OTRAS ARTES:

Paintings

D. H. Lawrence also painted a selection of erotic works. These were exhibited at the Dorothy Warren Gallery in London's Mayfair in 1929. This exhibition included A Boccaccio Story, Spring and Fight with an Amazon. The exhibition was extremely controversial, with many of the 13,000 people visiting mainly to gawk. The Daily Ecpress claimed "Fight with an Amazon represents a hideous, bearded man holding a fair-haired woman in his lascivious grip while wolves with dripping jaws look on expectantly, [this] is frankly indecent."

 

(http://en.wikipedia.org/wiki/D._H._Lawrence#Paintings)

 

LIBROS ESCRITOS SOBRE ÉL:

  1. Milton, Lawrence and Nietzsche
  2. Sagar, D H Lawrence Handbook
  3. D.H. Lawrence: Introducción y versión en español, por Raúl Racedo
  4.  Alexandrian, Historia de la literatura erótica, págs 26-32.
  5. Burns, Nature and Culture in D. H. Lawrence
  6. Dix, D H Lawrence and Women
  7. Nixon, Lawrence's Leadership Politics and the Turn Against Women
  8.  Nehls, D. H. Lawrence: A Composite Biography.
  9. Holderness, D. H. Lawrence: History, Ideology and Fiction
  10. Delavenay, D. H. Lawrence: The Man and his Work, trad. Katherine M. Delavenay
  11. Worthen, D. H. Lawrence: The Early Years, 1885 - 1912
  12. Maddox, D. H. Lawrence: The Story of a Marriage
  13. Delany, D. H. Lawrence's Nightmare: The Writer and his Circle in the Years of the Great War
  14. Weekley, Not I, But The Wind
  15. Neville, A Memoir of D. H. Lawrence: The Betrayal
  16. Black, Lawrence's England: The Major Fiction, 1913 - 1920
  17. Carswell, The Savage Pilgrimage
  18. Worthen, D. H. Lawrence: The Life of an Outsider
  19. Kincaid-Weekes, D. H. Lawrence: Triumph to Exile, 1912 - 1922
  20. Montgomery, The Visionary D. H. Lawrence: Beyond Philosophy and Art
  21. Ellis, D. H. Lawrence: Dying Game, 1922 - 1930
  22. Maddox, D.H. Lawrence: The Story of a Marriage.
  23. Millett, Sexual Politics
  24. Carta a Henry Savage, 2 de diciembre de 1913Citado en My Life and Times, Octave Five, 1918–1923 por Compton MacKenzie págs. 167–168
  25. Zamorano Rueda y Vericat Minguez, The Crisis of Metanarratives: Gender and Society in D. H. Lawrence, págs. 228-236.
  26. Preston, A D H Lawrence Chronology
  27. Draper, D H Lawrence: The Critical Heritage
  28. Harrison, The Reactionaries
  29. Sagar, D H Lawrence: a Calendar of his Works
  30. Black, D H Lawrence: The Early Fiction
  31. Poplawski, The Works of D H Lawrence: a Chronological Checklist
  32. Beynon, D. H. Lawrence: The Rainbow and Women in Love
  33. Pinto, D. H. Lawrence: Un modelo de técnica narrativa
  34. Caramés Lage, La novela social de D. H. Lawrence (1885-1930). Estudio de Sons and Lovers
  35. Humma, Metaphor and Meaning in D. H. Lawrence's Later Novels
  36. Moll Flanders en el Proyecto Gutenberg
  37. Niven, D. H. Lawrence: The Novels
  38. Leavis, D H Lawrence: Novelist
  39. Clarke, River of Dissolution: D. H. Lawrence and English Romanticism
  40. Fernihough, D. H. Lawrence: Aesthetics and Ideology
  41. Fernihough, The Cambridge Companion to D H Lawrence
  42. Sagar, The Art of D H Lawrence
  43. Wright, D H Lawrence and the Bible
  44. Sanders, The Short Oxford History of English Literature, págs. 526-31.
  45. Pujals, Historia de la literatura inglesa, pág. 556
  46. Clark, The Minoan Distance
  47. Abrams y Greenblatt, The Norton Anthology, págs. 2313-17.
  48. Black, Sons and Lovers
  49. Macleod, Lawrence's Men and Women
  50. Ross y Jackson, ed; Editing D H Lawrence: New Versions of a Modern Author
  51. Farr, Twentieth Century Interpretations of Sons and Lovers
  52. Callow, Son and Lover: The Young D. H. Lawrence
  53. Mensch, D. H. Lawrence and the Authoritarian Personality
  54. Kermode, El sentido de un final
  55. Holloway, From James to Eliot. The Pelican Guide to English Literature
  56. Black, D. H. Lawrence: The Early Philosophical Works: A Commentary
  57. Leavis, Thought, Words and Creativity
  58. Moore, The Priest of Love: A Life of D. H. Lawrence
  59. Kinkead - Weekes, The Marble and the Statue: The Exploratory Imagination of D. H. Lawrence, págs. 371-418. en ediciones de Gregor, lan y Maynard Mack, Imagined Worlds: Essays in Honour of John Butt (Londres: Methuen)
  60. A life in pictures, artículo del periódico británico The Guardian- Revisado el 8 de noviembre de 2003.

