
Departments,
Roanoke, VA, Mar., 1994.
Reader, Zona Rosa Writers' Group, Savannah, GA, Mar., 1994.
Reader, Florida State University, 18th Annual Comparative
Literature,
Film Circle and School of Motion Picture, Television and Recording Arts
Conference, "The Voice of the Voiceless," Tallahassee, FL, Jan., 1994.
Reader, State University of New York at Plattsburgh, Plattsburgh,
NY, Dec., 1993.
Reader, Clinton Community College, Plattsburgh, NY, Dec., 1993.
Writer, Director, Producer, Reader, "Great Lakes
Map-Induced Trance States," a Collaboration with Jill Burton and Lyda
Toy, Atlantic Center for the Arts, New Smyrna Beach, FL, Sept., 1993.
Reader, Florida State University, 17th Annual Comparative
Literature, Film Circle and The School of Motion Picture, Television
and Recording Arts Conference, "Transgression and Authority in
Literature and Film," Tallahassee, FL, Jan., l993.
Panel Member, Women Studies Conference, Third Florida
Statewide Conference, "Bridging Gaps," University of Florida,
Gainesville, FL, 1993.
List of readings, performances, lectures prior to 1993 available on
request.
AREAS DE
ESPECIALIZACIÓN
Mixed Genre Work: Strategies
Aural Interpretation of Text
The World Wide Web as a Creative Writing/Arts Medium
HTML for Artists and Writers
Impact of Twentieth Century Ideas on Creative Writing