==
Holy Symbols in Modern Vampire Fiction ==
From:
Davis Farnsworth
In
_The_Dracula_Tape_ by Fred Saberhagen, Count Dracula explains that he is
not frightened by religious symbols, but that he has such respect for Christianity
(being a Catholic himself, as I recall) that he objects to the profaning
of sacred symbols by their use against him. He is physically unharmed.
In
_Those_Who_Hunt_The_Night_ by Barbara Hambly, the vampires are unaffected
by religious symbols; one even wears a crucifix. The vampires are allergic
to silver and certain types of wood. The shape of the item is meaningless.
In
_Vampire_Junction_ by S.P. Somtow, Valentine the vampire has outgrown any
fear of silver or religious symbols, but younger vampires believe that
such items can hurt them, so they are intimidated by them. Valentine lets
his servants use crucifixes to control the other vampires, and doesn't
tell his fledglings there is no power in such symbols.
Jack
Fleming, in P.N. Elrod's series, 'The Vampire Files,' states that he was
a pretty good guy before he died, and he is still a pretty good guy as
a vampire. He is not afraid of religious symbols, but occasionally pretends
to be intimidated so as to get his adversary to drop his/her guard.
Anne
Rice's Louis (_Interview_With_The_Vampire_) even goes into a Catholic church
in Paris, enters a confessional and ends up killing the priest. He expects
to be struck by lightening or something, but is unharmed even though he
is in 'a House of God' and touches the crucifix.
I
think that the five examples cited show that modern authors are definitely
moving away from religious symbolism to control/avoid vampires. I attribute
this to a growing awareness in our society of the variety of religious
experiences available around the world, and the recognition that there
are many people (including vampires) to whom Christian religious symbols
are meaningless. It could also reflect a spreading disinterest in religion
and a rejection of religion's control over the individual.
==
Holy Symbols in Folklore and Pre-Twentieth Century Vampire Fiction ==
From:
Dragon
As
can be seen from Davis' survey above, the trend in modern Vampire fiction
is away from the efficacy of Holy symbols as wards against the undead.
The situation was far different in 19th century and earlier fiction. Generally
those stories are closer to the vampire tradition of Europe, a tradition
that evolved in an intensely religious world. Further, the holy symbols
associated with the vampire are generally those of the Catholic and Greek
Orthodox Churches, reflecting the region of Europe in which the vampire
myth matured. The vampire myth reached its current form in central and
southeastern Europe, an area dominated by the Catholic and Orthodox Churches
and the struggle between those two faiths. Two of the major supposed causes
of vampirism were excommunication or burial in a region dominated by a
sect conflicting with one's own.
Stoker's
Dracula is repelled by the crucifix or any other symbol of the Church.
Bits of Holy Wafer or a sprinkling of Holy Water is efficacious in repelling
the vampire or in purifying a location so that the undead can no longer
enter. Van Helsing uses this method to cleanse the coffins of the undead
so that they can no longer rest within. LeFanu's Carmilla is repelled by
the reading of religious verses and at one point faints during a religious
reading. Other 19th century and some 20th century fiction show the vampire
similarly susceptible to the manifestations of Christianity.
As
with many other aspects of the myth, the folklore literature is mixed on
this issue. The diversity most likely reflects the varying evolution and
epidemiology of vampirism across the different regions of Europe. It is
really only in the 19th century, with the development and dissemination
of fictional vampire literature in western Europe that the vampire myth
became homogenized and assumed a more uniform and consistent nature. In
some European stories, the vampire cannot even enter the shadow of a church.
In other areas the vampire is relatively immune to the emblems of the Church.
Generally though, across most of Europe the vampire, since he was an agent
of Satan, was held to be subject to the dominion of the symbols of Christ.
The Cross, Holy Water and other symbols of the Church were almost universally
held to be powerful weapons against vampires, werewolves, witches and other
spawn of Satan.
==
A Brief Synopsis of List Discussion of the Holy Symbol Issue ==
List
discussion concerning this topic has ranged across the entire spectrum
of
possible positions. As with most vampire topics, the exact position of
the writer is very dependent on the writer's view of the nature of vampirism.
However, few of the list members seem to support the traditional outlook
on holy symbols.
Many
list members felt that the traditional interpretation of vampires and holy
symbols, i.e., that the vampire is repelled because the holy object is
an actual expression of the power of Christ and his Church over the minions
of Satan, was unacceptable. They felt that this interpretation implied
the superiority of the Christian religion over all other faiths in a manner
that invalidated other religions. If the symbols of Christ held an innate
power over the servants of Darkness then Christianity must be the One True
Religion. Many people find this outlook unacceptably chauvinistic and demeaning
to the followers of other faiths.
For
those list members who accepted the idea that holy symbols had any power
at all over vampires, the consensus seemed to be that the power of the
symbol derived from the faith of the wielder (or more rarely, from the
belief of the vampire) rather than any intrinsic power of the symbol itself.
In other words, if a person, confronted by a hungry and hostile vampire,
presents any symbol which they truly believe to represent the power of
Light and Goodness, their very belief will manifest itself in a force sufficient
to drive away the undead. Other list members were willing to accept that
the symbol might have some innate power (however, this power would be equally
available to followers of other faiths) but the wielder must have a true
belief in his symbol for that power to be manifested. There is some support
for this position in modern fiction. A common scene in many vampire movies
is that of the would-be vampire killer who has little or no religious belief
presenting his cross only to have it sneeringly taken away by the unaffected
vampire.