 

(http://es.wikipedia.org/wiki/D._H._Lawrence#Obra)

Wikipedia® es una marca registrada de la organización sin ánimo de lucro Wikimedia Foundation, Inc.

 

 

Books on Lawrence

Stephen Potter, D.H.Lawrence: A First Study, 1930.

John Middleton Murry, Son of Woman: The Story of D.H.Lawrence, 1931.

Catherine Carswell, The Savage Pilgrimage: A Narrative of D.H.Lawrence, 1932.

Frederick Carter, D.H.Lawrence and the Body Mystical, 1932.

Anais Nin, D.H.Lawrence: An Unprofessional Study, Paris: Edward W. Titus, 1932.

Horace Gregory, Pilgrim of the Apocalypse: A Critical Study of D.H.Lawrence, 1933.

William York Tindall, D.H.Lawrence and Susan His Cow, 1939.

William Tiverton [Martin Jarrett-Kerr], D.H.Lawrence and Human Existence, 1951.

Mary Freeman, D.H.Lawrence A Basic Study of His Ideas, 1955.

F.R.Leavis, D.H.Lawrence: Novelist, London: Chatto and Windus, 1955.

Mark Spilka, The Love Ethic of D.H.Lawrence, 1955.

Graham Hough, The Dark Sun: A Study of D.H.Lawrence, New York: Capricorn Books, 1956.

Eliseo Vivas, D.H.Lawrence: The Failure and the Triumph of Art, 1960.

Kingsley Widmer, The Art of Perversity: D.H.Lawrence's Shorter Fiction, 1962.

Eugene Goodheart, The Utopian Vision of D.H.Lawrence, 1963.

Julian Moynahan, The Deed of Life: The Novels and Tales of D.H.Lawrence, 1963.

George Panichas, Adventure in Consciousness:...Lawrence's Religious Quest, 1964.

Helen Corke, D.H. Lawrence: The Croydon Years, Austin (Tex): University of Texas Press, 1965.

George Ford, Double Measure; A Study of ... D.H.Lawrence, 1965.

H M Daleski, The Forked Flame: A Study of D.H.Lawrence, Evanston (Ill): Northwestern University Press, 1965.

Keith Sagar, The Art of D.H.Lawrence, 1966.

David Cavitch, D.H.Lawrence and the New World, 1969.

Colin Clarke, River of Dissolution: D.H.Lawrence and English Romanticism, 1969.

Baruch Hochman, Another Ego: ...Self and Society in D.H.Lawrence, 1970.

Keith Aldritt, The Visual Imagination of D.H.Lawrence, 1971.

R E Pritchard, D.H.Lawrence: Body of Darkness, 1971.

John E Stoll, The Novels of D.H.Lawrence: A Search for Integration, 1971.

Frank Kermode, D.H. Lawrence, London: Fontana, 1973.

Scott Sanders, D.H.Lawrence: The World of the Major Novels, 1973.

F.R.Leavis, Thought, Words, and Creativity...in Lawrence, 1976.

Marguerite Beede Howe, The Art of the Self in D.H.Lawrence, 1977.

Keith Cushman, D.H. Lawrence at Work: The Emergence of the 'Prussian Officer' Stories, Hassocks: Harvester Press, 1978.

Alastair Niven, D.H.Lawrence: The Novels, 1978.

Anne Smith, Lawrence and Women, London: Vision Press, 1978.

R.P. Draper (ed), D.H. Lawrence: The Critical Heritage, London: Routledge & Keegan Paul, 1979.

John Worthen, D.H.Lawrence and the Idea of the Novel, London: Macmillan, 1979.

Aidan Burns, Nature and Culture in D.H.Lawrence, 1980.

L D Clark, The Minoan Distance: Symbolism of Travel in D.H.Lawrence, 1980.

