Gilbert Keith
Chesterton (29 May 1874 – 14 June
1936) was an
influential English writer of the early 20th century. His prolific and
diverse
output included journalism, philosophy,
poetry, biography, Christian apologetics, fantasy
and detective
fiction.
Chesterton has
been called the
"prince of paradox."[1] Time
magazine, in a review of a biography of Chesterton, observed of his
writing
style: "Whenever possible Chesterton made his points with popular
sayings,
proverbs, allegories—first carefully turning them inside out."[2] For example, Chesterton
wrote the following:
Thieves respect
property. They
merely wish the property to become their property that they may more
perfectly
respect it.[3]
Chesterton is
well known for his reasoned
apologetics and even those who disagree with him have recognized the
universal
appeal of such works as Orthodoxy and The Everlasting Man.[2][4] Chesterton, as political thinker,
cast aspersions on
both Liberalism
and Conservatism,
saying:
The whole modern
world has
divided itself into Conservatives and Progressives. The business of
Progressives is to go on making mistakes. The business of the
Conservatives is
to prevent the mistakes from being corrected.[5]
Chesterton
routinely referred to
himself as an "orthodox
" Christian , and came to identify such a position with Catholicism
more and more, eventually converting to Roman
Catholicism. George Bernard Shaw, Chesterton's
"friendly enemy" according to Time, said of him, "He was
a man of colossal genius".[2]
Born in Campden
Hill in Kensington,
According to
Chesterton, as a
young man he became fascinated with the occult
and, along
with his brother Cecil, experimented with Ouija
boards.[6] However, as he grew older, he
became an increasingly
orthodox Christian,
culminating in his conversion to Roman Catholicism in 1922.[7]
Chesterton was a
large man,
standing
He usually wore
a cape and a
crumpled hat, with a swordstick in hand, and had a cigar
hanging out of
his mouth. He would sometimes carry a knife and a
loaded revolver. Chesterton
often forgot where he was supposed to be going and would miss the train
that
was supposed to take him there. It is reported that on several
occasions he
sent a telegram to his wife, Frances Blogg, from some distant (and
incorrect)
location, writing such things as "Am at Market
Harborough. Where ought I to be?" to which she would reply,
"Home."[9]
Chesterton loved
to debate, often
engaging in friendly public disputes with such men as George Bernard Shaw, H.
G. Wells,
Bertrand
Russell and Clarence Darrow. According to his
autobiography, he
and Shaw played cowboys
in a silent movie that was never released.
Chesterton died
on 14 June 1936,
at his home in Beaconsfield, Buckinghamshire.
The homily at
Chesterton's Requiem
Mass in Westminster Cathedral,
Chesterton wrote
around 80 books,
several hundred poems, some 200 short stories, 4000 essays, and
several
plays. He was a literary and social critic, historian, playwright,
novelist,
Catholic theologian and apologist, debater, and mystery writer. He was a
columnist
for the Daily News, the Illustrated London News, and
his own
paper, G. K.'s Weekly; he also wrote articles
for the Encyclopædia
Britannica, including the
entry on Charles Dickens and part of the entry on Humour in
the 14th
edition (1929). His best-known character is the priest-detective Father
Brown, who appeared only in short stories, while The Man Who Was Thursday is arguably
his best-known novel. He was a convinced Christian long before he was
received
into the Catholic Church, and Christian themes and symbolism appear in
much of
his writing. In the
Much of his
poetry is little
known, though well reflecting his beliefs and opinions. The best
written is
probably Lepanto,
with The Rolling English Road the
most
familiar, and The Secret People perhaps the most quoted ("we are
the
people of England; and we have not spoken yet"). Another much admired
poem
is A Ballade of Suicide.
Of his
nonfiction, Charles
Dickens: A Critical Study (1906) has received some of the broadest-
based
praise. According to Ian Ker (The Catholic Revival in English
Literature,
1845-1961, 2003), "In Chesterton's eyes Dickens belongs to Merry,
not Puritan,
England" ; Ker treats in Chapter 4 of that book Chesterton's thought
as largely growing out of his true appreciation of Dickens, a somewhat
shop-soiled property in the view of other literary opinions of the
time.
Chesterton's
writings
consistently displayed wit and a sense of humour. He employed paradox,
while
making serious comments on the world, government, politics, economics,
philosophy, theology and many other topics. When The
Times
invited several eminent authors to write essays on the theme "What's
Wrong
with the World?" Chesterton's contribution took the form of a
letter:
Dear
Sirs,
I am.
Sincerely yours,
G. K. Chesterton[10]
Typically,
Chesterton here
combined wit with a serious point (that of human sinfulness) and
self-deprecation.
Much of
Chesterton's work remains
in print, including collections of the Father Brown detective stories.
Ignatius
Press is currently in the process of publishing a Complete
Works.