VIRGINIA WOOLF'S
BIBLIOGRAPHY:
Literary Periods:
Inter-War Period, 1918-1939;
Modernist Period, 1899-1945;
Literary Movements:
BloomsburyGroup,ca.
1905-1940;
Feminist Writers, 1900-;
Lesbian/Gay Writing, 1885-;
Modernism c.1899-1945
Copyright © 1996-99 Chadwyck-Healey Ltd
and Chadwyck-Healey Inc
|
© Dr. Elisa Kay Sparks
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WORKS
BY WOOLF
/////////////////////////////////
"Death of the Moth" and Other Essays,
Woolf, Virginia | Harcourt Publishers
Ltd, a subsidiary of Harcourt International Ltd | 1974
A Change of Perspective ,Woolf, Virginia
| Random House UK Ltd | 1994
A Moment's Liberty ,Woolf, Virginia
| Vintage/Ebury | 1997
A Moment's Liberty ,Woolf, Virginia
| Random House UK Ltd | 1990
A Passionate Apprentice,Woolf, Virginia
| Random House UK Ltd | 1992
A Question of Things Happening,Woolf,
Virginia | Random House UK Ltd | 1994
A Room of One's Own,Woolf, Virginia
| HarperCollins Publishers | 1993
A Room of One's Own,Woolf, Virginia
| Bloomsbury Publishing Plc | 1993
A Room of One's Own ,Woolf, Virginia
| Random House UK Ltd | 1991
A Room of One's Own ,Woolf, Virginia
| Penguin Books Ltd | 1991
A Room of One's Own ,Woolf, Virginia
| HarperCollins Publishers | 1977
A Room of One's Own / Three Guineas,Woolf,
Virginia | Vintage/Ebury | 1996
A Room of One's Own / Three Guineas,Woolf,
Virginia | Penguin Books Ltd | 1993
A Room of One's Own, and Three Guineas ,Woolf,
Virginia | Oxford University Press | 1998
Three Guineas,Woolf, Virginia | Random
House UK Ltd | 1991
A Woman's Essays ,Woolf, Virginia |
Penguin Books Ltd | 1992
Between the Acts,Woolf, Virginia |
Oxford University Press | 1998
Between the Acts ,Woolf, Virginia |
Vintage/Ebury | 1992
Between the Acts,Woolf, Virginia |
Oxford University Press | 1992
Between the Acts,Woolf, Virginia | Penguin
Books Ltd | 1992
Collected Novels of Virginia Woolf ,Woolf,
Virginia | Macmillan Press Ltd | 1992
Collected Novels of Virginia Woolf ,Woolf,
Virginia | Macmillan Press Ltd | 1992
Common Reader ,Woolf, Virginia |
Harcourt Publishers Ltd, a subsidiary of Harcourt International Ltd
| 1984
Englische Kurzgesschichten,Huxley, Aldous
Saki Woolf, Virginia | Deutscher Taschenbuch Verlag | 1995
Essays of Virginia Woolf ,Woolf, Virginia
| Harcourt Publishers Ltd, a subsidiary of Harcourt International Ltd
Monday or Tuesday: Eight Stories,Woolf,
Virginia | Dover Publications | 1997
Mrs Dalloway, Woolf, Virginia | Penguin
Books Ltd | 1996
Mrs Dalloway ,Woolf, Virginia |
Penguin Books Ltd | 1999
Mrs Dalloway ,Woolf, Virginia |
Oxford University Press | 1998
Mrs Dalloway ,Woolf, Virginia | Blackwell
Publishers | 1996
Mrs Dalloway,Woolf, Virginia | Wordsworth
Editions Ltd | 1996
Mrs Dalloway ,Woolf, Virginia | Penguin
Books Ltd | 1996
Mrs Dalloway,Woolf, Virginia | Penguin
Books Ltd | 1994
Mrs Dalloway,Woolf, Virginia |
HarperCollins Publishers | 1994
Mrs Dalloway,Woolf, Virginia | Everyman
Publishers | 1993
Mrs Dalloway ,Woolf, Virginia | Vintage/Ebury
