Tom Sharpe (1928 - ) was educated at Lancing and
Pembroke College, Cambridge. He did his National Service in the British
Marines before going to South Africa in 1951, where he did social work
for the Non-European Affairs Department before teaching in Natal. He
had a photographic studio in Pietermaritzburg from 1957 until 1961,
when he was deported. From 1963-72 he was a lecturer in history at the
Cambridge College of Arts and Technology. His second novel, the sequel
to Riotous Assembly, is called Indecent Exposure. His
other novels include The Great Pursuit, Wilt,
Porterhouse Blue and Blott on the Landscape. Tom
Sharpe is married and lives in Dorset, U.K.
Selected Work
From Riotous Assembly
(1971)(Note: Piemburg is Sharpe's thinly veiled fictitious name for
Pietermaritzburg.)
Kommandant van Heerden had few illusions about himself and a
great many about everything else. And it was thanks to his illusions
that he found himself in charge of the Police station in Piemburg. It
was not a very onerous position. Piemburg's mediocrity was not
conducive to more than petty crime and it had been felt at Police
Headquarters in Pretoria that, while Kommandant van Heerden's
appointment might push the city's crime rate up, it would at least
serve to lower the waves of violence and theft that had followed his
posting to other more enterprising towns.Besides, Piemburg deserved the
Kommandant. As the one town in the Republic still to fly the Union Jack
from the Town Hall, Piemburg needed to be taught that the Government
could not be challenged without taking some revenge.
Kommandant van Heerden knew that his appointment was not due
to his success in the field of criminal investigation. He fondly
imagined it had come to him because he understood the English. It was
in fact due to the reputation of his grandfather, Klaasie van Heerden,
who had served under General Cronje at the Battle of Paardeberg and had
been shot by the British for refusing to obey the order of his
commanding officer to surrender. He had instead stayed put in a hole in
the bank of the Modder River and shot down twelve soldiers of the Essex
Regiment who were relieving themselves there some forty-eight hours
after the last shot had been fired. The fact that Klaasie had been fast
asleep throughout the entire battle and had never heard the order to
cease fire was discounted by the British during his trial and by later
generations of Afrikaans historians. Instead he was accounted a hero
who had been martyred for his devotion to the Boer Republics and as a
hero he was revered by Afrikaans Nationalists all over South Africa.
It was this legend that had helped Kommandant van Heerden to
his present rank. It had taken a long time for his incompetence to live
down the reputation for cunning that had been bequeathed him by his
grandfather, and by that time it was too late for Police Headquarters
to do anything about his inefficiency except put him in command of
Piemburg.
Kommandant van Heerden imagined that he had got the post
because it was in an English town and certainly it was just the post he
wanted. The Kommandant believed that he was one of the few Afrikaaners
who really understood the English mind. In spite of the treatment the
British had meted out to his grandfather, in spite of the brutality the
British had shown to the Boer women and children in the concentration
camps, in spite of the sentimentality the British wasted on their black
servants, in spite of everything, Kommandant van Heerden admired the
British.
There was something about their blundering stupidity that
appealed to him. It called out to something deep within his being. He
couldn't say exactly what it was, but deep called to deep and, if the
Kommandant could have chosen his place of birth, its time and
nationality, he would have plumped for Piemburg in 1890 and the heart
of an English gentleman.
Bibliography
1971. Riotous Assembly.
1973. Indecent exposure.
1974. Porterhouse Blue.
1975. Blott on the landscape.
1976. Wilt.
1977. Great Pursuit.
1978. The Throwback.
1979. The Wilt Alternative.
1980. Ancestral Vices.
1984. Wilt on High.
1995. Grantchester Grind: A Porterhouse Chronicle.
1996. The Midden.
1996. Vintage Stuff.
2004. Wilt in Nowhere. |