Leda And
The Swan
A sudden blow: the great wings beating still
Above the staggering girl, her thighs caressed
By the dark webs, her nape caught in his bill,
He holds her helpless breast upon his breast.
How can those terrified vague fingers push
The feathered glory from her loosening thighs?
And how can body, laid in that white rush,
But feel the strange heart beating where it lies?
A shudder in the loins engenders there
The broken wall, the burning roof and tower
And Agamemnon dead.
Being so caught up,
So mastered by the brute blood of the air,
Did she put on his knowledge with his power
Before the indifferent beak could let her drop?
Poem: Leda
and the Swan.
Extracted from: http://www.uv.es/fores/poesia/ledaswan.html
Author:
William
Leda and
the Swan: Analysis and Comentary.
The poem
that we are going to analyse is Leda and the Swan, written by William
Butler Yeats, published in the radical
newspaper To-morrow in 1923 and
rewritten and published in 1928 in The Tower[1].
The poem structured in three stanzas, the first and the second stanza have four
verses each, and the third stanza has seven verses.
In this
poem, Yeats speaks about the Greek myth of Leda and Zeus. Zeus wanted Leda,
married with Tindarus, king of
In the
first stanza, the author, who is not implicated, is just an observer, describes
how the swan, Zeus, is prepared to attack: he opens his wings, gets closer to a
hesitant Leda and touches her (A sudden blow: the great wings beating still /Above the staggering girl, her thighs
caressed, verses 1 and 2). Yeats describes a doubtful and helpless girl who has
nothing to do with the almighty swan (He holds her helpless breast upon his
breast, verse 4).
Yeats
persists in describing the helpless situation of Leda in the second stanza. She
cannot do anything (How can those terrified vague fingers push /The
feathered glory from her loosening thighs?,verses 5 and 6). The situation
of Leda turns into sumission: she has nothing to do, Yeats tells us, so she
feels what the swan makes her feel(And how can body, laid in that white
rush,/But feel the strange heart beating where it lies?, verses 7 and 8).
In the
third stanza the author exposes the surrender of Leda and the consummation, i.
e., the victory of Zeus the swan, as we can see in the wall and the roof (The
broken wall, the burning roof and tower, verse 10).
When
William B. Yeats wrote this poem, it was, in his own words a meditation about “
We could
connect this poem with one of the most important parts in the life of Yeats:
his relationship with Maude Gonne. Yeats met Maude Gonne, a young heiress in
1889[5]. She admired his poetry
and he was obsessed with her, but she never accepted to marry him. This fact
has a special importance in the Poetry of Yeats, and we can see that influence
in this poem. Here Yeats wants to be the swan, he wants to transform into
anybody else to conquer Maud. He is the swan and Maud is Leda. He wants to make
a strategy to invade Maud and conquer her. We must remember, too, that this
poem was written in the last years of Yeats’ life. Maybe he is regreting for
not doing everything to be with Maude.
First paper < Previous Next >
Bibliography.
ü
Uv.es/fores/poesia
http://www.uv.es/fores/poesia/ledaswan.html
05.04.2006
Editor:
Vicente Forés
ü
Gustavo
Negrín. Leda y el cisne, traducción y prólogo. http://www.saltana.org/1/docar/0237.html 05.04.2006
ü
Cristina Arnau. 2nd of Bachillerato’s Greek
Lessons. 2002-2003
ü
Wikipedia.org http://en.wikipedia.org/wiki/William_Butler_Yeats 06.04.2006
Wikipedia ®