| 1992
Mrs Dalloway ,Woolf, Virginia | Penguin
Books Ltd | 1992
Mrs Dalloway ,Woolf, Virginia | HarperCollins
Publishers | 1976
Night and Day ,Woolf, Virginia | Oxford
University Press | 1999
Night and Day ,Woolf, Virginia | Blackwell
Publishers | 1994
Night and Day ,Woolf, Virginia | Vintage/Ebury
| 1992
Night and Day,Woolf, Virginia | Oxford
University Press | 1992
Night and Day ,Woolf, Virginia | Penguin
Books Ltd | 1992
On Women and Writing ,Woolf, Virginia
| The Women's Press | 1979
Orlando ,Woolf, Virginia | Penguin Books
Ltd | 1998
Orlando,Woolf, Virginia | Paperback
| Wordsworth Editions Ltd | 1995
Orlando,Woolf, Virginia | Naxos
AudioBooks | 1994
Orlando ,Woolf, Virginia | Naxos
AudioBooks | 1994
Orlando ,Woolf, Virginia |Bloomsbury
Publishing Plc | 1993
Orlando,Woolf, Virginia | Penguin
Books Ltd | 1993
Orlando ,Woolf, Virginia | Vintage/Ebury
| 1992
Orlando,Woolf, Virginia | P Oxford University
Press | 1992
Orlando,Woolf, Virginia | Random House
UK Ltd | 1990
Orlando: a Biography ,Woolf, Virginia
| Oxford University Press | 1998
Roger Fry ,Woolf, Virginia | Random
House UK Ltd | 1991
Roger Fry: a Biography ,Woolf, Virginia
| Hardback | Blackwell Publishers | 1995
Second Common Reader,Woolf, Virginia
| Harcourt Publishers Ltd, a subsidiary of Harcourt International Ltd
| 1986
Selected Short Stories ,Woolf, Virginia
| Penguin Books Ltd | 1993
The Complete Shorter Fiction of Virginia
Woolf ,Woolf, Virginia | Random House UK Ltd | 1989
The Crowded Dance of Modern Life: Selected
Essays ,Woolf, Virginia | Penguin Books Ltd | 1993
The Diary of Virginia Woolf ,Woolf,
Virginia | Paperback | Penguin Books Ltd | 1985
The Diary of Virginia Woolf ,Woolf,
Virginia | Random House UK Ltd | 1984
The Diary of Virginia Woolf ,Woolf,
Virginia | Penguin Books Ltd | 1983
The Diary of Virginia Woolf ,Woolf,
Virginia | Random House UK Ltd | 1983
The Diary of Virginia Woolf ,Woolf,
Virginia | Penguin Books Ltd | 1982
The Diary of Virginia Woolf ,Woolf,
Virginia | Penguin Books Ltd | 1981
The Diary of Virginia Woolf ,Woolf,
Virginia | Random House UK Ltd | 1980
The Diary of Virginia Woolf ,Woolf,
Virginia | Penguin Books Ltd | 1979
The Diary of Virginia Woolf ,Woolf,
Virginia | Random House UK Ltd | 1978
The Essays of Virginia Woolf ,Woolf,
Virginia | Random House UK Ltd | 1987
The Essays of Virginia Woolf ,Woolf,
Virginia | Random House UK Ltd | 1986
The Essays of Virginia Woolf Volume III
,Woolf, Virginia | Random House UK Ltd | 1988
The Letters of Virginia Woolf ,Woolf,
Virginia | Random House UK Ltd | 1977
The Letters of Virginia Woolf ,Woolf,
Virginia | Random House UK Ltd | 1976
The Sayings of Virginia Woolf ,Woolf,
Virginia | Gerald Duckworth & Co. Ltd | 1996
The Sickle Side of the Moon ,Woolf,
Virginia | Random House UK Ltd | 1994
The Voyage Out ,Woolf, Virginia |
Blackwell Publishers | 1996
The Voyage Out ,Woolf, Virginia |
HarperCollins Publishers | 1994
The Voyage Out ,Woolf, Virginia | Vintage/Ebury
| 1992
