SPACIAL ANALYSIS

 

The most important space in the text is the room of a laboratory, where the real action is set, because as we can deduce from the first page of the novel, the  protagonist, Mr Tokyo, is tied to a bed, naked and with his brains exposed. We can think of a dark room, due to the description of the situation, for example, “The voice came from the shadowed perimeter of the room. Its owner stepped forward until his outline was visible”. And also it is described a room of a laboratory in the end of the story, when the author sais again that “the captive began to struggle on the bed”. In addition, it is obvious in the three different ends that the novel has. In one of them, the page starts as follows: “The man on the table was breathing hard”, and in the last lines we can see clearly that is all an action elapsed in a laboratory, for example,  He peeled a labcoat from an unconscious technician. The guard was cutting a slice from Pyramid's skull”. And finally, the third end of the story, with the first two lines express more or less the same situation than the other ends, “The man on the table bucked suddenly, against the restraints, and his eyes snapped open. They stared directly at Pyramid”.

Referent to the different memories that Mr Tokyo is explaining, there are many different places described.

The first place I found described is a casino, that the protagonist see as a “cesspool”. The second one is the training hall, where the agent explains some of his memories, in the training hall, he has described the stage, where is usually the old tutor to teach him. In addition, he describes the building as “a disused primary school, all undersized desks and metal radiators”. And from the stage, they can see “faded lines for basketball and badminton courts”. In a part of the story Mr Tokyo met his tutor in his office, that was “on the second floor, overlooking the railway station and the distant river”; in the room there was “a hatstand, a painting of Istanbul with worried brush strokes, and a desk inlaid with worn green leather”; where they talked about the Mr Tokyo’s phobia of flying.

On the other hand, when he is explaining his experiences with Greta, he explains the facts using other setting, like her room in her department, for example, when he claims the night he woke up in the middle of night, when he says: “The room was black ... he understood he was at Greta’s flat, in her bed with its velvets and incense.”; and he uses the street setting also, when he walks away from Greta’s flat.              With other women, he tell us he met them in bars and clubs; like the girl who said she saw her father dead, then Mr Tokyo went to her psychic’s office to scold him, and he let him curled in the corner behind his desk. Referent to Greta he also set the story in the kitchen of her flat, while he sat on the sofa, he watched her through the doorway, which she was arranging it. The first night he slept with her, they were having dinner in a restaurant, later on they went by a taxi to Bayswater, to Greta’s flat. He explains that “her room smelled of sandalwood and was shrouded in dark fabrics”. Furthemore, he met Greta in plane from Munich to London, and he looked for her when he went out of the gate to talk to her, that’s when she gave him her phonenumber. And he also uses another place when he explains the time he had to say goodbye to Greta, that is expressed in the following way, “Tokyo chose the Charles Bridge as his mental departure point. He looked down at the river, and he began to discard things”.

 

He also uses international places, such as, Uganda, where he explains the story he lived in the airport, where the guards thought that his passport was suspicious, and he had to run away with a militar jeep towards the runway. In addition, part of the story is set in the Paris’ airport, Charles de Gaulle, where he explains he should have been flying from Paris to Madrid with AIR FRANCE, but he was incapable of going inside the plane, he was waiting in the departure lounge, but they closed the gate without him, so he went back to his hotel in the city centre. And when he thought he was in Vienna, but he couldn’t be there because he saw pillars through the window, fallen pillars shrouded in sand. Because of his phobia, the author explains that “he only managed to walk on air once”, as he says, “It was the exit from a job gone bad, in Berlin”, where he had to go to a room of a mistress of an embassy man, that was in a seventh floor from he had to run away by the balcony, and from there he had to jump through a window to a room of the next hotel. Another city mentioned in the novel is New York when he is telling the story set in a rooftop overlooking New York’s Central Park.

He also tells as some experiences he had had with animals, like the Afghan he met in the street, and that stop following him in an alley. Because of that “he changed his routes obsessively for a week”.

About her childhood, he tells us the story of Aunt Abigail, who he thought to be “a fearsome figure”. “Her house was set back from the road, and the path to the door was of broken stones”. “Inside, brass bottles were arranged on a dark wooden sideboard; always with a lace mat to protect the surface”. With these descriptions, the author makes the reader think about a typic old house of an old woman. In addition, it was in his childhood, when he had a traumatic experience with the death of a bird, that story is set in the side of a busy road going to his home, when he was walking home from school.

Another place that the author mentions is the gym, which Mr Tokyo used “more for meditation than exercise”.