Roger Ebbatson, D.H.Lawrence and the Nature Tradition, 1980.

Alastair Niven, D.H.Lawrence: The Writer and His Work, 1980.

Philip Hobsbaum, A Reader's Guide to D.H.Lawrence, 1981.

Kim A.Herzinger , D.H.Lawrence in His Time: 1908 - 1915, 1982.

Graham Holderness, D.H.Lawrence: History, Ideology and Fiction, Dublin: Gill & Macmillan, 1982.

Hilary Simpson, D.H.Lawrence and Feminism, London: Croom Helm, 1982.

Gamini Salgado, A Preface to D.H. Lawrence, London: Longman, 1983.

Judith Ruderman, D.H.Lawrence and the Devouring Mother, 1984.

Anthony Burgess, Flame Into Being: The Life and Work of D.H.Lawrence, 1985.

Sheila McLeod, Men and Women in D.H.Lawrence, 1985.

Henry Miller, The World of Lawrence: A Passionate Appreciation [1930] 1985.

Keith Sagar, D.H.Lawrence: Life Into Art, 1985.

Mara Kalnins (ed), D.H. Lawrence: Centenary Essays, Bristol: Classical Press, 1986.

Michael Black, D.H. Lawrence: The Early Fiction, London: Macmillan, 1986

Peter Scheckner, Class, Politics, and the Individual: A Study of...D.H.Lawrence, 1986.

Cornelia Nixon, D.H.Lawrence's Leadership Novels and the Turn Against Women, 1986.

Colin Milton, Lawrence and Nietzsche, 1988.

Peter Balbert, D.H.Lawrence and the Phallic Imagination, 1989.

Wayne Templeton, States of Estrangement: the Novels of D.H.Lawrence 1912-17, 1989.

Janet Barron, D.H.Lawrence: A Feminist Reading, 1990.

Keith Brown (ed), Rethinking Lawrence, Milton Keynes: Open University Press, 1990.

James C Cowan, D.H.Lawrence and the Trembling Balance, 1990.

John B Humma, Metaphor and Meaning in D.H.Lawrence's Later Novels, 1990.

G M Hyde, D.H.Lawrence, London: Macmillan, 1990.

Allan Ingram, The Language of D.H. Lawrence, London: Macmillan, 1990.

Nancy Kushigian, Pictures and Fictions: Visual Modernism and...D.H.Lawrence, 1990.

Tony Pinkney, Lawrence Hemel Hempstead: Harvester Weatsheaf, 1990.

Leo J.Dorisach, Sexually Balanced Relationships in the Novels of D.H.Lawrence, 1991.

Nigel Kelsey, D.H.Lawrence: Sexual Crisis, 1991.

Barbara Mensch, D.H.Lawrence and the Authoritarian Personality, 1991.

John Worthen, D H Lawrence, London: Arnold, 1991.

Michael Bell, D.H.Lawrence: Language and Being, 1992.

Michael Black, D.H. Lawrence: Sons and Lovers, Cambridge: Cambridge University Press, 1992.

Virginia Hyde, The Risen Adam: D. H. Lawrence's Revisionist Typology, University Park: Pennsylvania State University Press, 1992.

James B.Sipple, Passionate Form: life process as artistic paradigm in D.H.Lawrence, 1992.

Kingsley Widmer, Defiant Desire: Some Dialectical Legacies of D.H.Lawrence, 1992.

Anne Fernihough, D.H.Lawrence: Aesthetics and Ideology, 1993.

Linda R Williams, Sex in the Head: Visions of Femininity and Film in D.H.Lawrence, 1993.

Katherine Waltenscheid, The Resurrection of the Body: Touch in D.H.Lawrence, 1993.

Robert E.Montgomery, The Visionary D.H.Lawrence: Beyond Philosophy and Art, 1994.

James C Cowan, Lawrence, Freud, and Masturbation, 1995.

Leo Hamalian, D.H.Lawrence and Nine Women Writers, 1996.

© Roy Johnson 1999 - with thanks to Damian Grant

 

(http://www.mantex.co.uk/ou/a319/dhl-03.htm)

ARTICULOS ESCRITOS SOBRE D H LAWRENCE:

THE GREATEST CREATIVE WRITER IN ENGLISH OF OUR TIME (BY F.R.LEAVIS):

 http://dialnet.unirioja.es/servlet/articulo?codigo=637550

 

 

 

 

periódico the guardian

The cataclysm has happened, but we've got to live. This was more or less Constance Chatterley's position. Her husband Clifford had returned home from the war a cripple, unable to have children. He was not downcast for he could propel himself in a bath chair, yet he was a blank of insentience.