The Voyage Out ,Woolf, Virginia |
Oxford University Press | 1992
The Voyage Out,Woolf, Virginia | Penguin
Books Ltd | 1992
The Waves ,Woolf, Virginia | Oxford
University Press | 1998
The Waves ,Woolf, Virginia | HarperCollins
Publishers | 1994
The Waves ,Woolf, Virginia | Blackwell
Publishers | 1993
The Waves ,Woolf, Virginia | Vintage/Ebury
| 1992
The Waves ,Woolf, Virginia | Penguin
Books Ltd | 1992
The Waves ,Woolf, Virginia | HarperCollins
Publishers | 1977
The Years ,Woolf, Virginia | HarperCollins
Publishers | 1994
The Years ,Woolf, Virginia | Penguin
Books Ltd | 1999
The Years ,Woolf, Virginia | Oxford
University Press | 1999
The Years ,Woolf, Virginia | Vintage/Ebury
| 1992
The Years ,Woolf, Virginia | Oxford
University Press | 1992
The Years ,Woolf, Virginia | Random
House UK Ltd | 1991
To the Lighthouse ,Woolf, Virginia |
Penguin Books Ltd | 1998
To the Lighthouse ,Woolf, Virginia |
Oxford University Press | 1998
To the Lighthouse ,Woolf, Virginia |
Penguin Books Ltd | 1996
To the Lighthouse ,Woolf, Virginia |
Naxos AudioBooks | 1995
To the Lighthouse ,Woolf, Virginia |
Naxos AudioBooks | 1995
To the Lighthouse ,Woolf, Virginia |
Penguin Books Ltd | 1995
To the Lighthouse ,Woolf, Virginia |
Wordsworth Editions Ltd | 1994
To the Lighthouse ,Woolf, Virginia |
Taylor & Francis Books Ltd | 1994
To the Lighthouse ,Woolf, Virginia |
HarperCollins Publishers | 1993
To the Lighthouse,Woolf, Virginia |
Addison Wesley Longman | 1993
To the Lighthouse ,Woolf, Virginia |
Blackwell Publishers | 1992
To the Lighthouse ,Woolf, Virginia |
Vintage/Ebury | 1992
To the Lighthouse ,Woolf, Virginia |
Everyman Publishers | 1991
To the Lighthouse ,Woolf, Virginia |
HarperCollins Publishers | 1977
To the Lighthouse ,Woolf, Virginia |Penguin
Books Ltd | 1964
Virginia Woolf ,Woolf, Virginia |
Penguin Books Ltd | 1992
Virginia Woolf: Four Great Novels ,Woolf,
Virginia | Oxford University Press | 1994
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SPANISH
EDITIONS ( Bibliografía )
//////////////////////////////////
Al faro, Woolf, Virginia | Edhasa
| 1999
Al faro,Woolf, Virginia | Editorial
Debate; Asegarce | 1995
Al faro,Woolf, Virginia | Alianza Editorial
| 1993
Cartas a mujeres,Woolf, Virginia | Editorial
Lumen | 1993
Cómo se escribe el diario íntimo
Mansfield, Katherine Cheever, John Musil,
Robert Jünger, Ernst Barthes, Roland Kafka, Franz Brecht, Bertolt
Woolf, Virginia Pavese, Cesare Gombrowicz, Witold | Editorial El Ateneo
Diario íntimo III (1932-1941)
Woolf, Virginia | Grijalbo Mondadori-Mondadori
| 1994
Diarios 1925-1930,Woolf, Virginia |
Ediciones Siruela
Entre actos,Woolf, Virginia | Editorial
Lumen | 1981
Flush,Woolf, Virginia | Ediciones Encuentro
| 1997
Hogarth House 1915-1921. Diarios (T.1),Woolf,
Virginia | Ediciones Libertarias-Prodhufi | 1993
La casa encantada,Woolf, Virginia |
Editorial Lumen | 1983
La señora Dalloway,Woolf, Virginia
| Editorial Lumen | 1998
Mrs. Dalloway,Woolf, Virginia |
Plaza & Janés Editores | 1998
