that the science
uses to be expressed is naturally the prose, to which is demanded clarity
above all and to be lacking all seasoning and ambiguity. With this end
the Royal Society designates in 1664-1665 a committee dedicated to perfect
the English language. After one century in which the vernacular language
had been developed with great freedom and exuberance, now it is tried to
be organised and to polish the language, with a view to qualifying it for
the expression of the new experiments and scientific conclusions. Thomas
Sprat, author of the first History of the Royal Society, in 1667
describes the norms that should govern the new prose that above all should
be direct, daily, of similar simplicity to the one of the mathematical
and next language to the speech of artisans and merchants that to that
of the men of letters and erudites.
The scientific activities,
their methodology and their language influence this way directly in the
writers of the period. The methods of precise observation and of exhaustive
description, the total commitment with the truthfulness and the realism
that the novelistic gender is imposed and that we find in particular in
Robinson
Crusoe, are largely to the new science. In accordance with the definition
of Locke according to the purpose of the language is the one of "communicating
the knowledge of the things", Defoe focuses in the description of the external
qualities of the objects and stops minutely in the explanation of its number,
extension, volume, solidity, etc., and in a much next language to that
of the artisan and that of the merchant that to that of the intellectual,
just as Sprat had suggested. Defoe is more qualified than any other person
to make it because he takes twenty years writing in the newspapers with
the intention and the imperious necessity of convincing. He is under good
conditions to inaugurate some techniques that are characterised mainly
by the literary realism. But a last reason that could have contributed
in the perfection with which the new gender is inaugurated also exists:
as puritan, Defoe was not able to but feeling very uncomfortable writing
fiction, I mean, inventing stories and adventures that were not true. It
is possible that he tries to palliate the falsehood of Robinson Crusoe
and of their other creations of fiction with the help of trying that their
lies were so likely that seemed true. A great imagination was naturally
regarded for that..
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Academic
Year 00-01
07/02/2001
©a.r.e.a.
Dr. Vicente Forés López
©Ana
Aroa Alba Cuesta
Universitat
de València Press