Constance was a ruddy-faced woman who had known the sex thing as an 18-year-old girl in 1913 when she had roamed the woods near Dresden with guitar-playing German youths, Twang-Twang! and her father, a man of experience, was now concerned she was unsuited to life as a demi-vierge.

Clifford and Connie had returned to Wragby Hall in 1920, yet despite its proximity to the earthy Nottinghamshire mining village of Tevershall, there was no connection between the two. They lived in the world of ideas, where Clifford's insubstantial writing had brought him a certain celebrity among the well-to-do London literati.

"The penis is much overvalued," he declared to Connie. "But if you are desperate for a child, I would overlook an act of congress on your part and raise whatever may result as my own."

Connie was fading, her womb deprived of the life seed, and she found a connection in the contours of Michaelis. He was an outsider with the nobility of a Negro! A man despised for being arriviste! And yet he had the tiny, disconnected penis of the London Modernist. She felt nothing and he had his crisis all too quickly, leaving her to achieve her own by rubbing herself abstractedly against him.

"This is my England," Clifford said, vibrating with the bitch-goddess Success, as the gamekeeper tended his chicks. Connie's eyes took in the man's red moustache and Nottinghamshire loins. Oh for the integrated life! How dare she be defrauded of her womanhood!

Later that day she walked alone to the gamekeeper's hut. "What's your name?" she asked. "And what are you doing?"

"Mellors, mi' Lady," he replied. "Ah've bin killin' a bad pussy."

Oh Persephone! Oh anemones! Connie hated him for using the earthy Nottinghamshire dialect instead of the received pronunciation he had acquired in the Army that made his commonness acceptable; yet her womanhood was set afire with sexual symbolism. He was like a lonely, erect pistil of an invisible flower. He was a wounded lion, bound by his class to the pain of his rejection by his wife.

The mental excitement for Clifford had gone. It was Money and Society he sought! The Power of being Upper-Class! By day he was taken down the mines to view his mastery of the Bolshevik workforce; by night, he rested his head like a child on the ample bosom of his housekeeper, Mrs Bolton.

Clifford, the Great-I-Am, never touched her. She felt detached as Mellors' buttocks thrust against her, but her womb opened up to him and she felt a culmination as he emptied his seed. He had made her reconnect.

"We came 'arf together tha' time,' he said, their juices comingling.

Connie, Clifford, Mrs Bolton and Mellors all thought separate deep thoughts of Hopelessness and Eternity, yet Connie knew she must keep her Bacchante passion. She must have a baby! Go to Venice even!

"I love you, Mellors," she whispered. "You complete me."

"Th'art a good cunt," Mellors said. "Best bit o' cunt oi eva' 'ad."

"And you are the swarthy ever-ready cock of a horny-handed son of the soil who is a little bit middle-class and can quote Latin. Fuck me till I fart."

Clifford became evermore tainted by commerce, his disconnection from Nature laid bare as his bath-chair got stuck in the mud. How furious! How impotent!

"Oh Persepolis and Timbuctoo," said Mellors, eschewing the vernacular. "I had good fucking with my wife, Bertha. Before I thought only black women came naturally. But she left me for another man."

"Let's both get divorced and live in Phallos world," Connie gasped.

He took her like an animal. "I like it that tha' shits and pisses and my John Thomas longs to fuck tha' secret places." The purity of her sexuality could not be denied as she surrendered her arse and they fucked and shitted and pissed all that last night.

Italy felt barren in comparison to her belly that was swelling with Mellors' fertile seed. She dared not tell Clifford she was pregnant, for she was in a Funk. If Mellors' Phallos had entered Bertha, was it not tainted with Commonness?"

"You will have to pretend Duncan Forbes is the father," said her father. "He is a posh aesthete and he'll be happy to go along with it if he can see you naked."

"It's not true," cried Connie, as Clifford buried his infantile, crippled frame deeper into Mrs Bolton's swinging breasts. "I love Mellors. I must live with the man whose cock I love and in whose arms I strive for the bliss of a continuous Nottinghamshire orgasm."

"There will be no divorce," Clifford shouted, toying with his nappy. "It's just nostalgie de la boue."

"I am chaste but long to fuck tha'," Mellors wrote. "My John Thomas may droop but it lives in hope."

guardian.co.uk © Guardian News and Media Limited 2008

 

http://www.guardian.co.uk/books/2008/oct/18/3

 

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