La señora de Dalloway,Woolf,
Virginia | Alianza Editorial | 1994
La señora Dalloway,Woolf, Virginia
| Ediciones Cátedra | 1993
La señora Dalloway,Woolf, Virginia
| Editorial Lumen | 1993
Las olas,Woolf, Virginia | Alfaguara-Grupo
Santillana
Las olas,Woolf, Virginia | Tusquets
Editores | 1995
Las olas,Woolf, Virginia | Ediciones
Cátedra | 1994
Las olas,Woolf, Virginia | Editorial
Lumen | 1993
Las olas,Woolf, Virginia | Alfaguara-Grupo
Santillana
Orlando,Woolf, Virginia | Edhasa
| 1999
Orlando,Woolf, Virginia | Editorial
Lumen | 1994
Relatos completos,Woolf, Virginia |
Alianza Editorial | 1994
Tres guineas,Woolf, Virginia | Editorial
Lumen | 1999
Una habitación propia,Woolf,
Virginia | Ediciones de Bolsillo | 1997
©
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WORKS
ABOUT WOOLF
( Click and you will find more examples of works about Virginia Woolf ).
.
Author: Rosenman, Ellen
Bayuk.
Title: A room of
one's own: women writers and the politics of creativity.
Publication Details: New York: Twayne;
Toronto; Oxford: Maxwell Macmillan, 1995. pp. xii,133.(Twayne's
masterwork studies, 151.)
Publication Year: 1995
.
Author:
Shaw, Marion.
Title: From A Room
of One's Own to a literature of one's own.
Publication Details: South Carolina Review
(Clemson Univ., Clemson,SC) (29:1) 1996, 58-66.
Publication
Year: 1996
Author:
Lee, Hermione
Document Title: Reviews: "The Feminist Aesthetics
of Virginia Woolf: Modernism, Post-Impressionism and
the Politics of the Visual," by Jane Goldman
Publication:
The Review of English Studies - A Quarterly Journal of English Literature
and English
Language 50:199 [August 1999] p.409-411
Abstract:
Observes that Goldman's book (Cambridge University Press, 1998. ) examines
the feminist aesthetics of Woolf's works by locating them within their
historical and political
contexts. Also notes Goldman's examination of Woolf's portrayals of light,
shade, and color.
Calls attention to the "courageous, inventive, [and] strenuous" nature
of Goldman's work.
Document Type: Book Review
Publisher:
Oxford University Press
Author:
Briggs, Julia
Document Title: Reviews: "A Bibliography of
Virginia Woolf," by B J Kirkpatrick
Publication:
The Review of English Studies - A Quarterly Journal of English Literature
and English
Language 50:198 [May 1999] p.266-268
Abstract:
Observes that this fourth edition of Kirkpatrick's bibliography of Virginia
Woolf's works
reflects the massive expansion of Woolf scholarship over the last ten years,
profiling the
bibliography's new entries. Criticizes Kirkpatrick's treatment of Woolf's
"Mrs Dalloway" and
"To the Lighthouse," contending that Kirkpatrick's redefinitions of the
state of these two
novels has resulted in editorial confusion and a general neglect of the
post-publication
alterations to Woolf's work. (The Soho Bibliographies. Clarendon Press,
1997.)
Publisher:
Oxford University Press
Author:
Maze, John R.
Title:
Virginia Woolf: feminism, creativity, and the unconscious.