From:
Amos
Haggard
Vampires
are creatures of myth and imagination, and as such, probably closer to
the ideal than the real, for most of us at least. When fiction deals with
myth, or with folklore, wish-fulfillment tends to be stronger than realism.
So we have the Western gunman in his role as the hero's best friend riding
for the sunset to leave the hero free to marry the heroine; because it
is nice to imagine that someone would do that. The word 'marry', by the
way, was used advisedly. And because he is imaginary, we can make him do
what we like, and there is no need to remember that Wyatt Earp was probably
a dispassionate killer. The same human desire to create a moral light in
the darkness - a light preferably held in the strong hands of the hero
- led to the idea that symbols of good could keep the vampire away. But
as literary taste moves away from moral example and happy endings, so the
idea of evil being defeated by good becomes less credible. The vampire
disregards the cross, and the human carrying it doesn't quite believe in
it either. Notions of what is good and what is evil become more uncertain.
Maybe a pentangle would be a safer bet... or an AK 47.
The
point of all this is that I would agree with the idea that a power-symbol
is effective against a vampire only if you believe in it. However, this
is very difficult to explain, unless you concede that your belief, or your
imagination, is responsible for the vampire's power as well as the symbol's.
It would be my view that the sane human mind finds it almost impossible
to imagine complete and irresistible evil. In the imagination, there will
always be some way to combat the dark. When the general mood is as pessimistic
as it is at present, and people see their symbols losing power, there is
always a last resort. You can welcome the vampire's advance, in the hope
that his attack will release you, instead of ending your life. You can
grow to despise your weakness and idolize those who take advantage of it.
You can allow your fascination with the killer to become stronger than
your identification with his victim. You can enjoy cool sex with your vampire
lover and finish by becoming vampire yourself.
From:
Enigma Nocturnus (KHELDAR@KSUVM.KSU.EDU)
On
the holy symbol issue, I am vexed with a variation on the problem that
faces philosophers working in the branch of Ethics: how to deal with the
multiplicity of religions. One can take either of two approaches to the
matter. First, one religion could be the 'true religion' and all the rest
are fallacious. Second, one could take a relativist approach and claim
that all religions are equally valid. Actually, I take a variation on the
second view, since I am a strange breed of agnostic (I am currently calling
myself a transcendentally agnostic manichean). I acknowledge the existence
of a multiplicity of Gods/Goddesses, however, I do not worship any of these
beings. I see a situation in which the Gods/Goddesses act under the auspices
of something greater (which is _not_ worshipped) and essentially indefinable
(at least by mortals). This came about because of my attempts to account
for humans becoming Gods/Goddesses, and the reverse. Anyhow, enough of
my particular views. Suffice it to say, that I will attempt to establish
a set of theories involving holy symbols that either 1) satisfy a multi-religion
context or 2) dispense with religion all together.
Imprimis,
the protection offered by the holy symbol comes from an innate quality
of the object (sanctity) and/or an innate quality of the wielder (faith).
If religion is used, then the answer is simple. Blessing of a holy symbol
(or empowering, if you prefer), endows it with a certain power. This power,
by itself, would not be sufficient, as we see many examples where an individual
who has no faith has his holy symbol batted away by the attacking vampire.
Faith is a necessary component: it would appear to act as the catalyst
by which this power can act in terms of defense.
There
is an alternate argument: that an agency of the deity, or the deity himself,
comes to the defense of the would-be victim. These arguments tend to get
around the problem of the vampire and the victim being of different religions,
which results if the repellent nature of the symbol is purely because of
the vampire's fear of sacrilege...
Secundus,
let us turn to a hypothesis where a purely psychic phenomena occurs. In
some ways, it shares some kinship with the posting I made some weeks previously
concerning vampire's inability/aversion towards crossing thresholds. What
might be happening under the aegis of religion could well be an unconscious
psychic defense. I read the process as follows: Mortal presents holy symbol,
and the fear of the vampire reacts with this defensive action by an automatic
surge of will through the holy symbol. The vampire, who is already very
sensitive to such phenomena, recoils from the pain at the flood of force,
tinged with fear.
Now,
this view has some interesting corollaries. First, to a trained mind, the
holy symbol can be dispensed with, as he or she is able to manage his or
her personal defenses/shields to act in a much more efficient manner. Second,
vampires would probably be barred by such magical phenomena as magic circles
and wards. I would argue that the vampire would not be helpless in such
cases, and could launch an attack on said defenses (and an older vampire
could likely make a more effective attack, being both more proficient in
the arts and/or more sensitive to the interactions going on).
In
any case, the two major mechanisms I described are not mutually exclusive.
In fact, they mesh without too much fuss. By length, I think it is fairly
indicative of which I prefer, however (having extensively studied psychic,
magical, and other metaphysical phenomena in the attempt to understand
my world). Hopefully, the above hasn't been too torturous to read, as I
was hoping to condense as much of my thoughts as possible. In any case,
since this is my third post, I'll shut up until tomorrow, or whenever I
decide to post next...