DECONSTRUCTION VERSUS TRADITIONAL PHILOSOPHY


There is another and more interesting side to deconstruction, and this has to do with its continuing relation to traditional philosophical ideas of truth. I want in what follows to bring out this other side - the beyond of deconstruction - particularly as it can be found in the thought of Derrida. I see in Derrida's free play of interpretation not only criticism of older forms and a longing for the new, but insight into the substantial truth of philosophy and a talent for speculative thought. To be sure, Derrida believes that the traditional metaphysical hierarchies between idealism and realism, good and evil, beauty and ugliness, substance and subject, and so on, are one-sided and must be overturned. But he also argues that the undervalued terms of these hierarchies can only be affirmed in relation to, or as another form of, the 'higher' ones. Thus, for example, the notion of reality as something given and independent of the ideal world is dogmatic and, like all reversals, a prisoner of the metaphysical hierarchy it seeks to overthrow. In this perspective, metaphysical forms can be seen in even the most naturalistic attempts to escape the constraints of Western thought.
 

DECONSTRUCTION VERSUS HEGELIAN PHILOSOPHY

I want to argue that deconstruction in this sense amounts to a rediscovery of traditional philosophical ideas, and a reaffirmation of their truth, even if in one respect in a distorted way. In fact, Derrida from an early date was inspired to consider Western thought in Hegelian fashion; he learned from Hegel to see in the tradition an overarching demand for reconciliation, and thereby to distinguish himself from that kind of superficial criticism which sees the idea of metaphysics as something one-sided and abstract, cut off from reality and hostile to all sense and existence. For Hegel always and everywhere attacked the view that the 'Idea' is a mere logical form: "It is... false to imagine the Idea to be mere abstraction. It is abstract certainly, insofar as everything untrue is consumed in it: but in its own self it is essentially concrete, because it is the free concept [Begriff] giving character to itself, and that character, reality". The Idea is not the idea of some external thing, or the concept held by this or that individual person. The Idea is the concept which gives itself the form of external existence, comprehends this form ideally, and establishes itself in it. "Every individual being is some one aspect of the Idea".

Derrida's relation to Hegel - and through him to the whole of the Western metaphysical tradition - is ambiguous. He maintains that his position is beyond Hegel's, but still insists that he is working within the Hegelian philosophy. This would not be the result if anything in Hegel allowed us to separate what we know about the world from what we know about ourselves. But Derrida argues that Hegel makes any such separation impossible. He is no less insistent than Hegel himself that the order of reason is absolute. It is absolute not only because it can affirm everything existing in the world, but because it can endure every possible protest and criticism. Derrida says: "The unsurpassable, unique, and imperial grandeur of the order of reason...is that one cannot speak out against it except by being for it, that one can protest it only from within it; and within its domain, Reason leaves us only the recourse to stratagems and strategies". All appeals and protests against reason can only use the language of reason. From this point of view there is no chance of defeating Hegel on his own ground. Derrida confirms this in what he has to say about Emmanuel Levinas, a French theologian and important commentator on Hegel: "as soon as he speaks against Hegel, Levinas can only confirm Hegel, has confirmed him already". Hence Derrida's strategy: he adopts the language of metaphysics, of reason and critique, and works within it, but does so in order to renounce that language over and over again.

Derrida's connection with Hegel and the language of metaphysics is conditioned by the completeness of his critical attitude. On the one hand, he denies that philosophy can gather everything up into one point of view. This is a theme which surfaces again and again in his writings. As a critic of metaphysics, Derrida sees only deception in talk about a pure idea, a thought wholly clear to itself, a being fully present. On the other hand, he does not resist the language of metaphysics by somehow standing outside of it; he is certain that there can be no such standpoint. This explains why he is so critical of empiricism. Empiricism, he says, "destroys itself "; it lives in and from "the opposition of philosophy and nonphilosophy", but cannot sustain the opposition or make its own discourse intelligible. "The thought of this historical opposition between philosophy and empiricism is not simply empirical and it cannot be thus qualified without abuse and misunderstanding".
 

DECONSTRUCTION AND PHENOMENOLOGY

To begin with the immediate intellectual background to the theory of deconstruction, the early Derrida, as is well known, worked out a detailed critique of the philosophy of Edmund Husserl. Derrida, like others of his generation, started from Husserl's standpoint and developed it, but then went beyond it altogether. From the perspective of a radical critique of reason, he showed that Husserl's philosophy contradicted its own presuppositions and could not be sustained. The way in which he did this will help us to clarify the connection between his position and Hegel's.

Now so far as Derrida's critique of Husserl's philosophy is concerned, we need stress only the following points. First, Husserl aimed to found a science - a "rigorous science" - called "phenomenology", and with that to satisfy the highest theoretical and practical needs of philosophy. To this end, and in conformity with the whole movement of modern philosophy, he made the ego the fundament of all knowledge and consciousness. This ego, as he understands it, is utterly abstract and formal, and every object, every content, is freely constituted by it and rendered transparent. Second, the ego is not only this conscious freedom and activity, but an existing, living individual, and its life presupposes a world that is prior to consciousness and its reflective operations. Phenomenology, in this sense, seeks the origin of truth and consciousness, and finds it in the immediacy of feeling or intuition. According to Husserl, "whatever presents itself in 'intuition' in primordial form (as it were in its bodily reality) is simply to be accepted as it gives itself out to be, though only within the limits in which it then presents itself ". The origin of the judgement of a thing is to be found in the intuition of the thing as it is present in bodily experience. This "principle of principles" is for Husserl in every instance "a source of authority (Rechtsquelle) for knowledge".

Phenomenology as we see it through Husserl has a positive though subordinate role to play within Derrida's thinking. This is clear from what Derrida himself has to say about "the hidden historical field" of phenomenology. Husserl makes meaning into an infinite principle which for Derrida means that it is undermined by its opposition to the finite. The problem in Husserl is that of a pure consciousness, an empty ego, which presupposes being but can neither overcome it nor make it intelligible. Husserl sets himself the task of rendering being intelligible, but this task can never be realized, is there simply in the form of "an infinite Idea", the content of which "can never immediately and as such present itself in an intuition".

Derrida goes beyond this opposition in his meditation on language (langage). Language is the place in which Husserl's demand for absolute truth can appear. It is "the indispensable medium and condition of possibility for absolute ideal Objectivity, for truth itself ". Language in the form of speech dissolves the immediate givenness of things and continually shapes and reshapes our vision of the world. "Speech (parole) is no longer simply the expression (Aüsserung) of what, without it, would already be an object: caught again in its primordial purity: speech constitutes the object, and is a concrete juridical condition of truth". Speech is the pure nullification of the antithesis between object and subject, of finite being in its opposition to truth.
 
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 ©  Kenneth Kierans
 © Rocío Vila Sánchez, 2.000