Publication Details:
Westport, CT; London: Greenwood Press, 1997. pp. 220. (Contributions to
the study of
world literature, 84.)
Publication Year:
1997
FULL EXAMPLE
Kostkowska, Justyna: Book Reviews: Woolf &
Feminism
English Literature in Transition 1880-1920
42:1 [1999] p.96-99
Justyna Kostkowska
Middle Tennessee State University
John R. Maze. Virginia Woolf: Feminism, Creativity,
and the Unconscious. Westport: Greenwood Press 1997.
JOHN MAZE'S BOOK differs from other psychoanalytical
criticism of Woolf in that it is an
interdisciplinary work that bridges literary
criticism and psychoanalysis, with mutual benefits. For
Maze, psychoanalysis is not just a mere tool
of literary analysis, sometimes useful, sometimes
negligible, but a consistent base of reference
which illuminates his interpretation. From the other
direction, the reading that emerges provides
a detailed psychoanalytical case study of a creative
mind and its attempt at finding peace and
resolution through literary expression.
This interdisciplinary approach
is especially helpful for passages of text that evade cohesive
critical explanation consistent with the rest
of the work. Maze claims that data independent of the
text, such as evidence from the author's life,
including the unconscious, often succeed in offering
the missing meaning. That ''independent evidence''
is often a source of discomfort for a textual
critic, because it is so remote from the text
the analysis appears forced. Once we realize that we
are reading a work of psychoanalysis, and
not literary criticism per se, that ''independent evidence''
becomes more admissible.
The main premise of Maze's
analysis is that Woolf's successive books are a quest for
''self-understanding,'' and a record of her
process of resolving her relationship with her diseased
mother and her prematurely dead brother Thoby.
He also presents Woolf's novels as products of
self-censorship, which sought covert representation
for her subconscious desires and fears.
Following Woolf's self-discovery
process, Maze considers each of Woolf's novels
chronologically. The starting point is The
Voyage Out. Maze identifies Woolf's conscious intentions
to show Rachel's ''voyage towards independence''
that ends in disaster, and Woolf's own
unconscious fear of the forces that bring
that disaster. The connection between the two can only
be achieved through interpretation, sometimes
very far-reaching, and that is what constitutes the
brunt of Maze's analysis. Maze postulates
that Rachel's relationship with Helen represents Woolf's
relationship with her sister Vanessa, Vinrace
representing ''the patronizing, suffocating male
domination from which Woolf knew she herself
must escape.'' Rachel's fear of her sexuality and
marriage is a projection of similar fears
and trauma connected with Woolf's incestuous childhood.
Maze then investigates Night
and Day as an inquiry into the nature of love as an exalted,
God-sent feeling that demands submission.
This definition seems, ever so subtly, to include love
between women, i.e. Mary and Katharine. However,
Maze notes that, despite Woolf's bad
experiences with male sexuality, ''Woolf's
self-image was so fragile and her need for protection so
great that she could not represent or embrace
lesbian love as a better solution than conventional
matrimony.'' The classically romantic ending
of the novel is an act of denial of what Maze claims
Woolf knew by that point in her life: ''that
the conventional, sentimental image of love is simply
false, that it is merely a consolatory fantasy
of a state of perfect harmony that we lost when we
were disjoined from our mother and found ourselves
helpless and alone.''
Jacob's Room and later The
Waves are presented as expressions of Woolf's complex sisterly
love and suppressed sexual attraction for
her younger brother Thoby. Maze lists notable similarities
between Jacob and Thoby (education, death
at twenty-five), conceding that Woolf never confirmed
the identification. He also interprets the
female narrator's lighthearted attitude to Jacob's sexual
exploits as Woolf's own unconscious, sexual
feelings towards the real life Jacob.
