The T.O. spinster who took
on H.G. Wells
On a Monday morning in mid-December 1920, Toronto amateur
historian Florence Deeks strode with purpose through the main floor of the T.
Eaton Co. store at Yonge and Queen Sts. She ignored the counters stacked high
with Christmas wares and headed straight for the bookstore and the pile of the
latest book written by H.G. Wells.
Deeks,
then 55, had read an excerpt of Wells’ Outline of History in the latest issue
of Saturday Night magazine. She was struck not only by the glowing
review, but by the many apparent similarities between the two-volume work and
one she had submitted to Macmillan of Canada about 18 months earlier.
Deeks
paid $12 for the set, boarded a streetcar and made her way to her Farnham Ave.
home, a few blocks south of St. Clair Ave.
There
she pored over Wells’ book and her curiosity turned to alarm, then dread. It
was not just the ideas that seemed similar, but the structure, things she had
left out of her work and even the mistakes she had made. Deeks had spent four
years in the Toronto Public Library writing The Web, a clumsily
titled, if earnest, account of world history that, for the first time, included
the role of women. The more of Wells’ book she read, the angrier she became.
This
sense of indignation would eventually trigger a 10-year quest by Deeks to bring
Wells to justice for what she claimed was his "literary piracy" of
her work.
If the
lawsuit against Dan Brown and The Da Vinci Code earlier this year was the
plagiarism case of the year, Deeks’ struggle against Wells remains the case of
the 20th century. Wells had already written such sci-fi classics as The
Invisible Man, The Time Machine and The War of the Worlds. His
1,300-page Outline of History would sell 2 million copies and cement
his reputation even though one writer described it as the biggest, must-have,
unread work of its time. Yet for almost a decade Deeks would hound him in the
courts on two continents, a pursuit Toronto historian Donald Jones described as
“one of the strangest and most drawn-out court cases in the history of British
jurisprudence.”
The
story begins in 1914. Deeks was single and a well-to-do graduate of Victoria
College. She was a sometime journalist and amateur writer and by all accounts a
woman of little humour and not much artistic spark. She was a devout Methodist
with all the moral rigour that implies, living in comfort supported by her
brother who owned a Toronto construction company.
In
mid-1918 she delivered her manuscript to Macmillan and nine months later it was
returned. Despondent about the rejection, Deeks put the package aside.
The
more Deeks read of Wells’ book, the more she recognized a similarity in
structure and content. She dug out her manuscript and found that it had been
returned smudged and stained; paragraphs were marked and pages worn with the
corners turned down. After a thorough comparison, she also saw similar
arguments and mistakes.
She
consulted experts who assured her she wasn’t crazy and after five years of
preparation launched her suit in 1925. It was front-page news: Wells, the
literary giant, challenged by a Toronto spinster. It seemed so ludicrous.
The
story is captured wonderfully in The Spinster and the Prophet, a 20th-century
literary whodunit by Brian McKillop. The Carleton University professor believes
Wells used Deeks’ manuscript as a framework to build his own book and that his
work is based on her structure, though not her words. McKillop believes
Macmillan in Toronto passed Deeks’ manuscript to a friend of Wells in England
to curry favour with Wells, hoping that when the book was completed he would
publish it through Macmillan.
It
would have been an innocent thing, McKillop says. The Web was a roughly written
book by an unknown female author writing under a pseudonym with an amateur's
skill. Wells would would have had a typescript of 500 pages that happened to be
just on the topic when he was desperate for information — a Coles Notes outline
to be fleshed out in his own unique style.
Some
authors, including Toronto’s Michael Coren, a Wells biographer, maintains he
had an army of researchers to write the Outline of History, many of whom are
mentioned in the preface. This would explain how Wells was able to research and
write the equivalent of four good-sized books in a little over a year. McKillop
argues that Wells paid these men on a retainer to use their names to give the
book a veneer of authority. He believes they wrote little or nothing.
And in
answer to the question of why Wells would think he could take somebody else’s
work and use it, McKillop says it is consistent with the 19th and early 20th
century notion that history, like art, was a constant reinterpretation of great
events with facts recast in a new light.
In the
course of his research, McKillop did not uncover a key document that in a court
case would have convicted Wells and believes the judges were correct in
dismissing Deeks’ claim. The circumstantial evidence is strong, but
"unless you have a smoking gun, all the other similarities don’t
matter," he says.
“It
boiled down to the reputation of a great man of letters against the nonexistent
reputation of an unknown woman. Nobody could comprehend that this could be
true.”
Deeks
lost her final battle in a British court in 1932. By then her brother had died
and she was acting as her own legal counsel. At one point during the three-day
hearing she fainted.
Deeks
continued to try to have her work published. When told by one New York
publisher that The Web was too much like Wells’ book, she sadly removed the
references to women — the idea that first compelled her to write it. It was
still rejected.
Perhaps
ashamed by this personal betrayal, she wrote another book, which is in her
archival effects in the Baldwin Room at the Metro Toronto Reference Library.
“It is a very pristine manuscript and has never been read,” says McKillop. It
is called The History of Women.
Florence
Deeks died in June 1959. She was 94. Wells predeceased her by 13 years
More Articles: [1] [2] [3] [4] [5] [6] [7]
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