Mrs. Dalloway is analyzed
as a study of sanity versus insanity, both relative. Maze traces the
genesis of the novel to Woolf's original short
story, ''Mrs. Dalloway in Bond Street,'' this time
denying the identification of Woolf with the
character, since her ''social and political attitudes
[deference to establishment, social snobism]
... are opposed to Woolf's own.'' Maze points out that
''if Clarissa represents sanity and Septimus
insanity, then her 'sanity' is the death of the soul; she
remains sane by giving herself over to the
morality of power,'' and losing her soul. What society
sees as Septimus's insanity, Maze remarks,
is in fact an act of sanity: an attempt to preserve his
soul. Regretfully, Maze neglects the lesbian
readings of Clarissa, and instead interprets the ''match
in the crocus'' as a phallic symbol, presenting
Clarissa as a case of ''penis envy,'' a bisexual or
''complex androgyne,'' desiring masculinity.
Maze then shows how To the
Lighthouse, a portrayal of Woolf's mother, contains signs of not
only love, most generally acknowledged, but
also of Woolf's ''unconscious animosity'' towards the
subject. Her portrait is ''consciously idealized
and unconsciously derogatory.'' The reasons for the
latter were Julia Stephen's premature weaning
Virginia off her breast, her early preference for Woolf's younger brother
Adrian, and her failure to protect Virginia from her half-brothers' sexual
abuse. Maze also points out that Woolf ''felt rejected, in part through
her mother's attack on her personal integrity by the imposition of Victorian
sex-role orthodoxy,'' hence the portrayal of Mrs. Ramsay's fanatic advocacy
of marriage, and Lily's
resistance. In his discussion of Lily's independence,
however, Maze ignores the lesbian
interpretation of her character, and considers
her relationship with Mrs. Ramsay only in one limited
dimension: as with ''a motherly woman friend.''
Maze next examines how each
of The Waves's characters contributes to the ''unfolding of her
[Woolf's] own character,'' and to ''Woolf's
analysis of the meaning of her own life'' (120). As the
early drafts indicate, the waves themselves
are children, symbolizing succeeding generations, but
also the mindless perpetuation of the species
Woolf resented. Interestingly, none of the characters
have significant parents: a sign that by that
stage Woolf had resolved that troubling relationship.
Although Woolf is ''writing her life'' through
all the characters, she is closest to Rhoda. Maze
focuses on Rhoda's fear of sexual intimacy
and her failed affair with Louis without taking into
consideration that Rhoda's lesbian feelings
are suppressed throughout the drafts, as Annette
Oxindine suggests in ''Saphist Semiotics in
Woolf's The Waves'' (1993). In addition, Maze sees
Rhoda's love for Percival as ''Virginia's
unconscious confession of sexual attachment, if only in
fantasy, to her brother [Thoby].'' Maze comments
that this seemingly groundless assumption is
confirmed in Sara and the Antigone theme in
The Years. Between the Acts continues this
argument through a portrayal of Bart and Lucy
as Virginia and Thoby, and Lucy's rivalry with Mrs.
Manresa whom Maze sees as impersonating Vanessa's
maternal qualities Thoby admired and
Woolf envied.
Maze consistently uses holograph
drafts and seminal short stories to trace significant revisions.
He moves within the entire Woolf oeuvre with
great competence, using the diary, essays, and
letters as extratextual evidence. In his discussion
of all the novels, Maze uses chronological
summary as the order of his analysis, which
is important for the psycho-analytical component with
its reliance on causal relationships, but
does not entirely satisfy a critical mind, used to seeking
more selective connections.
For the readers less interested
in psychoanalyzing Woolf, the main value of this study lies in its
solid textual work, and in its attempt to
arrive at a fair assessment of Woolf's intentions. Maze stresses throughout
the book that Woolf's feminism was far from fanaticism or uncritical blindness,
that she despised attitudes not sexes, and was against the love of power
and authoritarianism, ''cloaked as morality,'' in either men or women.
END
©Copyright 1999.
Copyright © 1996-99 Chadwyck-Healey
Ltd and Chadwyck-Healey Inc
http://lion.chadwyck.com
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